Fenil and Bollywood

Posts Tagged ‘SANKAT CITY

By Bollywood Hungama News Network, December 31, 2009 – 12:22 IST

Best Film
3 Idiots
Dev D
Kaminey
Love Aaj Kal
Paa

Best Director
Anurag Kashyap – Dev D
Imtiaz Ali – Love Aaj Kal
R Balki – Paa
Rajkumar Hirani – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Actor (Male)
Aamir Khan – 3 Idiots
Amitabh Bachchan – Paa
Ranbir Kapoor – Ajab Prem Ki Ghazab Kahani
Ranbir Kapoor – Rocket Singh – Salesman Of The Year
Saif Ali Khan – Love Aaj Kal
Shahid Kapoor – Kaminey

Best Actor (Female)
Deepika Padukone – Love Aaj Kal
Kareena Kapoor – 3 Idiots
Katrina Kaif – New York
Priyanka Chopra – Kaminey
Priyanka Chopra – What’s Your Raashee?
Vidya Balan – Paa

Best Actor in a Supporting Role (Male)
Abhimanyu Singh – Gulaal
R Madhavan – 3 Idiots
Rishi Kapoor – Love Aaj Kal
Rishi Kapoor – Luck By Chance
Sharman Joshi – 3 Idiots

Best Actor in a Supporting Role (Female)
Arundhati Naag – Paa
Divya Dutta – Delhi-6
Gauhar Khan – Rocket Singh – Salesman Of The Year
Neha Dhupia – Raat Gayi Baat Gayi
Shahana Goswami – Firaaq

Best Actor in a Negative Role
Amole Gupte – Kaminey
Boman Irani – 3 Idiots
Kay Kay Menon – Gulaal
Mahesh Manjrekar – Wanted
Manish Choudhary – Rocket Singh – Salesman Of The Year

Best Actor in a Comic Role
D Santosh – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots
Paresh Rawal – De Dana Dan
Sanjay Mishra – All The Best
Vinay Pathak – Raat Gayi Baat Gayi

Best Background Music
Amit Trivedi – Dev D
Ilaiyaraja – Paa
Salim-Sulaiman – Rocket Singh – Salesman Of The Year
Shantanu Moitra, Atul Raninga, Sanjay Wandrekar – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Music
A R Rahman – Delhi-6
Pritam – Ajab Prem Ki Ghazab Kahani
Pritam – Love Aaj Kal
Pritam – Tum Mile
Vishal Bhardwaj – Kaminey

Best Playback Singer Female
Kavita Seth – Iktara – Wake Up Sid
Rekha Bhardwaj – Genda Phool – Delhi-6
Shreya Ghoshal – Zoobi Doobi – 3 Idiots
Shilpa Rao – Mudi Mudi – Paa
Sunidhi Chauhan – Mere Sang – New York

Best Lyrics
Amitabh Bhattacharya – Emosanal Attyachaar – Dev D
Irshad Kamil – Chor Bazari – Love Aaj Kal
Javed Akhtar – Sapnon Se Bhare Naina – Luck By Chance
Piyush Mishra – Ranaji – Gulaal
Prasoon Joshi – Man Ko Ati Bhavey – London Dreams

Best Story
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Anurag Kashyap, Aparna Malhotra, Raj Singh Chaudhary, Sanjay Maurya – Gulaal
Imtiaz Ali – Love Aaj Kal
Nandita Das, Shuchi Kothari – Firaaq
R Balki – Paa

Best Screenplay
Abhijat Joshi, Rajkumar Hirani, Vidhu Vinod Chopra – 3 Idiots
Anurag Kashyap, Vikramaditya Motwane – Dev D
Imtiaz Ali – Love Aaj Kal
Pankaj Advani – Sankat City
R Balki – Paa

Best Dialogue
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Imtiaz Ali – Love Aaj Kal
Anurag Kashyap, Vikramaditya Motwane – Dev D
R Balki – Paa
Vishal Bhardwaj – Kaminey

Best Editing
Aarti Bajaj – Dev D
Aarti Bajaj – Love Aaj Kal
Anil Naidu – Paa
Meghna Manchanda Sen, Sreekar Prasad – Kaminey
Rajkumar Hirani – 3 Idiots

Best Sound
Bishwadeep Chatterjee, Nihar Ranjan Samel – 3 Idiots
Dileep Subramaniam – Love Aaj Kal
Sanjay Maurya, Allwin Rego – Dev D
Shajith Koyeri, Subhash Sahu, P M Satheesh – Kaminey
Tapas Nayak – Paa

Best Special Effects
Charles Darby – Aladin
Prime Focus Ltd – Blue

Best Cinematography
C.K. Muraleedharan – 3 Idiots
P.C. Sreeram – Paa
Rajeev Ravi – Dev D
Shankar Raman – Frozen
Tassaduq Hussain – Kaminey

Best Art Directon
Acropolis, Rajnish Hedaa, Sumit, Snigdha Basu – 3 Idiots
Sabu Cyril – Aladin
Samir Chanda – Delhi-6
Samir Chanda – Kaminey
Sukanta Panigrahy, Helen Jones – Dev D

Best Choreography
Ahmed Khan – Prem Ki Naiiyya – Ajab Prem Ki Ghazab Kahani
Avit Dias – Aal Izz Well – 3 Idiots
Bosco- Caesar – Zoobi Doobi – 3 Idiots
Prasanna – Marjaani – Billu
Baawre – Vaibhavi Merchant – Luck By Chance

Best Action
James D Bomalick – Blue
Huan-Chiu Ku – Chandni Chowk To China
Shyam Kaushal – Kaminey
Tinu Verma – Acid Factory
Vijayan Master – Wanted

Most Promising Newcomer (Male)
Amole Gupte – Kaminey
Chandan Roy Sanyal – Kaminey
Navin Kaushik – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots

Most Promising Newcomer (Female)
Gauhar Khan – Rocket Singh – Salesman Of The Year
Giselle Monteiro – Love Aaj Kal
Jesse Randhawa – Gulaal
Kalki Koechlin – Dev D
Mahie Gill – Dev D

Most Promising Debut Director
Ayan Mukerji – Wake Up Sid
Nandita Das – Firaaq
Pankaj Advani – Sankat City
Shivajee Chandrabhushan – Frozen
Zoya Akhtar – Luck By Chance

Best Child Artiste
Jahan Bativala – Little Zizou
Iyanah Bativala – Little Zizou
Rahul Kumar – 3 Idiots
Parzan Dastur- Sikandar
Pratik Katare – Paa

Best Ensemble Cast
Delhi-6
Firaaq
Gulaal
Luck By Chance
Sankat City

BOLLYWOOD HUNGAMA.COM

Advertisements
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Kites2

IT’S ALL IN THE NAME: Poster of Kites

Bollywood has given up HAHK and DDLJ for short and simple English titles

AAKANKSHA NAVAL-SHETYE Times News Network (BOMBAY TIMES; September 15, 2009)

Bollywood has rediscovered the KISS (Keep It Short and Simple) rule, at least where film titles are concerned. Having had its fill of long names — Bollywood’s now high on short words, and most of them straight off the English vocabulary rack. Sample this: almost 20 films this year had English titles and there are almost 30 more to come… from Blue to Wanted and Radio to Kites. Trade pundits attribute this to several reasons. “Almost every title has been exhausted. Others have been blocked by producers before hand. Filmmakers have to come up with unique titles and English words give an instant youth connect,” explains trade analyst Komal Nahta, adding, “Even Dilwale Dulhaniya Le Jayenge was shortened to the English DDLJ.”

Trade analyst Taran Adarsh agrees, claiming that it’s a healthy trend looking at global cinema, “Bollywood films have an international audience. Ever since English lyrics in Hindi songs became a hit, filmmakers began exploring these options. As long as the title suits the content of the film, it’s bound to work.” Vashu Bhagnani, whose next film is titled Do Knot Disturb, adds, “When the masses can accept English songs and words in our films, why not
titles? The audience targeted is largely the youth and they can easily identify with such names.” Rohit Shetty, director of All the Best and Golmaal Returns, defended his titles, “Words like Welcome, All The Best, Luck, and No Problem work well even with the non-English speaking masses in the interiors. These titles have tested positive with the multiplex audience so it’s a win-win scenario all across.”

Trade analysts also believe TV has made English and ‘Hinglish’ popular. “Thanks to the serials, talk shows and advertisements, ‘Hinglish’ has become well-accepted. So if the words are simple and part of daily usage, the names are more likely to work than not,” say trade analysts.

However, filmmaker Vipul Shah, whose films — Singh is Kinng, London Dreams and Action Replayy — all have English names, has a different take. “London Dreams is the name of a band associated with my film, whereas Action Replayy was the name of my play done several years ago. So, the name has to show some connection with the film theme and should not be a random word,” he says. Will the trend of long names that kickstarted with Hum Aapke Hain Kaun pave way for English shorties? Time will tell.

My Name is KhanENGLISH SHORTIES RELEASED THIS YEAR
Fox, Luck, Three, Life Partner, Daddy Cool, Sankat City, Shortkut: The Con is On, Quick Gun Murugan, Bachelor Party, Bad Luck Govind, Chandni Chowk To China, Luck By Chance, Victory, The Stoneman Murders, 13B, Straight, Team, Runway, Let’s Dance, Morning Walk, Perfect Mismatch, Shadow, Toss

ENGLISH SHORTIES TO COME
Blue, Wanted, All the Best, London Dreams, Acid Factory, What’s Your Raashee?, 3 Idiots, Eight, Fast Forward, Shoebite, My Name Is Khan, Jail, Do Knot Disturb, Paa, Radio, Season Greetings, Chase, Kites, Wake Up Sid, Prince, Rocket Singh: Salesman of The Year, No Problem, Road Movie, Accident on Hill Road, Action Replayy

LP2

A month and a half back, I had mentioned in my Kambakkht Ishq review as to how it’s disgusting to see so many shoddy entertainers being released this year. But then a week late came the entertaining Sankat City which brought a respite. And Life Partner, released a week back, also manages to entertain and bring a smile, thankfully. This sweet-n-simple film also teaches some lessons on love and marriage. More about it later!

The story of the movie: Karan (Fardeen Khan), Bhavesh (Tusshar Kapoor) and Jeet (Govinda) are three friends based in Cape Town. Karan works in bank and is in love with the ‘untalented’ Sanjana (Genelia D’Souza), a spoilt daughter of a rich man (Anupam Kher). Bhavesh, on the other hand, doesn’t feel the need to date and believes in arranged marriage. He is an obedient son of a disciplinarian (Darshan Jariwala) and has reserved all his romance for his wife. He finally meets the women of his dreams, Prachi (Prachi Desai), daughter of a multi-millionaire (Vikram Gokhale). And Jeet is a divorce lawyer who can convince anyone to get divorced within minutes! In short, he was world’s best divorce lawyer! He doesn’t believe in the institution of marriage at all. He feels that ‘divorce ki sabse badi wajah hai shaadi’! He persuades Karan and Bhavesh and advices them not to fall into the trap of marriage. But they don’t pay any heed and get married to their women. The later part of the film is all about the problems the newly-wedded couples have to face.

Life Partner is executed in a simple manner. The director doesn’t waste time at all in the beginning and comes right to the point. By exploring the lives of Karan and Bhavesh and their marriage, the director throws light on the plusses and minuses of both love marriage and arranged marriage. The film also gives a wonderful insight on the joint family system, headed and controlled by a patriarch. But the film doesn’t turn melodramatic or preachy at a single place. There are also lots of funny moments throughout the film, which help maintain the light mood of the film. Also, the humour content is not slapstick-it manages to raise quite a many laughs!

LP

The first half is completely funny and has many hilarious sequences. The sequence where Tusshar with his family and Fardeen and Genelia visit Prachi’s palatial residence in India was excellent. The intermission point provides a shock! The second half is all about the problems the couples face. Although Fardeen-Genelia’s look a bit illogical, the scenes of Tusshar and Prachi seemed quite real. As for the climax, well, it was nonsensical but at the same time, it helped to give a film a justified finale. Most importantly, the viewer comes out of the theatre with a smile!

Every actor performs wonderfully. The best part is, Fardeen-Genelia and Tusshar-Prachi look excellent together and share a great chemistry. Fardeen Khan was terrific. He has already proved that he can carry off well in comic capers and his performance in Life Partner confirms it. He wasn’t seen in a single film last year. Before Life Partner this year, he starred in Jai Veeru which failed miserably. He still has three more releases this year-Acid Factory, Dulha Mil Gaya and All The Best and it seems Fardeen’s popularity will once again soar with Life Partner and the forthcoming films!

Genelia D’Souza rocks! Her role required her to be loud and she does it convincingly. She looks stunning throughout the film too, esp in the songs. Tusshar Kapoor got into the skin of the character and performed perfectly. Watch out his amazing expressions and acting in the scene where Prachi agrees to marry him! Prachi Desai, who impressed one and all in ‘Rock On!!’, does a fine job. She gets maximum scope in the 2nd half and does quite well in some of the important scenes.

Darshan Jariwala was excellent as the staunch patriarch. Same goes for Vikram Gokhale. Anupam Kher was okay. Jagdeep was hilarious, even though he was there for just a scene. Himani Shivpuri also provides laugh in just a single scene. Shoma Anand was a perfect mismatch for her role. The film also has Amrita Rao in a special appearance.

LP4

And finally, Govinda is the scene-stealer of the film, although his was a supporting role. The screen brightens as soon as he comes in! He looked cool, uttering his theory on marriage. A great job indeed!

Pritam’s music was good, but not as great as his accomplished works. Songs come at regular intervals but doesn’t hamper the pace of the film. ‘Koyal Kuke’, ‘Aage Aage’, ‘Teri Meri Yeh Zindagi’ and ‘Goonje Angna Mein’ are nicely composed numbers. The Amrita Rao track doesn’t quite work.

Niranjan Iyengar’s dialogues were perfect for such a film. The funny one-liners were too good. Yunus Sejawal’s screenplay was just perfect.

Finally, Rumy Jaffrey, the director and writer, manages to come up with a fine film. He doesn’t go overboard in a single scene and none of the sequences in the film (except the climax) looked nonsensical. However, it’s unfortunate to see such a nice film not getting enough audience. The film released simultaneously with Kaminey and got overshadowed by it. Coincidentally, Rumy Jaffrey’s debut film last year, God Tussi Great Ho, was also released in the Independence Day weekend. And it also got overshadowed and flopped as it was released with Bachna Ae Haseeno. Let’s hope Life Partner doesn’t fail commercially too.

Some of the best scenes of the film:
1.   Karan racing with an aeroplane
2.   The song ‘Koyal Kuke’, ‘Aage Aagee’, ‘Teri Meri Yeh’ and ‘Goonje Angna Mein’
3.   Karan making fun of Sanjana behind her back
4.   Bhavesh at Prachi’s residence in India
5.   The intermission point
6.   Bhavesh persuading Prachi to apologize to his father
7.   The washing machine sequence
8.   Bhavesh and Prachi’s honeymoon
9.   Prachi’s father at Bhavesh’s house

On the whole, Life Partner is a sweet and simple film with lots of funny and lovely moments. It also gives some lessons on love and marriage without getting preachy. If you have already seen Kaminey or if you aren’t interested in it, then go and watch Life Partner. And go with your entire family!

My rating-*** ½

This review first appeared on MouthShut.com: http://www.mouthshut.com/review/Life_Partner-173420-1.html

LP3

SK2 REMAKES OF SOUTH FILMS FAIL IN BOLLYWOOD!

The previous two Fridays saw the release of two biggies-Kambakkht Ishq on July 3 and Short Kut on July 10. What was common in both the films apart from the fact that both were comic entertainers was these 2 films were remakes of Southern films. While Kambakkht Ishq was a remake of the 2002 Kamal Hasan’s hit Tamil film, Pammal K Sambandam, Short Kut was a remake of a Roshan AndrewsMalayalam movie Udayananu Tharam. Don’t mistake it for a copy-the rights of both the films were acquired by the producers before remaking it.

Both these South films were big hits but surprisingly, their remakes have failed to impress the audiences. Short Kut took a bad opening and the collections didn’t improve in the weekend due to so many negative reports. Kambakkht Ishq (KI), on the other hand, did a great job in the weekend but the negative reviews prevented it from becoming a big hit. Some trade pundits are trying to save the film by mentioning that KI took a bigger opening than Singh Is Kinng and was at par at Ghajini. In its 1st week, Ghajini collected 64.41 crores and Singh Is Kinng made 39.72 crores. KI, on the other hand, manage to collect 33.42 crores (acc to boxofficeindia.com)! Figures speak for themselves! And the film has fallen greatly in the 2nd week and it’s difficult to say if it’ll recover its costs.

Coming back, Bollywood has since a long time got inspired from Southern films and churned out successful films. One of the biggest hits of 2002, Saathiya, was originally a Tamil film, Alai Payuthey, directed by Mani Ratnam. The Hindi remake was Shaad Ali’s first film. One of the finest directors, Priyadarshan has made successful Hindi films by legally lifting Southern hits. Bhool Bhulaiyaa was inspired from Manichithrathazu, in which Priyan had worked as a second unit director. His hilarious film, Dhol, was a remake of 1980 Malayalam film, In Harihar Nagar.

It is also seen that the Southern directors themselves direct the remakes. Recent example is Ghajini. Both the Tamil and Hindi versions were directed by A R Murugadoss. The Hindi version went on to become the biggest Hit of Bollywood ever! One of the most remembered films of the 80s, Ek Duuje Ke Liye, was a remake of 1978 film Maro Charithra and it was directed by K Balachander. Tamil film Minnale was remade as Rehna Hai Terre Dil Mein by Gautham Menon and it became one of the most loved youthful films. Shankar’s first Hindi film, Nayak-The Real Hero, was a remake of his film Mudhalvan. Priyadarshan has also directed some excellent Malayalam movies and remade some of them in Hindi.

In all the remakes, some changes were made but the directors were cautious enough to retain the same magic in the remake which led to the success of the original. But the directors of Kambakkht Ishq and Short Kut failed to do so and that’s why they failed to impress the audience.

Wanted

Two upcoming Hindi films are also remakes of Southern hits. Salman Khan’s next, Wanted(see pic), is a remake of Tamil blockbuster, Pokkiri. Like the Tamil version, the Hindi version is also directed by Prabhu Deva. Wanted is all set to release on September 18 and it’s expected to be an excellent action thriller. And some days ago, Arshad Warsi bought the rights of 2006 acclaimed Malayalam film, Notebook and is planning to produce its remake. Notebook was directed by Roshan Andrews, who also directed Udayananu Tharam, from where Warsi’s Short Kut was remade. Let’s hope Notebook remake doesn’t turn out to be a damp squib like Short Kut!
———————————–
WHY ARENT BHATTS PROMOTING JASHNN?

Many good films have failed at the BO due to lack of promotion. Last week’s Sankat City failed to attract audiences as it was not well promoted. And Jashnn, releasing tomorrow, may also suffer a similar fate. Produced by Mukesh and Mahesh Bhatt, the film stars Adhyayan Suman, Anjana Sukhani and Shahana Goswami and is directed by Hasnain-Raksha, who directed The Killer. Jashnn is a musical film and seems to be meaningful and interesting. Its songs managed to become somewhat popular. Promos of the film aren’t shown much throughout the day on TV and Shahana is not yet revealed in the teasers. Shahana, who won awards and appreciation for her role in ‘Rock On!!’, has an important role in the film and yet, is being sidelined.

Moreover, the film is releasing with a Hollywood biggie, Harry Potter and the Half Blood Prince. Thus, the film has almost no chance to succeed. Since Bhatts aren’t promoting the film properly, let me only do some promotion for Jashnn! I managed to find the theatrical trailer of the film and have uploaded below. Do check!

This post first appeared on MouthShut.com:http://www.mouthshut.com/diary/fgijoptlo/Fenils-Bollywood-Talk57

SC2

In Bollywood nowadays, we normally get to see right scripts falling into wrong hands. Or we see wrong scripts falling into wrong hands (classic eg: Kambakkht Ishq!). But very rarely, we get to see right scripts reaching the right hands! Sankat City, the new small movie with entertains big time, comes in this category. It comes under the category of all the madcap comic capers that we are exposed to since years. Yet, it stands out due to its treatment which makes it ‘a masala entertainer for the classes’!

The story of the movie: Guru (Kay Kay Menon) is a petty thief who is an expert in stealing cars (and even towing vans!). His modus operandi is excellent-he steals a car, takes it to his partner-in-crime, Ganpat (Dilip Prabhawalkar) who repaints the car and Guru then sells it to Sharafat (Shri Vallabh Vyas) and makes a nice profit. Unfortunately, one day, Guru steals a swanky Merc which was parked outside a brothel. In the dikky, Guru is pleasantly surprised to find a bag containing Rs. 1 Crore. The money belonged to Fauzdar (Anupam Kher), a gangster-cum-moneylender and the money was to be sent to Gogi (Manoj Pahwa), a financially crippled film producer. Mona (Rimi Sen), Sikandar Khan (Chunky Pandey), Pachisia (Yashpal Sharma), Philip (Hemant Pandey), Guruji (Virendra Saxena) and others are the rest of the characters of the film. How the characters are inter-connected with each other forms the rest of the story.

Sankat City has a fast-paced narrative and doesn’t waste unnecessary time at all. The characters are quickly and wonderfully established in the first 10 minutes itself. The film excellently scores in the writing department. In most comic flicks, the situations and the humour are senseless and completely illogical most of the times. In the case of Sankat City, comic situations arise in situation which looks realistic and justified. And that’s one point where the film scores big time!

One gets the feel of the power of the script when it’s revealed how all the characters are wonderfully connected to each other. There are ample moments where the film would have fallen like a pack of cards but writer/director Pankaj Advani holds the script amazingly and doesn’t let it go on the wrong path.

There are numerous humour sequences in the film. The conversations of Guru and Ganpat were fabulous. Ganpat getting injured and the bomb blast sequence were the funniest scenes of the first half. In the second half, the scene shot inside BEST Bus was undoubtedly the best scene of the film! Hats off to the director for thinking something like this!

Now to the flaws. The film is perfectly executed. However, the scene where Guru makes a bomb hoax call and the sequence that follows looked a bit unrealistic, although it will be wrong to say that it wasn’t funny. And secondly, the film was very badly promoted. A film with such a fabulous cast would have easily attracted audiences if it was well publicized. It’s unfortunate that a big producer like Moser Baer failed to arouse curiosity for its own film.

SC3

The film has more than dozen characters and it’s impossible to say who performed the best. Kay Kay Menon was as usual in full form and it was great to see him in a comic role after a long time. Same for Anupam Kher who was seen in a negative role after years. Rimi Sen looked charming and gave an excellent performance. I wish we get to see more of her. Chunky Pandey irritated a lot in Paying Guests but was terrific here in Sankat City. He was there in a double role and did complete justice to both the characters. Dilip Prabhawalkar was totally hilarious. Yashpal Sharma also managed to raise quite a many laughs! Virendra Saxena does the most unique role of his life and performs perfectly. Manoj Pahwa also did a good job. Hemant Pandey, Shri Vallabh Vyas, Sanjay Mishra, Jehangir Khan, Rahul Dev and Gurpal Singh were good.

Ranjit Barot’s music suits the movie well. Best song was without doubt, ‘Ghoom Ghoom’. All those looking for some hatke music should listen to all the 3 songs of this film! Chirantan Das’ cinematography was flawless.

Finally, the winner of the film is Pankaj Advani, who wrote the story, screenplay and dialogues and also directed the film. It seems he is inspired by Phir Hera Pheri, One Two Three and other such mindless comedies but yet he managed to come up with such a fine, rich product. He used his brains creatively and did complete justice to all the numerous characters that were there in the film. And although he came up with an excellent script, he executed it wonderfully and that’s where he won completely! Hats off to this person and let’s hope he comes up with such great films in future too!

Some of the best scenes of the film:
1.   Guru’s entry
2.   The bomb blast sequence
3.   Mona wooing Pachisia
4.   All scenes of Virendra Saxena
5.   Gampat getting injured
6.   Mona in the BEST Bus (marvelous!)
7.   Guru making a hoax call and the scene that follows
8.   Guru and Mona in the dumping ground (fabulous scene!)
9.   The climax

On the whole, Sankat City is a brilliant entertainer. With so many mindless entertainers nowadays, a film like this brings a welcome change. Watch it if you are starved of entertainment. Or at least, recommend it to as many moviegoers as possible. This film needs or rather, deserves to be watched!

My rating-**** out of 5!

This post first appeared on MouthShut.com: http://www.mouthshut.com/review/Sankat_City-171023-1.html

SC

By Taran Adarsh, July 10, 2009 – 10:09 IST

Sometimes, big things come in small sizes…

SANKAT CITY may not boast of stars to lure the audiences, it may not have a colossal canvas [on the contrary, the making is very basic], it may not have a terrific musical score to act as a hook [there are hardly any songs here], but SANKAT CITY succeeds, and succeeds largely, in its endeavour: Make the viewer laugh at the right places.

One walks in with zilch expectations [the promos don’t do justice to the product], but when you make an exit from the audi, it’s with the feeling that the 2 hours were well spent.

By BOLLYWOOD HUNGAMA.COM

Comedies, today, can be segregated into two categories — Brain-dead entertainers and intelligent comedies. Films like JAANE BHI DO YAARO, BHEJA FRY and SANKAT CITY fall in the latter category.

Let’s be honest. Not all of us can think whacky or come up with a crazy madcap comedy like SANKAT CITY. It requires a wild and imaginative mind to come up with one and most importantly, execute it with panache. Debutante director Pankaj Advani gets its right on both the counts. Sure, there are glitches in the narrative, but Advani compels you to sit and listen to the story he intends narrating.

// <![CDATA[//

Final word? Don’t give SANKAT CITY a miss just because the film doesn’t star the Khans or Kumars. This ‘City’ is worth a visit!

Guru [Kay Kay Menon] is a small-time car thief. Ganpat [Dilip Prabhawalkar], who owns a dilapidated garage, is his partner-in-crime. Guru robs cars and Ganpat gives them a make-over in order to sell them for tidy profits.

One night, Guru chances upon a swank Mercedes parked outside a brothel, unattended. He steals the car and takes it to Ganpat. While working on the car, they discover a sum of Rs. 1 crore in it. They are delirious with joy at the unexpected turn of events. Little do they know what’s in store, for the car and the money belong to a gangster/loan shark called Faujdaar [Anupam Kher]. What happens next?

It takes time to get a hang of things, but once the characters and their traits are introduced at the very outset, the goings-on become one joyride. The assorted characters and the way they are integrated in the storyline, as also the way they’re inter-connected, makes the film stand out.

If the first hour is akin to a roller coaster ride that you enjoy to the optimum, it’s the middle of the second half that bothers you. That’s because things stagnate and even get monotonous for a few minutes, before the climax strikes again.

SANKAT CITY is more like a relay. One incident leads to another, so on and so forth and it keeps you involved and entertained for most parts. But the most stunning sequence is reserved in the pre-climax when a bulldozer runs over a bagful of currency. A brilliant sequence!

SANKAT CITY is embellished with super performances by each and every member of its cast. Anupam Kher [terrific], Kay Kay Menon [excellent], Rimi Sen [first-class], Dilip Prabhawalkar [splendid], Chunky Pandey [very good], Manoj Pahwa [effective], Yashpal Sharma [first-rate], Hemant Pandey [perfect], Rahul Dev [good], Virendra Saxena [wonderful], Srivallabh Vyas [nice], Sanjay Mishra [decent]… every actor deserves praise. It’s as if the roles were tailor-made for them.

On the whole, SANKAT CITY is a small little gem that deserves a watch. Yes, there’s a bombardment of new films week after week and chances are that this film may get sidetracked thanks to the invasion of biggies, with the multiplexes sidelining it to embrace the biggies. But here’s a request to all cine lovers and also multiplexes, from this writer. Give this one a chance. Let’s nurture it well, so that genuine efforts like SANKAT CITY don’t go unnoticed

BOLLYWOOD HUNGAMA.COM

Cast: KAY KAY MENON, IRRFAN KHAN, ANUPAM KHER, RIMII SEN, RAHUL DEV, YASHPAL SHARMA and others

Produced By: MOSER BAER & SEVEN ENTERTAINMENT

Directed by: PANKAJ ADVANI

Sankat City

Sankat City2

Source: BOLLYWOOD HUNGAMA.COM


Advertisements