Fenil and Bollywood

Posts Tagged ‘satellite rights

Stills from movies (from top) Love Aaj Kal, Paa, New York, Wanted, Ajab Prem Ki Ghazab Kahani and All The Best

…only 4 hits in 2009’s 240-plus films!

MEENA IYER Times News Network (BOMBAY TIMES; December 23, 2009)

Christmas is round the corner. And Bollywood is sincerely hoping Santa Claus will come to its rescue. Around 240 odd films (including the dubbed titles) have released so far in 2009. But barely four are certified hits. For the No. 1 slot, it is a photofinish between Saif Ali Khan’s Love Aaj Kal and Ramesh Taurani’s Ajab Prem Ki Ghazab Kahani. A trade source said, “Love Aaj Kal collected around Rs 60 crore but it was also sold at a higher price. While APKGK was sold at Rs 44 crore with print and publicity and will make a neat profit of at least Rs 10 crore for its producers. So, in a way, it is hard to tell which is the clear No.1.’’ Aditya Chopra’s New York is the second biggest hit, followed closely by Boney Kapoor’s Wanted. There is a mixed view on Amitabh Bachchan’s Paa and Ajay Devgn’s All the Best being in the fourth place. Trade analyst Taran Adarsh feels because AB Corp has curtailed the film’s budget to Rs. 16 crore and Paa is still running in multiplexes, it is a profitable film.
According to reliable market sources, lead actors Amitabh Bachchan and Abhishek Bachchan, and director R Balki, didn’t charge their market price. “It is reported that the Bachchans will get to keep the satellite rights of the film (valued at around Rs 10 crore) against their remuneration,’’ said a trade source. While film editor Komal Nahta feels All the Best has also romped home.
Taran said, “This has been the most unfortunate year for Bollywood. The box-office was crippled by the multiplex strike, swine flu and three four big movies clashing each week after that.’’ Distributor Amod Mehra added, “Many films were liked by the audience… but their price failed them. Raaz, Wake Up Sid and De Dana Dan got a fair share of audience — but the price at which they sold was astronomical, ensuring these films were a loss-making proposition for the main buyer.’’
As far as the critics are concerned, they have had to carry the carcass of the films they praised. Whether it was Kurbaan or Rocket Singh. Filmmaker N R Pachisia said, “Ranbir Kapoor is the future of this industry, Saif Ali Khan did himself a good turn with LAK, but the only man who deserves true praise this year is Amitabh Bachchan who with Paa raised the bar of our cinema to an international level.’’
P.S. The one film that everyone is unanimous about is the dubbed version of 2012 that has done as good business as the biggest Bollywood hit this year.

Box Office hits this year!
Love Aaj Kal
Ajab Prem Ki Ghazab Kahani
New York
Wanted
All the Best
Paa

ON A HIGH: Himesh Reshammiya
After scoring music for 100 films, 500 songs and huge shows worldwide, singer-actor Himesh Reshammiya still feels like a newcomer

HARSHADA REGE Times News Network (BOMBAY TIMES; December 3, 2009)

It’s time to tune into Himesh Reshammiya once again as the composer turned-singer turned-actor prepares to step on the silver screen for the third time with Radio today. Himesh, who has been there and done it all, says he feels like this is debut. “Everything about the film is new. Be it my look, music, subject or the sensibilities. It’s something that people will relate to. It’s something that I would watch myself,” he says. The movie is about Vivan, a radio jockey, who gives people advice on their relationship troubles, but doesn’t know where his relationships are heading. The film apparently has already covered its cost through music sales, video and satellite rights. “Yes, the movie is a profitable venture even before its release, but I am looking forward to the audience’s reaction. I have worked a lot on this character and I crave for recognition as an actor,” admits Himesh. Of course, the composer, who has scored music for 100 films, 500 songs and has been part of many shows worldwide, is happy that the music has been appreciated so much and has been rocking the music charts. “Yes, the music is completely different. It’s a new sound, a new voice,” he says. Despite some people putting him down, Himesh has managed to brave the odds. And this time around he has gone for a makeover all over again. He will be seen sporting short hair and in a casual avatar. But this isn’t anything new for Himesh. “Be it my music or look, I have always believed in experimenting. People have appreciated my look in the promos too,” he says.

By Subhash K. Jha, November 12, 2009 – 10:44 IST

Madhur Bhandarkar Jail which opened last week would serve as deterrent for potential law breakers. Or so director Madhur Bhandarkar would like to believe.

“Anyone would think twice before committing a crime after seeing in my film what life is like inside a prison,” says the director.

Madhur Bhandarkar’s Jail opened below expectations. The hard-hitting director has no qualms in admitting it. “It was a slow starter. But collections have picked up from the third day,” says Madhur, and adds, “You’ve to admit it requires guts to make a film set in a jail. The other film releasing with us was a light fun filled entertainer. We were fighting formidable competition since Ajab Prem Ki Ghazab Kahani was a lavish film. Ours is 12-crore rupee film and we’ll recover our money. The producers are happy. There are still the satellite rights to be sold.”

Madhur fights off comparisons with between Jail and his last film. “Fashion was a glamorous glossy big-budget film. Jail is a grim and honest look at life in a prison. It has a strong word-of-mouth element.”

BOLLYWOOD HUNGAMA.COM

MAMK

Theatre owners flay MAMK’s DTH release

Bharati Dubey | TNN (THE TIMES OF INDIA; October 21, 2009)

Mumbai: After Main Aur Mrs Khanna failed to impress at the box office, its producers released the film on DTH (direct to home) on Tuesday. The producers’ decision has upset theatre owners, who are considering taking the film off their screens.


The Rs 45-crore Prem Soni directed Salman Khan and Kareena Kapoor starrer, released last Friday, filled theatres to only about 30% of capacity. A theatre source said, “The film has not made an impression
at all. Not even Salman Khan’s effort to boost collections has helped much. That’s probably why the producers took the decision they did.”


Tata Sky premiered the film on October 20. Other DTH services plan to follow suit. Tata Sky chief marketing officer Vikram Mehra said, “It’s the first time a film is going to DTH within four days. We released What’s Your Rashee in a week. I don’t think this will affect the business of the film in theatres. DTH releases help curb piracy and earn additional revenue
for the producer.”


But theatre owners aren’t happy. They plan to meet in early November to discuss the issue, said Cinemax Cinemas vice-president Devang Sampat.


Vishal Kapur, COO of Fun Cinemas, said, “We’re contemplating pulling out the film from cinema halls.” He added, “We’ve got seven shows scheduled per day, and people aren’t going to turn up. It’s going to hurt business.”


The Aamir Khan starrer 3 Idiots is likely to be the first film to be released on DTH and in cinema halls simultaneously. Trade analyst Amod Mehra said DTH releases of new films would “kill the film industry which is already suffering due to piracy. If DTH becomes a trend the theatre business will collapse.If people can watch a movie for Rs 100, why would they go to a theatre?”


Mukesh Bhatt, who upset many by releasing satellite rights to Ghulam six months
after its release, also opposes a film going to DTH too soon. He said, “One must give space for theatrical revenues. Only then should DTH and satellite rights be released.” Sidharth Roy Kapur of UTV Producers, the distributor of Main Aur Mrs Khanna, was not available for comment.