Fenil and Bollywood

Posts Tagged ‘rocket singh

Stills from movies (from top) Love Aaj Kal, Paa, New York, Wanted, Ajab Prem Ki Ghazab Kahani and All The Best

…only 4 hits in 2009’s 240-plus films!

MEENA IYER Times News Network (BOMBAY TIMES; December 23, 2009)

Christmas is round the corner. And Bollywood is sincerely hoping Santa Claus will come to its rescue. Around 240 odd films (including the dubbed titles) have released so far in 2009. But barely four are certified hits. For the No. 1 slot, it is a photofinish between Saif Ali Khan’s Love Aaj Kal and Ramesh Taurani’s Ajab Prem Ki Ghazab Kahani. A trade source said, “Love Aaj Kal collected around Rs 60 crore but it was also sold at a higher price. While APKGK was sold at Rs 44 crore with print and publicity and will make a neat profit of at least Rs 10 crore for its producers. So, in a way, it is hard to tell which is the clear No.1.’’ Aditya Chopra’s New York is the second biggest hit, followed closely by Boney Kapoor’s Wanted. There is a mixed view on Amitabh Bachchan’s Paa and Ajay Devgn’s All the Best being in the fourth place. Trade analyst Taran Adarsh feels because AB Corp has curtailed the film’s budget to Rs. 16 crore and Paa is still running in multiplexes, it is a profitable film.
According to reliable market sources, lead actors Amitabh Bachchan and Abhishek Bachchan, and director R Balki, didn’t charge their market price. “It is reported that the Bachchans will get to keep the satellite rights of the film (valued at around Rs 10 crore) against their remuneration,’’ said a trade source. While film editor Komal Nahta feels All the Best has also romped home.
Taran said, “This has been the most unfortunate year for Bollywood. The box-office was crippled by the multiplex strike, swine flu and three four big movies clashing each week after that.’’ Distributor Amod Mehra added, “Many films were liked by the audience… but their price failed them. Raaz, Wake Up Sid and De Dana Dan got a fair share of audience — but the price at which they sold was astronomical, ensuring these films were a loss-making proposition for the main buyer.’’
As far as the critics are concerned, they have had to carry the carcass of the films they praised. Whether it was Kurbaan or Rocket Singh. Filmmaker N R Pachisia said, “Ranbir Kapoor is the future of this industry, Saif Ali Khan did himself a good turn with LAK, but the only man who deserves true praise this year is Amitabh Bachchan who with Paa raised the bar of our cinema to an international level.’’
P.S. The one film that everyone is unanimous about is the dubbed version of 2012 that has done as good business as the biggest Bollywood hit this year.

Box Office hits this year!
Love Aaj Kal
Ajab Prem Ki Ghazab Kahani
New York
Wanted
All the Best
Paa

By IANS (Mid-Day; December 17, 2009)

Model-VJ Gauhar Khan says she believes playing the lead does not mean being paired romantically opposite the hero but being integral part of the film’s plot.

She plays a receptionist of Ranbir Kapoor’s sales office in ‘Rocket Singh – Salesman of the Year’ which released last week.

Gauhar says that even though she is not romantically paired opposite Ranbir, she has most of her scenes with the Bollywood’s latest heartthrob. “our characters shared a close bond in the film,” she said.

Gauhar was participating in ‘Jhalak Dikhla Ja’ reality dance show when she was called for auditions for the film. “I went through five auditions before being selected for the role of Koena, a middle class fashionable girl, in the film. She is naive and also emotional. There were many layers in the character and I got an opportunity to showcase my acting skills,” Gauhar said.

Filmmaker Yash Chopra complimented me for my performance and that was the icing on the cake amid all adulation and good reviews, she said. ‘Rocket Singh’ is writer Jaideep Sahani’s vision and executed by director Shimit Amin, Gauhar said adding that playing her character in the film was tough but the duo made it easier. “They made me aware of the depth of Koena’s character,” she said.

Gauhar hopes to be romantically paired with Ranbir in future. “He is a calm and a good person and a thorough professional,” she said.

The actress says she has firmly set her sights on Bollywood and was looking for work to improve her performing abilities. “Only talent matters in this industry,” she said.

Gauhar has come a long way from being a model, VJ and has put the infamous wardrobe malfunction at Lakme Fashion Week couple of years ago behind her. She said she is looking forward to play performance oriented lead roles.

MID-DAY

By SHAHEEN PARKAR (Mid-Day; December 18, 2009)

Why Gauhar Khan is opening up way after Rocket Singh’s release

All this while, Gauhar Khan preferred to remain mum about Rocket Singh and the buzz about her so-called ‘cold war’ with Shazahn Padamsee who also features in the film.

“I was under contract with Yash Raj not to speak till the film releases. I wanted to respect it even though others may not have,” says the model-turned-actress. “I did not want to have any bad vibes around nor upset anyone. I only wanted my performance to do the talking which I am glad it did.”

At a private screening she received compliments from Yash Chopra as well as her co-star Ranbir Kapoor’s parents Rishi and Neetu Singh. “They telling me that I had done well in the film was huge for me. I was so jittery but the response has been overwhelming.”

She states that after the screening, she went up to Shazahn and wished her luck for her first film. “I don’t even know Shazahn and we didn’t share screen space. Nor were there any film-related events that we would be together. So I really don’t know where all this crept up? Guess this is what happens when there is a PR machinery at work.”

At the moment, it’s only acting for her. “The fashion world and ramp is out for me now. I only want to concentrate on movies.”

She was picked up for Rocket Singh during her television outing Jhalak Dikkhla Jaa. Most viewers would remember her as an extremely emotional contestant who cried often. “But that’s how I am, even off-screen. I always get emotional. I cried even after Rocket Singh’s screening!” she says.

Aan- Men at work-Did a dance number in  Madhur Bhandarkar flick
Phir Hera Pheri-Was to be launched in this film. It never happened

The Pyaar Impossible promos will focus on Priyanka Chopra’s campus bomb avatar rather than Uday Chopra’s nerdy act, after the box-office failure of Rocket Singh…

By Subhash K Jha (MUMBAI MIRROR; December 18, 2009)


The failure of Rocket Singh – Salesman of the Year is making producers YRF rethink the strategy of their next release, Pyaar Impossible. With Ranbir Kapoor’s nerd act in Rocket Singh… not going down well with the audience, there is a huge question mark regarding the success of Pyaar Impossible.

The film has Yash Raj scion Uday Chopra playing the consummate geek who adores the campus beauty, Priyanka Chopra from far.

With the release just a few weeks away (January 8), there’s an air of panic at the production house. One of their regular actors says, “Pyaar Impossible was designed as a vehicle for Uday. However, with nerdy heroes not doing well, everyone feels that the timid act needs to be toned down, but now it’s too late.”

Yash Raj, who had earlier thought of weaving the promos around Uday’s nerd act, has decided that it is safer to play up Priyanka’s sexy avatar instead. They are now deflecting the marketing attention from his nerd act to focus on Priyanka’s campus bomb act. Even then there’s a problem because What’s Your Raashee? proved Priyanka can’t carry a film on her shoulders.”

Pyaar Impossible

Incidentally, last year, Yash Raj’s Rab Ne Bana Di Jodi, where Shah Rukh Khan played a nerd was a huge box-office success. Aditya Chopra was so inspired by the film’s success that the brief he gave at Yash Raj for 2009 was to go full-throttle with the saga of the underdog.

A source adds, “Pyaar Impossible is a litmus test for YRF. It was designed as a comeback vehicle for Uday. But then Rani Mukerji’s nerdy act in men’s clothes in Dil Bole Hadippa bombed. However, it was the box-office outcome of Rocket Singh where Ranbir plays the nerd with relish that has stunned YRF the most.”

When questioned about the non-viability of the underdog, Pyaar Impossible director Jugal Hansraj says that he is sure that the failure of nerdy heroes in 2009 will not adversely affect his film. “We have approached the character of the nerd in Pyaar Impossible realistically. Uday’s character has been depicted as a brilliant student at University who is socially challenged and has no friends. He plays a nerd in a subtle manner even though this is a light-hearted romantic film.”

It’s always a pleasure to see a meaningful flick which entertains as well enlightens. Rajkumar Hirani is the master of such flicks (his forthcoming 3 Idiots is also expected to be the same). Rocket Singh also falls in this category. Although it is laden with some glitches, overall it gives you a great time and also teaches you some valuable lessons which we may have forgotten or ignored because of living in this fast-paced urban ‘corporatized’ life!

The story of the movie: Harpreet Singh Bedi (Ranbir Kapoor) has just graduated with low marks but is determined to enter into the world of sales. He justified himself as ‘number kam hai dimaag nahi’! With his confidence and ‘never quit’ attitude, he lands as a trainee in the reputed company, AYS. But he soon realizes that in this professional field, the people worked with the most unprofessional attitude! He always believed in working honestly and caring for the customers. He even attempted to apply his principles which received a sharp reaction from his seniors. Harpreet was then denounced and humiliated. And this is when he realized that instead of merely being an observer, he’ll be the change he wants to see! From here begins the journey of Harpreet aka Rocket Singh!

One won’t take to Rocket Singh instantly, esp in the first hour. This hour focuses more on establishing characters. Also the film hasn’t applied sync sound system well due to which one has difficulty in deciphering some of the dialogues. But after some time in the film, we get ‘accustomed’ to it!

But there are some sequences in the first hour that deserve a mention. The ‘complaint’ scene was great and the boss’ (Manish Choudhari) angry reaction looked quite real. Also watch out when Ranbir is humiliated by the boss with his ‘zero-value’ theory. It was a bit over the top but made an impact.

But the second hour is when the film rocks big time! Ranbir creating a company within a company and popularizing it with his honest ways and making partners was damn interesting. The pre-climax wonderfully built up tension but the climax was dragged a bit. Maybe, the lengthy dialogue should have been a bit crisp. It would have made a better impact.

But nonetheless, the film manages to put its message across in a cool manner. It’s a must for all in the sales field or anyone dealing with customers…maybe it will inspire them to adopt more ‘human’ and honest ways of working!

Without a doubt, it’s Ranbir Kapoor who carried the film fabulously on his shoulders and came up with a great performance. He looked charming even in his sardar look and managed to do a great job-as great as he did in Wake Up Sid and Ajab Prem Ki Ghazab Kahani. The film may unfortunately not work at the BO but Ranbir will surely be appreciated and Rocket Singh will be remembered as one of his best performances!

Prem Chopra as Ranbir’s paa played his part well. D. Santosh (famous for his Rajguru act in The Legend of Bhagat Singh) was outstanding! In fact, he delivers better performance than Ranbir in many of the scenes involving both of them! Watch out for him!

Besides these, the rest of actors were all newbies but leave a mark. Gauhar Khan as Koyna looks stunning and gives a top-class performance. Her career in Bollywood is on the right track with this film! Shazahn Padamsee gets very little scope but manages to impress. Mukesh Bhatt as Chotelal was just brilliant! And finally, the other two actors who leave a maximum impact as Ranbir and Santosh are Naveen Kaushik (as Nitin) and Manish Choudhari. Both were wonderful and if the film impresses, then they are also to be credited!

Salim-Sulaiman’s music doesn’t make a mark as song-and-dance isn’t part of this film. Pocket Mein Rocket is missing from the film. But their background score like everytime was fabulous.

Vikash Nowlakha’s cinematography was flawless. Manas Choudhury, the sync sound recordist, could have done a better job.

Jaideep Sahni has written the story, screenplay, dialogues and lyrics. His work was exceptional in all four. Only the screenplay could have been a tighter in the climax and easy in the initial portions. But the best part is-his Khosla Ka Ghosla magic is wonderfully seen in some of the scenes which really makes the film impressive.

This is Shimit Amin’s weakest directorial venture, simply because his last two flicks, Ab Tak Chappan and Chak De! India are considered as classics. But still even in his weak performance, he impresses! Watch out for how he has paid attention to little details to make the film look as realistic and closer to real life as possible. Watch out for the beginning portions when the credits appear-observe how the simple articles found in every household are impressively highlighted. Overall, a good job, could have been better and best wishes for the next project!

Some of the best scenes of the film:
1.     Harpreet’s first interview
2.     Harpreet’s complaint box ‘kaarnama
3.     Boss reacts to Harpreet’s kaarnama!
4.     Colleagues scold Harpreet
5.     The intermission point
6.     Koyna joins Harpreet
7.     Harpreet and his boss’ telephonic conversation (best scene of the film!)
8.     Boss finds out the truth (amazing!)
9.     The final scene

On the whole, Rocket Singh is a feel-good film and should be seen by all sales professionals and corporates. A must watch for Ranbir too. Go for it to have a different kinda experience!

My rating-*** out of 5!

This review first appeared on MouthShut.com: http://www.mouthshut.com/review/Rocket_Singh-181580-1.html

Saturday 12th December 2008 09.00 IST

Boxofficeindia.Com Trade Network

Rocket Singh – Salesman Of The Year had a dull start as it opened to around 30-40% and evening shows did not show major improvement at around 50-55%. Single screens had a low response. The film has fairly low costs so recovery is not a major problem but it remains to be seen what sort of theatrical business it can do. Delhi/NCR showed best improvement yesterday evening but not the sort of jump that makes a big difference.

Paa had a decent first week of around 16.50 crore nett. The film did very well on Saturday and Sunday while midweek collections were steady but on lower side. Second week will be important for the film. Overall the film will probably do 25-30 crore nett lifetime business unless second week is poor.

Radio had a very poor first week of around 1.25 crore nett. DISASTER

De Dana Dan added 10 crore nett in its second weekend. The second week was decent in some circuits but overall the film had a big fall in week two. The film has now grossed 44 crore nett in two weeks.

By Taran Adarsh, December 11, 2009 – 17:13 IST

Some films absorb you instantly, from the very outset. But it takes time to get into the world of a salesman who thinks from his heart.

Come to think of it, ROCKET SINGH – SALESMAN OF THE YEAR is about a simpleton, but the story of his struggle and accomplishment isn’t the kind that would charge you or make you charter a similar path in life. Also, the story of an underdog who comes up the hard way should make you feel euphoric in the end, right? But ROCKET SINGH – SALESMAN OF THE YEAR doesn’t.

BY BOLLYWOOD HUNGAMA.COM

Frankly, ROCKET SINGH – SALESMAN OF THE YEAR is more of a documentary on the life of a salesman. It’s a decent film, no two opinions on that, but the question is, [a] Is the story powerful enough to excite you and [b] Does it grab your attention in entirety? Sadly, the answer to both the questions is in the negative.

//

There’s another problem and this is strictly from the point of those seeking entertainment. A Yash Raj film with Ranbir Kapoor [after AJAB PREM KI GHAZAB KAHANI] essaying the title role, coupled with fun-filled promos [‘Pocket Mein Rocket Hain’] might make you assume that it would offer loads of entertainment, but this has barely a song or two, as good as no romance and hardly any comic moments – the recipe for most Hindi movies.

In a nutshell, ROCKET SINGH – SALESMAN OF THE YEAR is a dull and dry experience.

Harpreet Singh Bedi [Ranbir Kapoor] has just graduated and his marks are, well, let’s say a little embarrassing. But marks never stopped him from dreaming of an exciting and adventurous career, and they never will.

He takes a deep, positive breath and dives into the world of sales, rumoured to be an ultra cool career. It’s everything he dreamt of, with its smooth dressing, smoother talking men and women who can sell ice to an Eskimo, dreams to an insomniac and a lifetime mobile connection to a dying man. But soon, his idea of success begins clashing with the strange ways of these ‘professionals’ and ‘bosses’ he looked up to.

ROCKET SINGH – SALESMAN OF THE YEAR may be based on a simpleton’s life, but the viewer gets a hang of things only towards the second hour. The entire first hour is devoted to establishing the characters and also getting used to the way sales persons go about their business.

There’s not much excitement in the first hour, barring a few attention-grabbing scenes that pop up intermittently. The story just flows, with the viewer not reacting much to the proceedings. But things change for better towards the post-interval portions when the protagonist and his colleagues’ lives get complicated.

At least two sequences deserve a mention here. The first, when Ranbir and his boss have a lengthy telephonic conversation. The second, when the boss realises his folly and apologises to Ranbir. But, unfortunately, the culmination to the story doesn’t give the feeling of euphoria or victory. Ideally speaking, it should have. That’s one of the reasons why the impact is missing.

Shimit Amin is an efficient storyteller and he has been most faithful to the plot, but if the plot itself has its limitations, there’s not much he can do to boost the proceedings. Jaideep Sahni has had the courage to narrate a new story, but the story is one-dimensional. Also, there screenplay is devoid of songs, romance and entertainment, which will go against the film completely.

Salim-Sulaiman’s background score is effectual. Vikash Nowlakha’s cinematography is alright.

Ranbir Kapoor is an exceptional actor and ROCKET SINGH – SALESMAN OF THE YEAR mirrors this fact. The actor underplays his part beautifully, which only goes to prove that he’s equally at ease essaying straight-out-of-life roles. Prem Chopra is exceptional. A number of new faces enact pivotal roles here, but the ones who stand out are Ranbir’s boss Puri and colleague Nitin. Both are fantastic.

D. Santosh is first-rate. Gauhar Khan leaves a strong impression. Shazahn Padamsee doesn’t get any scope.

On the whole, ROCKET SINGH – SALESMAN OF THE YEAR is more of a documentary on the life of a salesman. Lack of music, romance and entertainment, coupled with zilch hype, will go against the film. A colossal disappointment!

ROCKET SINGH GOES THE ‘THE HANGOVER’ WAY!

I always believe that promotion is of utmost importance for a film to succeed. It helps to create hype and arouse curiosity which in turn helps the film get a good opening. But some producers don’t stress too much on promotion, presumably for two reasons:

-> The producer doesn’t have enough money to publicize his product. Or maybe, the budget of the film went so high that the producer couldn’t afford to spend additional 2-3 crores on promotion

-> The producer is supremely confident of his product. He is confident that he has come up with a winner and come what may, it will attract audiences and do a great job commercially.

The second reason seems applicable as to why Rocket Singh-Salesman Of The Year, releasing tomorrow, isn’t promoted much.  Obviously, YRF aren’t short on funds so first reason can be ruled out. And going by Ranbir Kapoor’s confident declaration that Rocket Singh is his best film till date, it seems that the film will turn out to be a great entertainer. In his words, “I can proudly say that Rocket Singh… is not just my greatest film till date but also one of the greatest films made in the recent times. Believe me, it belongs to a different world altogether”.

Maybe, Ranbir did this as a personal publicity campaign on his part; after all, actors always do this, isn’t it? But it’s a fact that whenever the Chopras adopt a negligible promotional strategy for their film, then that film works wonders. ‘Chak De! India’ was also badly promoted and many trade pundits had predicted that it’ll fail. It even took an average opening. But the response was extremely positive and from the 2nd day, the film began attracting audiences in large numbers. It later turned out to be one of the biggest blockbusters of that year, 2007. Similarly, last year, Chopras went slow in promoting Rab Ne Bana Di Jodi which was very successful at the BO.

Another classic example is the case of The Hangover. How many of were aware of this film or had planned to see it when it released? The film had no famous stars and it also wasn’t promoted well across the world. In India, it released with a Hindi biggie, New York and Hollywood biggie, Terminator Salvation. The first day collections were pathetic. But the critics’ positive response and equally satisfying response of junta compelled moviegoers to catch this flick. In big cities, it ran for as many as 6-7 weeks (a rarity for Hollywood films) and was running with 70%+ occupancy even in weekdays!

So the point is-promotion is most vital but when your product is top-class and you are confident about its success, it’s okay to not promote the product much. Even ‘A Wednesday!’ and Mumbai Meri Jaan weren’t marketed well but later turned out to be two of the most loved films of 2008.

Coming back to Rocket Singh, the other reason why its promotion is low is because of Ranbir Kapoor’s presence in the film. He has received immense appreciation from his last 2 films, Wake Up Sid and Ajab Prem Ki Ghazab Kahani and is already on his way to become superstar. So maybe, YRF is of the opinion that Ranbir’s presence is now enough to get people to theatres. Also the title of the film, title song and the fact that it’s directed by Shimit Amin (director of Chak De and Ab Tak Chappan) has created some curiosity. If the film really turns out to be exciting as Ranbir has said, then he would be immediately crowned as the superstar for sure! Let’s hope for the best!
——————————————–
CELINA’S AWARD WINNING FLICK NOT RELEASING IN INDIA

Many moviegoers and even those in industry were shocked to hear that Celina Jaitly got the Best Female Actor award for her New Zealand flick Love Has No Language at the Cairo International Film Festival (CIFF)! A popular Bollywood screenwriter’s status on Facebook read, “Celina has won the Best Actor Award at CIFF. I’m trying to find out whether Stevie Wonder, Ravindra Jain and Nasser Khan (of Shadow fame) were the judges”! Such reactions were expected as Celina was never considered as an ‘actor’ anytime by majority. So this news came as 440 volt ka jakta!

Talking about the film, it has released in several countries but it still hasn’t got a release here in India and now Celina has confessed that the film won’t see a theatrical release here-it would come directly on DVDs. It pains to see inferior treatment being meted out to India so many times. The lead actress in the film is from India, she has even bagged a prestigious award and yet the film won’t release here-doesn’t sound fair, does it? Even Slumdog Millionaire got a very late release in India and it didn’t do a great job as people had already seen the film by downloading from the internet. Somewhere, this should stop!

CHECK OUT THE PROMO OF LOVE HAS NO LANGUAGE HERE

(Ranbir and Celina’s quotes taken from Bollywood Hungama.com)

This post first appeared on MouthShut.com: http://www.mouthshut.com/diary/chidprllp/Fenils-Bollywood-Talk78

By Joginder Tuteja, December 7, 2009 – 11:23 IST

Rocket Singh - Salesman Of The Year

It’s the Ranbir Kapoor wave. Saawariya is a thing of the past and suddenly the nation has woken up to the emerging superstar who has not just delivered two back to back successes (Wake Up Sid, Ajab Prem Ki Ghazab Kahani) but also found a certain respectability coming his way as an actor.

Belonging to those rare breed of newer generation actors who have also found being hailed as stars in their initial efforts itself (Hrithik Roshan is the last big name that comes to the mind), Ranbir Kapoor today finds himself in a comfortable position in the industry. With Rocket Singh – Salesman of the Year coming up next and all set to be a success, courtesy names like Shimit Amin (Chak De India, Ab Tak Chappan) and Yash Raj involved, he must be a little relieved, right?

“Yes, I am and mainly due to the fact that Rocket Singh…. experience has taught me something which is that one can never be over and above a film. In totality, one has to look at the kind of respect that the film gets. I am sure Rocket Singh… will get all the respect that it deserves”, he says in a confident tone.

Given the fact that the director at the helm of affairs is none other than Shimit Amin who gave Shah Rukh one of his most respected characterisation ever in Chak De India, what is Ranbir’s view about Rocket Singh…?

“I can proudly say that Rocket Singh… is not just my greatest film till date but also one of the greatest films made in the recent times. Believe me, it belongs to a different world altogether”, he states positively.

Coming up next is Rajneeti which seems like an altogether different outing for Ranbir when compared to the three releases he has enjoyed in 2009. Happy to have found himself in this glorious period where different films are being made? “Of course and the best part is that all these films are like chalk and cheese and have shaped up quite well”, says Ranbir.

Meanwhile these are hectic times for Ranbir. He has been virtually promoting Wake Up Sid, Ajab Prem Ki Ghazab Kahani and Rocket Singh… back to back. He was also busy wrapping up the shoot of Ranjeeti while also participating in the overseas schedule of Siddharth Anand’s Anjaana Anjaani with Priyanka Chopra in the middle of it all. Given the fact that recently even Amitabh Bachchan commented that promoting a movie is tougher than shooting, does he too believe in the saying?

“Ask me”, he smiles, “No really, it is no fun. Thankfully both Wake Up Sid and Ajab Prem… succeeded, so it means that I continued to talk about them even after their release. Now there is Rocket Singh – Salesman of the Year arriving in a few days so I guess there is still no time for rest. Thankfully, shooting for Anjaana Anjaani acted as a breather of sorts.”

BOLLYWOOD HUNGAMA.COM

By Indu Mirani (MUMBAI MIRROR; December 04, 2009)


Rocket Singh – Salesman of the Year star Ranbir Kapoor, director Shimit Amin and writer Jaideep Sahni get together to answer a rapid fire round related to sales and marketing.

Before Indu Mirani and Namrata Bhawnani test their sales IQ, they emphatically state that Ranbir’s role of a Sardar is not an ‘item’ in the film and it is not because playing a Sardar is the in thing. Ranbir adds that though the year has been exceptionally kind to him, this is the one film he is really proud of.

l-r: Jaideep Sahni, Ranbir Kapoor and Shimit Amin
(pic: rana chakraborty)


Name one person who has the best assets

Ranbir- Yash Chopra and Adi Chopra have YRF which is the best asset. It’s a great endeavour, great body of work.

Jaideep- I can’t really judge.

Shimit- Actually I am pretty much clueless about these things.

One person who has the best marketing skills

Ranbir- Shah Rukh Khan

Jaideep- ummmm… yeah pretty much, Shah Rukh Khan

Shimit- Shah Rukh Khan

One person in the industry who needs marketing tips

Ranbir- Shimit (laughs)

Jaideep- Shimit

Shimit- Yeah, me I guess. (All three laugh)

One of the best marketed films in recent times?

Ranbir- Rocket Singh- Salesman of the year

Jaideep- I think Ghajini and Om Shanti Om

Shimit- Paranormal

One of the worst marketed films in recent times?

Ranbir- Can I also say Rocket Singh – Salesman of the year (laughs)

Jaideep- Yeah, Rocket Singh – Salesman of the year

Shimit- Rocket Singh – Salesman of the year (laughs)

A sales tip to convince the ladies

Ranbir- I don’t think you need sales tips to make it work with the ladies. It’s basically about howmuch of your honesty comes through when you sell the product. You woo a woman with honesty and truth.

Jaideep- More empathy, less smartness.

Shimit- No clue.

One line to describe your USP

Ranbir- I really really love the movies and I love the fact that I am a part of the industry.

Jaideep- I guess I want to learn.

Shimit- Love working with people who are more talented than I am.

One partnership that sells really well

Ranbir- Shimit and Jaideep

Jaideep- Salim Javed

Shimit- Salim Javed works really well for me.

One defective piece in the industry

Ranbir- I don’t mean to belittle anyone but I think it’s sometimes the stories in a film. Sometimes they take the audience for granted. When I go to a film, I expect something. When that is missing it is a big defect.

Jaideep- I think investment in writing and writers. That’s coming from the same thing that Ranbir pointed out.

Shimit- Yeah, I think writing.

One person who deserves to be returned to the shelf

Ranbir- That’s really mean. No one should be returned to the shelf especially in the field of art. Age has nothing to do with it. It depends upon the timing and the kind of work one is doing. Depends upon the kind of opportunities one gets. So I don’t think anyone is defective. It’s the work  they did that was defective but they as artistes are not defective.

Jaideep- I agree. I think artistes are not defective. Actually if you trace back opportunities they get or circumstances they are in that is what is defective. No artiste deserves to be put on the shelf.

Shimit- I think this whole system of rating actors is a little inhumane. People have their times and we all know that.