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Posts Tagged ‘Sir Ben Kingsley

Badly Burnt In Year Gone By, Industry Looks To Strong Content

Bharati Dubey | TNN (THE TIMES OF INDIA; January 3, 2010)


Pursue excellence and success will pursue you,’’ was what Aamir Khan’s character philosophised in 3 Idiots. But when the lights dimmed and audiences sat down after the National Anthem, what greeted them on screens for most part of the year was average, even poor fare, making 2009 the annus horribilis of the first decade of the 21st century. More than 200 films, with Rs 1500 crore at stake, released last year but almost Rs 1000 crore sank in the sea of mediocrity without a bubble, the sharks-andsexy bikini Blue leading the pack.
Added to it was the multiplex strike which cost around Rs 350 crore, upset release dates forcing films to share Fridays and dent each others’ collections. A multiplex source said, “Cannibalisation caused by big films’ release dates clashing could have been avoided.’’


The year began with Chandni Chowk To China that lost 50% of its Rs 65-crore budget. And marketing blitzkreigs couldn’t save a Blue and Kambakkht Ishq and the audience clearly showed content was king with surprise hits like DevD, New York, WaKe Up Sid and Ajab Prem ki Gajab Kahani. DevD made Rs 6 crore, collected Rs 25 crore at the box office while its ancillary rights made another Rs 5 crore and there are still more satellite runs to be sold. Trade experts also put films like Love Aaj Kal, Ajab Prem ki Gajab Kahani, Wanted among the certified hits, followed by profitable films like Paa, All The Best, De Dana Dan and Raaz 2.


But Bollywood’s loss was Hollywood’s gain, with films like 2012 and Avatar (that collected a whopping Rs 50 crore so far) filling the void for good entertainment.


It was left to And Aamir Khan to play Santa Claus third year in a row, with 3 Idiots the biggest hit of the year. It grossed a phenomenal Rs 100 crore in India in the first four days, and Rs 175 crore worldwide till December 31, even denting into collections of Avatar. Trade analyst Amod Mehra said, “What Ghajini collected in a week, this film has done in three days.


Corporates didn’t really have a great year in 2009 and after the bloodbath in the first half of the year, most of them avoided buying films outright, with even 3 Idiots being released on commission.


Thus 2010 dawns to vastly altered realities — purse strings have tightened by cautious corporates; big banners are no guarantee for success and may dish out big turkeys instead; marketing and stars don’t sell, a good story does; and the days of astronomical fees are over.


“Audiences are very smart, the content ultimately will guide their choices and approval. Marketing and hype will only work if content supports that hype. We may not have a Blue this year but projects like Veer and Prince are costly and prima facie look difficult in terms of recoveries,’’ says a trade expert.


So when Akshay Kumar, blamed for soaring star prices, announced towards the end of 2009 that he would not charge any fee for Farah Khan’s Tees Maar Khaan, it was a lifeline for the industry that had almost gone into the ICU.


Says Amod Mehra, “It is not that people did not come to watch Akshay Kumar films in 2009, it is just that the budgets of the films were so high and his remuneration was almost 40% of those budgets, so recoveries were not possible despite a good opening. But now that the actors are looking at sharing profit with the producer after the cost of the film has been recovered like in the case of Aamir Khan’s 3 Idiots then it will be fair enough. Cutting down of star prices will definitely reduce the budget of films and they will become viable and that is definitely going to be the trend in 2010.”


The year thankfully doesnt have a Rs 100-crore Blue in its line-up. Last year most production houses scrapped films as star prices were not viable. In fact, it is learnt Saif Ali Khan is reworking the budget of his next film Agent Vinod starring Kareena and himself. In fact, 2010 is short on mega projects as budget constraints ensured very few got on the floors in 2009.


The first biggie of 2010 will be Veer,
followed by Rann, My Name is Khan, Action Replay, Kites and House Full in the first half of the year. The second half of the year would have Sanjay Leela Bhansali’s Guzarish and Patiala House.


The action in 2010 seems definitely more in mid-size and multiplex projects that would have strong and clutterbreaking content. “There are a lot of films this year that may not topline the Khans or Hrithik Roshan but still have a decent line-up of names and would be thematically different. Tight budgets and good content seem to be the mantra in the decision making corridors of Bollywood. Each company is carefully evaluating its options and are not getting carried away,’’ says Priti Shahni of Indian Films. Corporates, for instance, have decided to take films only on commission, and not buy them outright.


Shahid Kapoor’s Chance Pe Dance, Striker starring Rang De Basanti’s Siddharth, Aamir Khan Productions’ Peepli Live, Vishal Bharadwaj’s Ishqiya would release in the first half of 2010.


Generation-next too would be making its presence felt with Ranbir Kapoor in Anjana Anjani and Rajneeti, Imran Khan in I Hate Love Stories, Sonam Kapoor in Ayesha, and Deepika Padukone in House Full.


As the record breaking run of 3 Idiots that has spilled over to 2010 has shown, great content along with great pre-release buzz make the perfect mix.


2010: Coming Soon
RAJNEETI (Naseeruddin Shah, Nana Patekar, Ajay Devgn, Katrina Kaif and Ranbir Kapoor) BUDGET: 50 cr


DHOBI GHAT (Aamir Khan, Prateik Babbar) BUDGET: 15 cr


RAAVANA (Abhishek Bachchan, Aishwarya Rai Bachchan) BUDGET: 50 cr


TEEN PATTI (Amitabh Bachchan, Sir Ben Kingsley) BUDGET: 35 cr


VEER (Salman Khan, Zarine Khan) BUDGET: 50 cr


RANN (Amitabh Bachchan) BUDGET: 25 cr


ISHQIYA (Vidya Balan, Naseeruddin Shah, Arshad Warsi) BUDGET: 20 cr


MY NAME IS KHAN (Shah Rukh Khan, Kajol) BUDGET: 50 cr


KITES (Hrithik Roshan, Barbara Mori) BUDGET: 50 cr


ACTION REPLAY (Akshay Kumar, Aishwarya Rai) | BUDGET: 35 cr


GUZAARISH (Hrithik Roshan, Aishwarya Rai Bachchan) BUDGET: 50 cr


ANJAANA ANJAANI (Ranbir Kapoor, Priyanka Chopra) BUDGET: 40 cr


AGENT VINOD (Saif Ali Khan, Kareena Kapoor) BUDGET: 40 cr

Figures are an approximate estimation

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By Taran Adarsh, December 22, 2009 – 08:23 IST

A lot of release dates are likely to change. While the makers of RANN have decided to shift the release by one week [it was slated for release on January 22 along with VEER, but is now shifted to January 29], the makers of TEEN PATTI have also decided to shift the film from January to February. Starring Amitabh Bachchan and Sir Ben Kingsley, TEEN PATTI will hit the screens on February 26.

Interestingly, three more films are slated for release on February 26: KARTHIK CALLING KARTHIK [Farhan Akhtar, Deepika Padukone], ATITHI TUM KAB JAOGE? [Ajay Devgn, Konkona Sen Sharma] and SHAAPIT [Aditya Narayan]. Will these films stick to the already confirmed date or shift ahead, is to be seen.

BOLLYWOOD HUNGAMA.COM

RARING TO GO! Madhavan
Madhavan about his link-up with Kangna Ranaut and more in a chat with Deepali Dhingra

Sitting in his plush apartment on the 27th floor of the residential complex he stays in, Madhavan is a picture of restlessness. He directs the photographer on how to capture his moods, takes us for a walk around his house where he shows us airplanes he’s designed and the visit includes even a trip to the garage, where he keeps his prized posession, his bike! The actor vrooms around, for the photographer’s benefit before settling down with an amused expression on being enquired about the buzz between him and Kangna Ranaut, his co-star from Tanu Weds Manu. “Is there a rumour?” he enquires, “Well, then what do I say? I lead a very boring life. Either that or I’m too smart!” he laughs, when we make the observation that one hasn’t heard of too many link-ups when it comes to him. So what’s the scene between him and Kangna actually? “She’s an amazing professional. On the sets, she, her sister, her dog and I were a gang. That’s about it!” he says firmly. Okay point noted. Madhavan would rather talk about his other films 3 Idiots and Teen Patti, where he gets to be in the esteemed company of Amitabh Bachchan and Sir Ben Kingsley. “In 3 Idiots, I’m back again with Aamir Khan and Sharman Joshi after Rang De Basanti, so there was added pressure of living upto the expectations of the audience,” he says. And no, he wasn’t apprehensive about playing a college student at this age. “We’re not horrible old men with pot-bellies and sagging skin!” he exclaims, “It was about getting the lingo and body language correct.” As for Teen Patti, he just can’t get over having Big B all to himself, even if is for a few scenes. “We played golf in between shots and I have to say, they were the greatest singular most important moments of my life,” he smiles.


Working with Sir Ben Kingsley on the other hand, Madhavan can only attribute to karma. “I’d not thought of acting till I saw him in Gandhi, so I guess there has to be something like karma for me to be acting alongside him,” he adds.

Maddy, as he’s fondly called, wants to do what he calls masti films now. “I’m tired of doing meaningful films!” the actor chuckles, “The kind of cinema I did, I was doing to satisfy my ego. Now I don’t want to play the nice guy anymore — I want to catch the bull by the horns!” And by that, he means doing light-hearted roles, including romance and comedy. “I want to do some roles now that are closer to me in real life. God has made some creations who are made to enjoy life, I’m one of them!” he smiles. And he couldn’t have said it better.
BOMBAY TIMES (December 8, 2009)

BOLLYWOOD CALLING: Sir Ben Kingsley
Looking like Gandhi, eager to be Shah Jehan, but happy to discuss his role in Ambika Hinduja’s film with Big B

MARK MANUEL Times News Network (BOMBAY TIMES; December 3, 2009)

Sir Ben Kingsley is in town, still looking like Attenborough’s Gandhi of a quarter century ago, though now with a natty little French beard that’s taken away the Mahatma’s air of benevolence and given him a hawk-like, quizzical expression. This, I think, is his look of Teen Patti, young Ambika Hinduja’s February 2010 release in which Sir Ben plays Perci Trachtenberg, the world’s greatest living mathematician, opposite Amitabh Bachchan. He was in Goa earlier this week, the star guest at the International Film Festival of India in Panaji, from where he air-dashed to Delhi and then to Mumbai. But because his publicist in LA could not get him to meet me here, Sir Ben made a phone call from Goa.

“I love India,” said Sir Ben who’s been here quite a few times since Gandhi, “it’s always been a happy experience for me. But this time I’m not here as a tourist, I’ve come as an actor, to work, and it feels tremendously good to be given the kind of lovely welcome I was…” He’s thrilled that people here still identify him with Gandhi. “Isn’t it unusual to be recognised and appreciated by a whole sub-continent,” he asked. “It puts a responsibility on me, it’s a humbling and steadying experience, and I believe this is unique for any actor.” But, yes, along with that, is Sir Ben now concerned how Indian audiences will react to his new character in Teen Patti? “I’m afraid I’ll be booed off screen,” he laughed, pleased at his own joke. Whether he likes it or not, people talk to him about
Gandhi, they ask him if this was his best role. “I was privileged to play Gandhi,” Sir Ben admitted, “but I’ve done 60 films since then, and I’m equally proud of all of them. I understand people here have seen about five of my films, and if they like Gandhi best — fair enough, but that’s not all my work. I’ve also done films like Sexy Beast, Fifty Dead Men Walking and Elegy in which I play extremely different people. The range I’ve been offered in my films is extraordinary, the variety is my joy, my new dream now is to play Emperor Shah Jehan in Taj Mahal, a film which I see as a struggle for love… rather than a straightforward love story. I hope to raise finance for it and begin shooting in autumn 2010.”

He talked about Teen Patti, a film he was excited about even when he read the script, and for which he shot in a private casino in London and at the St. John’s College, Cambridge University. The film is described as being an emotionally-rivetting and razor-sharp thriller about greed, deception and giant feelings of imagination. “It was a sweet ride,” Sir Ben explained, “of a storyteller, a listener, a forgiver… I’m not quite an outsider in the film, more like an observer. I’ve used my screen time skillfully to act as a constant thread through the film.” He has no Hindi dialogue in the film, which is fortunate, because Sir Ben knows no Hindi. But he knew of Amitabh Bachchan even before he met the great actor.

“He’s very hard working, charming, and a lovely actor,” Sir Ben said of Bachchan, “but what I liked best is that he’s vulnerable… I mean vulnerable in a good way, he’s not closed off, he doesn’t live within the walls of his own ego.” Ambika Hinduja, who is industrialist Ashok Hinduja’s filmmaking daughter, described Sir Ben as being very friendly and down-toearth. “He was patient and calm, a nice person, absolutely professional, and he thought our Indian crew worked four times as hard as any Hollywood crew,” revealed Ambika. “On the sets, everybody addressed him as Sir Ben, including Mr. Bachchan. But in the credits of the film, he wanted to be known simply as Ben Kingsley.”