Fenil and Bollywood

Posts Tagged ‘society

By Subhash K. Jha, January 4, 2010 – 14:18 IST

Chetan Bhagat Those multitudes who have read Chetan Bhagat’s book novel Five Point Someone would agree there are uncanny resemblances between the novel and Rajkumar Hirani’s 3 Idiots. The film apparently set out to adapt Bhagat’s novel and then decided to go its own way, for whatever reason. Chetan Bhagat shouts foul as he finds his name missing from the opening credits of 3 Idiots, instead they are in the rolling credits in the end. On the other hand, the producers of the film claim that it was mentioned in the contract that Chetan had signed. Hurt and amused Chetan reacts.

You must be very upset by the latest proceedings?
You’re a writer. You should know how it feels to have credit taken away from you. And it’s not something only I’m saying. It’s out there. The book is there. The film is there. They’ve tried to take away from my contribution. My name is at the very end of the credit titles after the junior artistes and still photographers. From the time they started making the film, they’ve been stressing that their product is different. It’s like a systematic effort (to underplay my contribution). If you read the book and saw the film, you’ll see the similarities.

My name is at the very end of the credit titles after the junior artistes and still photographers

So would you say 3 Idiots is an adaptation of your novel?
3 Idiots is a total adaptation of my book. Some things are direct lifts, others indirect adaptations.

Aamir thinks you are trying to take away credit from the film’s writer Abhijat Joshi?
I heard his comments. But then he says he hasn’t read the book. There’s no denying Abhijat has done the screenplay. What Abhijat has done with my book can only be known if you’ve read it. If Aamir is so concerned about Abhijat not getting the publicity, he should let Abhijat talk. I very much respect Aamir. He’s the reason I thought the project would have a lot of integrity. I know for a fact he was told not to read my book because they told him it’d affect his understanding of his story. I was told it was a different script.

Even dialogues about matar-paneer and Maruti 800 cars are from my novel. The novel was set in the 1990s. Aaj Maruti 800 kaun bolega?

How would Aamir’s perception have been affected if he read the book?
I don’t know. I’m on a firm footing with the facts. See the film, read the book. And judge for yourself. The whole plot-structure narrative, even dialogues about matar-paneer and Maruti 800 cars are from my novel. The novel was set in the 1990s. Aaj Maruti 800 kaun bolega? I mention 42 exams and 16 broken bones in my body. They have kept the same numbers in the film. Kareena’s brother committing suicide on the railway tracks…so many other things in the film; it’s all there in my novel.

Vidhu Vinod Chopra and Aamir have accused you of trying to make mileage out of their movie?
If I didn’t take up the issue properly, I wouldn’t have been able to live with myself. If someone else goes and collects the award for best story at the awards functions how will I feel? Only once I met Aamir. When I landed at Bangalore where they were shooting 3 Idiots they said, ‘Don’t come we’ve too many visitors.’ They prevented me from going on the set. The book has been selling for six years. There’re lakhs of fans of the book. It’s not about Chetan being naraaz and Aamir being naraaz. My issue is not with Aamir. When the other film Hello based on my novel One Night At The Call Centre came, did I say one word against the characterizations or treatment? I was credited properly for that. I haven’t been credited for 3 Idiots.

When I landed at Bangalore where they were shooting 3 Idiots they said, ‘Don’t come we’ve too many visitors.’ They prevented me from going on the set.

Have you become embittered towards Bollywood?
You could make up any kind of contract. But is there any contract that stops people from being petty? My last novel Three Mistakes Of My Life is being directed by Abhishek Kapoor. I am co-scripting it. There’s a lot of interest in adapting my latest novel 2 States: The Story Of My Life. I don’t think there would be any problem with future project. With 3 Idiots, I know I’m in the right. I’m just telling people to see the film and read my book. I know Aamir is a very powerful person. But finally the truth has to prevail, no? I’m no great artiste. But there has to be fair play. I’m being accused of trying to get mileage.10 lakh copies of the book have been sold. The book has been read by 1 crore readers. Wouldn’t they know the truth?

Chetan Bhagat What do you intend to do?
The makers of 3 Idiots are busy with their victory tours all over the country. They’re naturally being asked about the similarities between my book and the film. Sorry I spoilt their celebrations. The truth had to be told. I’ve been told by them, ‘You’re just a writer. You don’t realize how big we are.’ Maybe I don’t realize how big they are. Main kya karoon? But the truth is above everything. Aisa nahin ke pura Bollywood kharaab hai.

Do you think you’ll be ostracized by Bollywood after this incident?
I’m not dependent on Bollywood for my livelihood. I’m a big Krishna bhakt. I’ll follow the right path. If I’m wrong I’ll leave writing and join ISKCON. What does a writer want? That his words should make a change in society. Maybe by taking up this issue I hope to bring about a change in the way writers are treated. Vidhu Vinod Chopra assured me that he would treat me like a king. Kahan ka raja?

Vidhu Vinod Chopra assured me that he would treat me like a king. Kahan ka raja?

What do you hope to achieve?
When they go to pick up the story award I want people to know whose story it is. When they make eye contact with their children they should know they’re lying. We’ve to show that truth comes before everything else. I don’t write for money or glamour. I just need paper and pen. Lord Krishna takes care of the rest.

BOLLYWOOD HUNGAMA.COM

Vishal Bhardwaj is upset that the censor board will not pass a promo of Ishqiya unless he beeps out the word ‘sex’ from the dialogue

By Kunal M Shah (MUMBAI MIRROR; December 17, 2009)


Vishal Bhardwaj is upset that the promo of his forthcoming film Ishqiya has not been passed by the censor board. The promo was to go on air from December 20. Only if Vishal agrees to beep the word ‘sex’ from a dialogue, will he be allowed to air it. The dialogue is spoken by Arshad Warsi and addressed to Naseeruddin Shah

Now Vishal has no option but to beep the apparently offensive word from the promo.

Ishqiya

Vinayak Azad, Regional Manager, Censor Board says, “We had initially passed the promo with an ‘A’ certificate for a theatrical release. Now they want a U/A certificate as they wanted it to air on television, which we allowed. Since the impact of the promos is higher on television because it is shown repeatedly, we asked for the word ‘sex’ to be beeped out. I believe they are not happy about it and want to approach the revising committee.”

Vishal Bhardwaj

The director, of course, doesn’t agree with the board’s views. Vishal Bhardwaj says, “It’s sad. Our society is regressing so much that we fear to even utter the word ‘sex’. And this is why India is the worst AIDS-affected country in the world. The people on the board who have objected to the word should remember they are in this world because of sex.”

GETTING REAL: Ashuu Trikha
..says director Ashuu Trikha in a candid chat with BT

AAKANKSHA NAVAL-SHETYE (BOMBAY TIMES; September 8, 2009)


Ashu Trikha believes in following his dreams, even if that means waiting for three years to realise them. Not the one to follow a beaten path, the director, who’s also directed Alag, is back with another hatke film, this time based on the crime scene in Central India. Titled Baabarr, the film marks the debut of newcomer Soham along with actress Urvashi Sharma and also stars stalwarts like Mithun Chakraborthy, Om Puri, Tinnu Anand and Sushant Singh. Here, the filmmaker talks about his crime caper.

Baabarr is based on real-life incidents. What made you choose such a hard-hitting subject?
• The entire fact that such incidents have happened and continue to happen even today, and that the characters depicted in the film really do exist, is a matter of great shame for any society. It was something that I felt about very strongly.

You tried to deal with the film in realistic manner…
• Yes, because the film required it. Baabarr is a stark film, not for the fainthearted. A lot of research has gone into it. And during that, we realised that to get the right feel, it was important to keep the backdrop as natural as possible. So whether it’s shooting on rough terrain or in real locations or with real country made revolvers, we have tried to present reality in the truest form.
Your last few films have all been very different. Weren’t you wary of taking a risk with such a serious film on crime?
• Every film is a risk. The only thing in our hands is to make a film sincerely and with all honesty.
On the one hand you have a newcomer Soham and on the other hand you have stalwarts like Om Puri and Mithun Chakraborthy…
• Yes. And I felt like I’m having the best of both the worlds. There was raw talent waiting to be honed and there was a sea of experience waiting to be tapped. Omji and Mithunda are some of the finest actors to date, while Soham has the spark and is spectacularly good as a debutante.

Do you think a film so real is commercially viable?
• Absolutely. The film is not a documentary. It has its light moments, there are songs and dances too, but none of them have been forcibly included. So, it’s very much a hard-core commercial film, but with it’s sensibilities rooted in realism.

What was the most challenging thing about shooting for the film?
• Shooting in the kind of conditions that we did was challenging. Because unlike shooting in a studio which is quite a controlled environment, shooting in rough terrain is physically very demanding.

What’s the message you want your audiences to take home after watching the film?
• I don’t want to preach anything through my film. I only want them to question where we are headed as a society.

(Contributed by AKNS and Harshada Rege)