Posts Tagged ‘shankar-ehsaan-loy’
MEENA IYER Times News Network (BOMBAY TIMES; January 3, 2010)
The fortunate few who have already heard the track sung by Rahat Fateh Ali Khan, Shankar Mahadevan and Richa Sharma say it holds the promise of becoming the anthem of 2010. Karan Johar says, “I’m glad Sajda has got an ovation.’’ He adds that working with Shankar-Ehsaan-Loy on this track was indeed different from the previous experiences of Kal Ho Na Ho and Kabhi Alvida Na Kehna — both chartbusters in their own right…but both more similar to each other in a way.
“On the other hand, for MNIK, we decided to have music which is a sharp contrast to the visuals that may dominate the screen. The music has a rustic and soulful feel; the songs aren’t your regular lipsynced numbers, as is the normal practise, yet each track is a haunting melody and will leave behind an indelible mark.’’
Candidly Karan admits, “I’m besura, I can’t sing to save my life, I can’t play a single music instrument, yet if my films do throw up songs that find a following, it is simply because God has blessed me with the ability to say yes or no to a track that is suggested to me by my composers.’’
Explaining how Bollywood film music has been his raison de etre for 30-odd years, Karan says, “I’m obsessed with Hindi film music. Be it on my radio or my iPod you will find me listening only to Hindi film songs. I have grown up listening to music from the 40s until now; and in a way, I can say I have developed a keen ear for it.’’ Praising his composers Shankar, Ehsaan and Loy, the filmmaker says, “I don’t know how the three of them work in such perfect tandem. But they do. If I had to have a co-director, I’d probably kill the person. But these guys are amazing.’’ The trade also has given Sajda a thumbs up. This track which has a sufiana kind of feel climbed to the eighth spot on the charts within minutes of it being aired. Of his lead pair, Shah Rukh Khan and Kajol, on who the MNIK tracks have been picturised, Karan says, “If Kajol loves a song, she’ll say so instantly. As for Shah Rukh, most of the songs he vocalises seem like they are owned by him because he is one actor who gives 300 per cent to every song he sings. SRK’s tracks have that evergreen quality because when he is on screen singing them you just feel the song was made for him and none other.’’
By Faridoon Shahryar, December 16, 2009 – 23:10 IST
|Click above for more event stills|
My Name Is Khan and I am not a terrorist…this line from the First Look promo of Shahrukh-Kajol propelled ‘My Name Is Khan‘ hits you with an incredible force that sends shivers of goose pimples within. Obviously the paramount question is that whether the SRK-Kajol chemistry works magic again. Yes, it does…Big Time. It seems the duo are meant to fall in love and transmit that love-electricity on celluloid to millions of people across the world.
MNIK promo successfully opens a window to what the basic story is, whips up an engaging drama and leaves you panting for more. Rizwan’s (Shahrukh) disability is blanketed by Mandira’s (Kajol) overwhelmingly deep affection. How 9/11 changes lives forever and for some strange innocent reason Rizwan wants to meet up with the President Of America. There’s a strong resistance and guns blaze on the roads of suspicion.
There are two significant lines that stay with you when the promo is over. First one is: He believed that if you do good deeds…good things will happen to you. And the second is: We are stronger than our fears. It seems that the Writing will be the strong point of ‘My Name Is Khan‘ and undoubtedly Karan Johar is treading a territory that in all probability will enrich the Indian film industry.
The production design looks top notch, cinematography is world class and the look of both Shahrukh and Kajol is different from what we’ve seen them in before. There’s a small section of a song ‘Noor-e-Khuda’ which comes at the beginning of the promo and it seems Shankar-Ehsaan-Loy have redeemed themselves after an average ‘London Dreams’. The background score sounds very attractive too.
Kajol’s breakdown scene sends chills down your spine. What a volcano of a talent she is. Shahrukh’s intense sincerity binds your attention from the first frame of the promo till its last. This may be the turning point in the career of Shahrukh Khan, the fantastic actor, who amazed earlier with magnificence in ‘Chak De India’.
It goes without saying that the First Look promo of ‘My Name Is Khan‘ whets your appetite for the real thing. One of the finest First Look promos in recent times.
REAGAN GAVIN RASQUINHA Times News Network (BOMBAY TIMES; November 4, 2009)
By Taran Adarsh, October 30, 2009 – 08:26 IST
In real life, if you feel your colleague is far more superior to you in intelligence, talent, charisma, efficiency, chances are you might feel the heat. Jealousy, generally, stems from there. In the process, the best of relations get strained. LONDON DREAMS, directed by Vipul Shah, talks of two musicians, thick pals actually, and how jealousy drives a wedge in their friendship.
Let’s clear a few myths before discussing the positive and negative factors of this film. LONDON DREAMS is not BAIJU BAWRA. LONDON DREAMS is not ROCK ON!!, ABHIMAAN, YAARANA or SAAJAN either [a section of the industry wants us to believe that]. The truth is, LONDON DREAMS borrows from Milos Forman’s brilliant film AMADEUS , which was based on Salieri and Mozart’s life. In fact, Suneel Darshan too had made a film based on AMADEUS called SHAKALAKA BOOM BOOM [2007; Bobby Deol, Upen Patel].
|BY BOLLYWWOD HUNGAMA.COM
LONDON DREAMS is a complete departure from Vipul Shah’s earlier outings, AANKHEN, WAQT, NAMASTEY LONDON and SINGH IS KINNG [produced by Vipul, directed by Anees Bazmee]. This film is about relationships and tends to get very real and intense, in the post-interval portions specifically. The scale of LONDON DREAMS is gigantic and the execution of concerts [it’s about a band] sweeps you off your feet.
In terms of execution, it wouldn’t be erroneous to state that LONDON DREAMS is amongst Vipul Shah’s most accomplished works to date. Also, it boasts of incredible performances by Salman Khan and Ajay Devgn. But there are hiccups too and it’s these deficiencies that bog the film down!
They were childhood friends. But they had little in common except their family’s connection with music. While Arjun’s [Ajay Devgn] life was consumed by a passionate drive to get on stage and realize his grandfather’s unfulfilled dream, Mannu [Salman Khan] was content with remaining a child at heart with no higher ambition than enjoying the good things in life.
As Arjun forges a band with Zoheb [Rannvijay Singh], Wasim [Aditya Roy Kapur] and Priya [Asin], a music enthusiast from a conservative South Indian family, far away in Punjab, music becomes a survival tool for Mannu, who takes to playing in wedding bands in his village.
Arjun gets Mannu to London and makes him a part of the band, but soon realizes he’s created the biggest threat and obstacle to his own ambitions.
Mannu, with his inherent musical gift, becomes an instant darling of the crowds. Arjun’s unbearable pangs of jealousy and insecurity only worsen when Mannu also unwittingly woos and wins his secret love, Priya. As he battles his inner demons, Arjun slowly devises a sinister plan to destroy his best friend.
It takes time to get into Ajay’s world [its Ajay who’s narrating the story here]. The film moves back and forth and it’s only when the two buddies, now adults, meet that you realize where the story is headed. The first hour depicts the two extreme characters – Ajay, who’s an introvert and who cannot think of anything but his goal and Salman, a happy-go-lucky guy, laidback and fun-loving, least focused.
The narrative has some interesting moments in the first hour, but the actual story unravels only towards the second half. The first half, frankly, only sets things up for the explosive drama that is to follow. The wheels start moving when Ajay plays a vicious game and hatches a conspiracy to ruin his buddy’s career.
It’s the second hour that does the trick. You can’t help but carry several sequences in your heart, even after you’ve made an exit from the auditorium…
- Note the scene when Salman makes four different tunes from the original tune created by Ajay.
- Note the scene when Ajay meets an inebriated Salman and professes revenge, while Salman is completely clueless about Ajay’s sinister plans.
- Note the scene when the band arrives in London after a 3-city concert and they’re received by aggressive mediapersons.
But there’re roadblocks too. Shankar-Ehsaan-Loy’s music is a downer. LONDON DREAMS is about a rock band, about music, about concerts and the music had to be the soul of the film. Unfortunately, it’s not! The songs have been filmed in the most energetic fashion, but how one wishes the music was one of the strengths of the film.
Also, the film could’ve concluded when the two friends re-unite at the station. Adding one more song thereafter only dilutes the impact of the emotionally correct sequence that has just been witnessed. Besides, the song in question hasn’t been promoted either, so it only comes across as an aberration.
Prior to that, Ajay’s outburst at the end of the concert is far from convincing. The film has a real feel, real characters and real situations, but the outburst looks unreal and is one of the drawbacks, from the writing point of view. It’s just not convincing!
Besides, Ajay’s childhood character is shown fleeing from the airport and making it big in a foreign land [London], without any support whatsoever. It’s unpalatable!
Vipul Shah has handled this intricate subject well, but the writing could’ve been tighter. Sejal Shah’s cinematography is super. Brownie points for capturing the concerts brilliantly. Salim-Sulaiman’s background score matches international standards.
Both Salman and Ajay vie for top honours. Salman has a role that the junta would take to instantly and the actor too endears himself to the viewers. He’s stupendous. When it comes to displaying intensity on screen, very few can live up to the standards set by Ajay. To state that he packs in a power-packed performance would be an understatement. They, in fact, compliment each other wonderfully well.
Asin is admirable and pairs off very well with Salman. She is sure to have a new name after this film – Chennai Express [that’s how Salman addresses her affectionately, all through the film]. Om Puri has a brief role. Aditya Roy Kapur is very good and registers an impact. Rannvijay Singh doesn’t get much to do, except throw nasty looks at Salman. Manoj Pahwa provides some funny moments. Brinda Parekh is okay.
On the whole, LONDON DREAMS has superb performances from its principal cast and several emotionally-charged sequences as its two trump cards. But its biggest drawback is its climax and also the music, which is the weakest link of the movie. At the box-office, the film should appeal more to the multiplex audience than the masses. Business at big centres, especially at metros, should be better, but mini-metros and towns will be a contrast.
We all, in our childhood, had made a list of careers that we want to pursue when we grow up. But once we enter college, there comes a change in our mindset. We suddenly don’t feel like growing up. We shudder to think of our future when we would only be working with very little time for leisure and friends/family (I am passing through this phrase currently!). Some may claim that they never had such a feeling and that they were ambitious right from the beginning. But the truth is, everyone had gone or will go through this anxiety and even fear at some point of their academic life. Wake Up Sid deals with such similar issues. Although the protagonist is projected as highly lazy, almost everyone will be able to identify with him. This and the wonderful execution by debutant Ayan Mukerji makes Wake Up Sid one of the finest films to come out this year!
The story of the movie: Sidharth Mehra aka Sid (Ranbir Kapoor) is a lazy and non-ambitious youth who has just attempted his final year college exams. His life revolves around his friends, Rishi (Namit Das) and Laxmi (Shikha Talsania) and he loves hanging out with them. Sid’s mother (Supriya Pathak) loves him a lot but he doesn’t reciprocate. His dad (Anupam Kher) manages a big business and wants his son to take some responsibilities on his head. He tries but his efforts are futile. At this point, Sid comes across Aisha (Konkona Sen Sharma), an aspiring writer from Kolkata. Sid and Aisha are as different as chalk and cheese (Ayesha is even older than Sid) but still both of them become good friends. Sid even gives Aisha the much needed help in settling in Mumbai. Soon, Sid’s final year exam results come out and his world turns upside down.
Wake Up Sid is very different and that is evident at several points. The film is completely original and tries to be interesting as well as not to fall into any stereotype. For instance, our Hindi films have got a habit of projecting ‘aamir baap ka bigda beta’ as lazy, irresponsible, arrogant and hot-tempered. But, Sid in Wake Up Sid is shown only as lazy and careless. He is not arrogant; in fact, he’s well-mannered and very sweet and cute!
One gets hooked to the film from the first frame. Note the scene where Sid is in the exam hall, dazed and confused, and his imagination goes wild! Ayan Mukerji’s creativity is exposed fully in that very scene! The wonderful entry of Konkona Sen Sharma and her first interaction with Ranbir takes the film to dizzying heights. The best scene of the film-Konkona’s birthday, will surely bring a smile on everyone’s faces!
The intermission point was explosive. The 2nd half tends to get a little slow but frankly speaking, one doesn’t mind as one enjoys the goings-on thoroughly. You get so involved in Sid’s gradual transformation from a good for nothing guy to a responsible youth that you care a damn about the duration! Also, Ranbir-Konkona’s relationship is very cute and will be loved by everyone! Who says Ranbir-Konkona pairing is a mismatch?
Most importantly, one learns a lot of lessons from the film. The best teaching from the film-let one decide which path he/she wants to choose. Everyone has different capabilities and likes. Many just hate the 9 to 5 job. In such times, one should be allowed to flourish and grow as he/she likes.
The film gets dragging in the last 15 minutes but again, one doesn’t mind as it’s very well executed. One comes out of the theatre feeling refreshed and satisfied!
The film rests on the rock-solid performance of Ranbir Kapoor and Konkona Sen Sharma. Ranbir was outstanding in my opinion in Bachna Ae Haseeno and in Wake Up Sid, he comes up with another amazing performance. He has put a lot of effort in the film and it is evident at several points in the film. Here’s an actor who deserves to be a superstar as soon as possible! He’s expected to give equally fabulous performances in the forthcoming Ajab Prem Ki Ghazab Kahani and Rajneeti! Watch out!
As expected, Konkona Sen Sharma does a splendid job. She was absolutely natural and completely in character. Also, she looked stunning throughout the film. It’s really great to see such an effortless actress being showered with awards, accolades and acclaim! She completely deserves it, after all! Keep rocking Konkona!
Surpriya Pathak was funny at times but overall impresses a lot. Anupam Kher was consistent. Namit Das and Shikha Talsania were wonderful in their respective parts. Rahul Khanna, like everytime, was charming but why did he played two similar roles in two films? In Love Aaj Kal, Deepika worked under him and she got floored by him. In Wake Up Sid, a similar situation arises between him and Konkona. Actors like Rahul Khanna deserve to get better roles! Kashmera Shah didn’t have much to do. The girl who played Tanya also was wasted. Others were good.
Shankar-Ehsaan-Loy’s music was brilliant and their every song impresses. The title song and ‘Kya Karoon’ were rocking compositions. Amit Trivedi has composed the song ‘Iktara’ which is the best song of the lot. You’ll love the song more after watching the film! Trivedi’s background score was in sync with the light mood of the film.
Anil Mehta’s cinematography was superb. Notice how the scenes turn shaky during confronting scenes! Niranjan Iyengar’s dialogues were casual and something which we hear or speak in our day to day lives.
Amrita Mahal Nakai’s production designs was highly impressive. The sets were just outstanding. Konkona’s workplace was so cool and uber. Man, work would be so much fun if offices had such rocking interiors! Even Konkona’s house seemed so cute, even though it wasn’t huge. Great job by Amrita!
Special mention should be made of Karan Johar, who understood the importance of this film and decided to produce it. Really nice of him to give a chance to promising youngsters and guiding them! Great job!
Ayan Mukerji comes out as a winner! He wrote the story, screenplay and also directed the film and excelled in all three! The film is extremely simple and doesn’t turn out to be full of rona-dhona or melodramatic. Most importantly, Ayan keeps the mood of the film realistic. The characters in the film are believable and straight out of life and the situations they face seem totally real. In short, a brilliant job by Ayan, who is just 26 years old! Simply fantastic!
Some of the best scenes of the film:
1. Sid in exam hall
2. The song ‘Kya Karoon’, ‘Aaj Kal Zindagi’ and ‘Iktara’
3. Sid and Aisha meeting for the 1st time
4. Sid helping Aisha to decorate her house
5. Sid in his dad’s office
6. Sid with Aisha on her birthday (best scene of the film!)
7. The intermission point
8. Sid clicking pics of everything under the sun
9. Sid and her mom looking at his childhood pics
10. The last 20 minutes of the film
On the whole, Wake Up Sid is simply a well-made film in all respects. It is simple, sweet and extremely relatable with great direction, extra ordinary performances and melodious music. A must for all youngsters and for all those who crave for good cinema! Go for it!
My rating-**** out of 5!
This post first appeared on MouthShut.com: http://www.mouthshut.com/review/Wake_Up_Sid-176496-1.html
By Bollywood Hungama News Network, June 23, 2009 – 12:10 IST
This year, the date 14th June seemed to be jinxed for Bollywood. On one hand, while Shiney Ahuja got accused of raping his maid, there was yet another crime that took place, but didn’t quite make it to the newspapers’ headlines. This was about a robbery that took place at the ultra-tech studios of the musical trio Shankar, Ehsaan and Loy.
This incident shocked the trio, as they had stored most of their unrecorded tunes in the studios computers which were stolen. The only solace of news in this entire incident was that some of the recorded yet unreleased tracks of the Karan Johar’s much awaited film My Name Is Khan remained untouched.
When Bollywood Hungama contacted Loy Mendonsa to get more information on the incident, he did confirm the theft, but refused to give any further details. All that he said was, “The police have swung into action and have asked the three of us to remain tight lipped and not disclose anything as the investigation is currently underway.”