Fenil and Bollywood

Posts Tagged ‘south mumbai

IT’S TIME TO REJOICE!

Although 2009 is considered as a black year for Bollywood, the last 3 ½ months have proved to be profitable not only for producers, distributors and exhibitors but also for viewers. There were at least half a dozen commercially successful films like Wanted, Wake Up Sid, All The Best, Ajab Prem Ki Ghazab Kahani, De Dana Dan and Paa. Also, flops like Dil Bole Hadippa, What’s Your Raashee?, Do Knot Disturb, Blue, London Dreams, Tum Mile, Kurbaan etc did manage to bring audiences to theatres in its first 3 days of release. Also, we got two Hollywood blockbusters, 2012 and Avatar. And tomorrow’s release 3 Idiots is expected to be the biggest hit of 2009. This Aamir Khan flick is been given one of the widest releases. If all turns out to be well, 3 Idiots may become the biggest blockbuster ever, breaking even Ghajini’s record (which at present is the biggest Bollywood hit).

People are coming to theatres. So many movies are running successfully. Unfortunately, no is celebrating it and no trade analyst is coming forward to discuss about it. Ironically, during bad times, every producers, distributor and trade pundits will come forward and state as to ‘how our industry is going through a crisis’. Somehow, we have become more negative in our approach. We love to live in bad times! Come on guys, pop the champagne and enjoy the good time!

TICKET RATES INCREASED FOR 3 IDIOTS


Watching 3 Idiots shall turn out to be an expensive affair. Knowing that people are going to come for sure to watch this Aamir Khan flick, Vidhu Vinod Chopra and the distributors of the film have urged multiplexes and single screens across the country to increase the ticket rates for 3 Idiots. Even morning shows which had a meager price of Rs 60 or 80 is now sold for 160 or 180 and even 200 bucks. A prominent multiplex in South Mumbai (Inox, Nariman Point) takes away the cake by charging Rs 290 for the 11:30 am show! And for the evening and night shows, the least said, the better!

Surprisingly, hardly any Bollywood intellectuals have spoken against this unfair practice. All of them are concerned only with the problem of piracy. Why? Because it concerns them-they face huge losses because of pirated DVDs. And they don’t need to care for the inflated ticket prices since they can either afford it or they get to see films free of cost in preview screenings!

But all of them have failed to see the point that one of the biggest reasons for piracy is the expensive ticket rates. Reducing the ticket prices will automatically reduce piracy to a certain extent. But instead of applying this idea, ticket rates are increasing, thus giving a boost to piracy. Producers and distributors are only concerned with extracting maximum profits. And when viewers shun theatres due to high prices, they will again come up with ‘industry going through crisis’ stuff when the fact is that they only created the situation in the first place! Very very sad!

This post first appeared on MouthShut.com: http://www.mouthshut.com/diary/chfdltslp/Fenils-Bollywood-Talk80

Posted on: December 18, 2009

Katrina Kaif was diagnosed with ‘chocolate cyst of ovary’ for which she underwent an hour-long surgery

By Sonal Chawla (MUMBAI MIRROR; December 18, 2009)


Katrina Kaif has not been keeping well for almost a month. Few days ago, the actress was admitted to the hospital due to low haemoglobin count. After several tests, the doctors attending on her identified the cause of her persisting illness as endometrioma, for which she was operated.
Katrina was admitted to a South Mumbai hospital and was operated on Wednesday morning. A source reveals, “Katrina had an operation on Wednesday morning and the surgery went on for an hour. It is a one-time surgery and there are no after-effects. She is fine now and has been advised rest for two days. She will be discharged today evening and can return to work after that.”

About Endometrioma

Endometrioma is caused by endometriosis, and is formed when a tiny patch of endometrial tissue (the mucous membrane that makes up the inner layer of the uterine wall) bleeds, sloughs off, becomes transplanted, and grows and enlarges inside the ovaries.

By Subhash K. Jha, December 11, 2009 – 19:00 IST

Post the grand international success of Danny Boyle’s Slumdog Millionaire, Mumbai slums have become fashionable and popular visiting places for international audiences. Just how much so, Sudhir Mishra discovered when he took his long-delayed film on slum life Tera Kya Hoga Johnny (featuring Neil Nitin Mukesh, Soha Ali Khan, Shahana Goswami and Karan Nath along with a real street-child Sikandar) to New York’s South Asian Film Festival held from October 28 to November 3.

At the festival American critics reacted to Sudhir Mishra’s Tera Kya Hoga Johnny as another Slumdog Millionaire.

Now Sudhir will release the film in a dubbed English version. “After Slumdog Millionaire, the West is looking with much curiosity at the slum culture of Mumbai. I had no plans of doing an English version of Tera Kya Hoga Johnny. But everyone who saw it in New York suggested I do it. Every frame in my film has been shot in the lanes and gullies of South Mumbai in Colaba.”

With Tutu Sharma now taking over as co-producer of Tera Kya Hoga Johnny, the film is all set for an early January 2010 release.

Thus ends the blame game whereby Neil Nitin Mukesh was being accused of trying to stall the film by not dubbing for it.

Defends Sudhir Mishra, “First of all most of the film is in sync sound. There was just about a day’s dubbing to be done by Neil. He finished it long ago. Why blame the poor guy?”

BOLLYWOOD HUNGAMA.COM

By SHAHEEN PARKAR (Mid-Day; December 11, 2009)

Sushmita Sen and Kangna Ranaut will attempt to be just that for a song called Shakira Jaisi…

Hips Don’t Lie — ask Sushmita Sen and Kangna Ranaut. The stars are learning to shake their kamariyas like the Colombian singer who can wriggle her hips and more effortlessly.

The actresses are presently shooting for a song sequence for Anees Bazmee’s No Problem (it’s not a sequel to No Entry!). Music composer Pritam has composed a trademark Punjabi hip track that goes Shakira Jaisi Hile Lakhni…

Sush and Kangs, who play sisters in the flick, have been matching steps to Chinni Prakash’s choreography.
The two actresses will be making their moves in six yards. While Sushmita has draped herself in an Abu Jani sari worth Rs 4 lakh, Kangna settled for a Suneet Varma creation which costs Rs 3.5 lakh.

The song is being shot at the Filmistan Studios. Anil Kapoor, Sanjay Dutt, Akshaye Khanna, Paresh Rawal and Shakti Kapoor who feature in the film are also in the song that has been penned by lyricist Kumar (of Maa Ka Ladla fame).

Produced by Anil Kapoor, Rajat Rawail and Spice International, No Problem is slated to release in the third quarter of 2010.

Says Rawail, “We have been shooting for this track from Tuesday. Pritam has scored an extremely peppy song that tells them to shake like Shakira! It is a celebration song as Kangna is getting engaged to Akshaye in the film. The dance unfolds in their father Shakti Kapoor’s home — he plays the police commissioner.”

After a long schedule in South Africa, Bazmee has started the Mumbai leg of the film’s shoot. From next week, they will be shooting at various parts of south Mumbai.

H-twon in a sari
While you may have to wait a while to see Shakira in a sari (the outfit she wore during a Farah Khan choreographed performance at an awards show — seen alongside — doesn’t count as one), here are a list of Hollywood actresses who draped up.
Helen Mirren (at an awards show)
Katherine Heigl (in 27 Dresses)
The Pussycat Dolls (at an event)
Cameron Diaz (at a photoshoot)
Elizabeth Hurley (at an event)

Shakira Ve the last track that featured the name in the title. the fool n final gaana featured Ayesha Takia & Shahid Kapoor

karan johar

BOLLYWOOD IS SO VULNERABLE!

A very ugly incident arose on Friday when Wake Up Sid (WUS) released across the country. The film, directed by debutant Ayan Mukerji and produced by Karan Johar, has several characters calling Mumbai by its old name, Bombay. Maharashtra Navnirman Sena, Raj Thackeray’s party, was furious with this and its members tried stopping the screening of WUS at two theatres in South Mumbai and at a couple of places in Pune. Johar, fearing that the matter may go out of hand, immediately went to Thackeray’s Shivaji Park residence and apologized to him. He assured that he had no intention of hurting anyone’s sentiments and that he would add a disclaimer in the film in 2 days.

The incident created a furore and Raj Thackeray’s rivals perceived it differently, of course, with vested interests and Johar was made a scapegoat by all of them.

I discussed this issue with more than 50 people (many of them Maharashtrians) and not a single person felt that there is any harm in calling Mumbai as Bombay. Go to South Mumbai and many residing there still refer to the city as Bombay. In fact, South Mumbai is often called SoBo (Bo is the short form of Bombay). Then there are so many organizations and companies whose name consist of ‘Bombay’. Bombay Stock Exchange, Bombay Blues (a famous chain of restaurants), Bombay Times, Bombay Parsi Punchayat, Bombay Catholic Sabha, Bombay Dyeing etc are the classic examples. The sunset point in Mahabaleshwar is called Bombay Point since decades. Jet Airways uses the code ‘BOM’ to refer to Mumbai. The funniest part of this whole incident-Raj Thackeray’s son Amit Thackeray studied in a reputed school called BOMBAY SCOTTISH! Ha ha ha!

It was equally shocking to know the quotes given by Raj Thackeray’s rivals. Maharashtra CM Ashok Chavan called the whole incident a publicity stunt. That is, all this drama was created so that WUS gets more audience. A stupid comment, in my opinion, as Johars has and will never resort to such tactics to market their films. Also, there was no need for Johar to do any kind of publicity stunt as WUS had already aroused lots of curiosity amongst youngsters. The film already witnessed massive advance bookings, even before the audiences learnt of this controversy. Shiv Sena spokesperson Sanjay Raut was of the view, “If he (Johar) really feels sorry about it, he should apologise to Maharashtra and the millions of Marathi manoos staying here”. Arre, who cares if Mumbai is called Bombay? People here are more interested in having a better infrastructure, traffic-free roads, organized transport system and sense of security. No one’s sentiments are going to hurt if anyone uses the word Bombay. BJP leader Kirti Somaiya claimed, “Nobody has the right to refer to it by the old name when it has already been renamed Mumbai”. Again, a senseless statement as there’s no law that makes calling a city by its old name illegal. One can fearlessly refer to Mumbai as Bombay, Kolkata as Calcutta, Bengalooru as Bangalore, Vadodra as Baroda, Thiruvananthapuram as Trivandrum, Chennai as Madras and also New York as New Amsterdam!

Raj Thackeray questions, “Why can’t people accept Mumbai if they can accept Chennai and Thiruvananthapuram?” But he should be told that people in these Southern cities don’t have to apologize to any tom, dick and harry if they use the old name of the city. And Thackeray has always been comparing with the Southern States. Last year he justified his signboard campaign (threatening shop owners to change their signboards into Marathi) by stating, “In Kerela and other South Indian states, all the signboards are written in their language, so why not the same in Maharashtra?” Maybe then Raj should make a comparison on all fronts. Kerela has high levels of literacy-why doesn’t he strive to attain the same in Maharashtra too? At least that’ll help the state. Changing the signboards to Marathi and revolting when someone uses the word Bombay is not going to help Mumbai progress even an inch.

Coming back to the film WUS, it depicts reality. Also, in one scene in the film, Konkona Sen Sharma says that she hails from CALCUTTA! No one in West Bengal protested. Also, there have been so many movies that have characters mouthing Bombay. In Dasvidaniya, when Svitlana Manoylo asks Vinay Pathak where he’s from, he replies that he’s from Bombay! This is just one example-one can find lots of such instances. And whose sentiments got hurt?

Karan Johar was also criticized. Many feel that he should have not apologized. But did he have any choice? If he had not done so, Thackeray and his men may had called for a ban for the film in Maharashtra and the state govt would have stood as helpless spectators. Crores were at stake and not to forget, Johar would have to answer his distributors. So I feel Johar’s actions were superfast and completely justified. 2 days back, director Ayan Mukerji, while interacting with movie buffs in the Bollywood Hungama Live Chat session rightly said, “He did what he felt he needed to do at that point to protect our film. It is not possible to understand from outside how much a film means to the people who have created it. It’s like having a baby or something-when someone threatens to hurt that baby, you put your personal pride and ego away to protect it. That’s all that Karan did”. Well said!

Finally, this incident proved that Bollywood is so vulnerable with no protection whatsoever, esp in such situations. A film passed by Censor Board can be released has to undergo politican’s clearance. Thackeray proved that he’s here just to be in the news and to please Maharashtrians with such tactics. His rivals made a fool of themselves with their comments. All this happening with an eye on the elections! God save BOMBAY!

Pratik, who chooses not to use his parents’ surname, Patil or Babbar, (that’s how his maternal grandmother wants it),
By Meena Iyer (MUMBAI MIRROR; September 25, 2009)
On Sunday night, the Jaane Tu Ya Jaane Na scene-stealer created a flutter when he appeared as the showstopper for designer Kunal Rawal at the Fashion Week. Mumbai Mirror caught up with the young actor for an exclusive chat.Kiran Rao’s Dhobi Ghat is your next release?
Yes, the movie is complete but it will release sometime next year. Kiran recently had a traumatic incident (a miscarriage) and at present things are on hold. I guess the film should come around July next year. The experience of working with Aamir Khan was great.

You’ve also been signed by Sanjay Leela Bhansali?
Yes. The film should start in December.

There’s an element of mystery around you. You are hardly seen?
Even I keep thinking about it. I’m wondering if everyone is all over the place, why am I not there. If everyone is running a rat race, I keep asking myself why I am not doing the same. Anyway, I’m happy I walked the ramp. Kunal Rawal is a friend. When he broached the subject of me walking the ramp, I was hesitant. Now I’m happy we nailed it.

Post Jaane Tu… Imran Khan and Genelia D’Souza created quite a stir. What happened to you?
I retreated into my shell for some reason. Then I got around to reading scripts. Out of 10, I found five exciting, five awful. If the first 10 pages  don’t excite me, then I can’t read further. I’m a passion-driven guy. I’d love to play super-hero in a film.

Currently, what is a normal day in your life like?
I wake up at 6am and hit the gym by 7am. I like exercising because I’m excited about the results. I like the way my body looks now. When I get home, I shower and eat my head off. Then it is two hours of Hindi lessons from my tutor, Prakash Bhardwaj. After that it is two hours of yoga. At 9pm, I’m pooped and don’t want to do anything more.

Would you like to do theatre?  Your sister Juhi is into theatre.
I love the stage. I do follow the work Juhi does.

Do you meet Juhi and Arya often?
No. I only go there when my dad (Raj Babbar) is in town. He is hardly in Mumbai these days. As I said earlier, my days are so packed. I don’t get a chance to do much else.

Surprising, because once upon a time you were  a party animal.
For a year, I partied hard. I would stay out of the house for 4-5 days in a row and would not take calls. And my aunt (Manya Patil) and my grandmother would be exasperated. They were like, ‘what are you up to, kid?’ Now I hate going out. In Mumbai, every place is so crowded. At a nightclub, you have to hold your drink in the air and try squeezing your way around. There are people sticking to you from all sides. Sometimes it gets terrible.

What is the weirdest rumour you heard about yourself recently?
Ha, I read somewhere that I was dating an 18-year-old girl from South Mumbai. I don’t know any 18-year-old girls. I have to find out the girl I’m supposed to be dating.

And what is your latest indulgence?
My latest buy and passion is my silver (C-class) Mercedes. It has black interiors. Ideally I’d have liked a black Merc. But a black one comes with beige interiors. Beige feels old.  On second thoughts, I should have got myself an Audi A-4.

Rita

RENUKA SHAHANE TURNS DIRECTOR!

Everyone who has seen ‘Hum Aapke Hai Koun..!(HAHK) must be aware of this actor. In the film, she played Pooja, Prem’s (Salman Khan) elder sister who meets with a tragic death. Renuka Shahane had become very popular after this film. She also acted in some of the sitcoms earlier. Although she became a known face after HAHK, she wasn’t seen in many films. But now she’s back as a director. Her first film, a Marathi one, titled Rita, is all set to release tomorrow. Renuka Shahane is also there in the film along with Pallavi Joshi, Suhasini Mulay, Mohan Agashe and others. Jackie Shroff also has an important role in the film. Rita in fact is Jackie’s first Marathi film. Surprisingly, just last week, he was seen as a Punjabi farmer in Kisaan.

Rita is adapted from a Marathi novel Rita Welingkar written by the eminent critic Shanta Gokhale, who is also Renuka’s mother. One look at the promo of the film proves that Renuka has sensitively handled the film and will surely impress the audiences. Co-incindentally, women debut directors have fared exceptionally well this year. Zoya Akhtar’s Luck By Chance was a top-notch product while Firaaq by Nandita Das was one of the most impactful films of this year.

The reason why I wrote about this film is because Renuka Shahane stays just a minute away from my house! She used to stay there with her mother until she got married. She occasionally visits her mother but still, I haven’t seen her even once. But I had a chance to meet his husband, actor Ashutosh Rana. I remember the date quite well-it was Jan 5, 2003. My friend stays in the building opposite Renuka Shahane’s and both these buildings share a common compound. I and my friends were playing there when a car stopped outside the compound and Ashutosh Rana came out. He was dressed as a neta-it was the get-up for his film, maybe. He went straight to Renuka’s house. At that time, I didn’t even know that Renuka Shahane’s home is located there and that Rana is her husband! After my knowledge was updated about this, I and my pals decided to take his autograph. I quickly went to my house and got a diary. We all were too scared to press the bell of the house. Finally, I went ahead and did the needful. Renuka’s mother (Ashu’s mother-in-law Shanta Gokhale, who wrote the novel from where Rita is adapted) opened the door. I told her about our wish to take Ashutosh’s autograph. She smiled, pinched my cheeks and went inside to call the actor! He came out and was too glad to fulfill our wish!

From that day onwards, whenever I hear about Renuka Shahane or even Ashutosh Rana, this incident instantly comes to my mind!
—————————————
SHOB CHARITRO KALPONIK RELEASED

SCK

Just imagine-a Bipasha Basu film released last Friday and hardly anyone knows about it. The film in question is Shob Charitro Kalponik (SCK), a Bengali film by the well-known director Rituparno Ghosh. The film had created some hype ever since news spread that Bipasha will be seen in a Bengali film. Last I had heard was Bips’ voice is dubbed and that Big Pictures have backed the film.

The film got a good release in Kolkata. In Mumbai it was released only in 2 multiplexes, 1 show in each and both these multiplexes are in South Mumbai. It is shocking that a Bipasha Basu film got such hype-less release. English subtitles were also there and so even non-Bengali viewers would have surely come to see the film, provided the film was promoted well and adequate shows were organized in more multiplexes throughout the city.

4 years back, even Antar Mahal (AM), starring Abhishek Bachchan, Soha Ali Khan, Jackie Shroff and Raima Sen had released without any hype. But compared to SCKAM had more number of shows. Critics had reviewed AM but in the case of SCK, I didnt see it’s single review in any newspaper. Maybe even the critics werent aware of its release! Very unfortunate!

Gafla

Gafla released on October 6, 2006. The promo of the film began a week before its release and it caught my eye. But I couldn’t catch the film in theatres as my exams were going on. By the time my exams got over on October 13, the film had vanished from theatres (in just one week)! I was not disappointed since I expected its VCDs to release soon. But time went by and neither its VCDs/DVDs came out, nor was it ever telecasted on TV. Last year, I learnt that the film will be screened in the Times of India’s Kala Ghoda Film Festival. I happily reached the venue of the screening, the Eros theatre at Churchgate (Mumbai) but disappointment awaited me here too! The film screening was to be held in the preview theatre of Eros which had just 45 seats and all the seats were already filled by the time I reached!

The next day, I found that the director of Gafla, Sameer Hanchate, has a website too in which his email id was also mentioned. I wrote a mail to him, explaining how I am dying to watch Gafla and the unpleasant experience at Eros. He replied immediately, sympathizing with me and ending the mail with a good news-the VCDs are going to be out soon! 1 year and 5 months have passed since I received that mail but still the VCDs/DVDs has not come out! Frustrated, I decided to download the film from the internet. And finalllly, I saw the film on Saturday!

The story of the movie: Subodh Mehta (Vinod Sharawat) is an ordinary man who wants to make it big in the world of stock exchange. He dreamt of becoming rich and successful. He had limited means but plenty of knowledge and intelligence. With the help of Hari (Brijendra Kala) and C N Shah (Saurabh Dubey), he becomes an investor and starts earning a steady income. But Subodh was not satisfied-he was still determined to go up. This quest for the ultimate success made him come face to face with the big players of stock exchange. Subodh’s ideas and plans were different from these top players. They warned him but he didn’t pay any heed. Finally, they decided to crucify him for the fraud that everyone around was doing.

Gafla is without a shred of doubt inspired from the story of Harshad Mehta, one of the biggest scamster of the stock exchange. However, the film projects the protagonist in a different perspective. It is more of a biographical account of Subodh Mehta. His entry into the world of shares and his experiences is wonderfully executed and keeps you hooked. Since no film has ever been made completely on stock markets, the director gets a chance to show his vision without getting biased or stereotypical.

Although the film is interesting till the last scene, there are very few scenes which manage to create an impact. Also, the beginning portions of the film were difficult to understand, especially for a person like me who doesn’t have much knowledge on stock market! The climax of the film was excellent and it instantly reminds one of Madhur Bhandarkar’s Corporate.

Gafla2

The film completely rests on the shoulders of Vinod Sharawat. A television actor before, Sharawat perfectly plays his role. He scored majorly during the pre-climax and the final scene. He’s an actor who deserves to get more roles! Shruti Ulfat as Vidya, Subodh’s love interest gives a confident performance. Purva Parag as Maya does a good job. Vikram Gokhale rocks in the special appearance role. Brijendra Kala looked every inch like a ‘dalal street wala’ but he spoke too fast to decipher. Aditya Lakhia stands out. Others do a good job. And before I forget, Sameer Hanchate, the director of the film, is also there in a brief role in the film!

The film has two songs, penned by Jab We Met lyricsist Irshad Kamil. The songs appear in the beginning and towards the end and hence do not hamper the pace of the film.

Anshul Chobey’s cinematography was brilliant. The scenes shot in actual locations of South Mumbai were well captured. Bijesh Jayarajan’s dialogues suited the mood and theme of the film. Rajiv Velicheti’s screenplay was good but could have been better for sure.

Finally, Sameer Hanchate did the unthinkable. He not only directed, but also wrote, produced and even acted in his first film! As an actor and writer, he was amazing. But the direction was not upto the mark. The film moved like a biography and didn’t stress on important sequences of the film. Hence, many of these scenes didn’t make an impact. But still, kudos to this young man for coming up with a novel film. He surely has a long way to go!

Some of the best scenes of the film:
1.   Subodh entering Bombay Stock Exchange for the first time
2.   Subodh’s meeting with C N Shah
3.   Scenes of Vikram Gokhle
4.   Subodh’s ‘settlement’ with Thakur
5.   The final 10 minutes

On the whole, Gafla is a well-made film. It gives you a wonderful insight into the world of shares and stocks and impresses to a great extent. Those who are in this field will definitely enjoy this film!

My rating-*** out of 5!

This review first appeared on MouthShut.com: http://www.mouthshut.com/review/Gafla-169467-1.html

Going, going, gone… Darsheel Safary’s trademark buck teeth will soon be a thing of the past; he now has braces. They will be missed
By Parag Maniar (MUMBAI MIRROR; June 12, 2009)

Darsheel Safary

This is perhaps the last time we will see Darsheel Safary’s famous bunny rabbit smile. For the past few months, Darsheel, has been undergoing treatment for his teeth from a well-known South Mumbai orthodontist. Now that he has braces, his two front teeth, which protrude quite prominently, will get pushed inside over a period of time. Darsheel will soon have a set of teeth, which he can proudly show off. The treatment will continue for six months.

Confirming the news, Darsheel’s father Mitesh said, “Isn’t it normal for any parent whose child has buck teeth to take him to a dentist and have them corrected? Don’t parents want the best for their child? What is the harm in that?”

Mitesh emphatically denied that he and Sheetal (Darsheel’s mother) decided to get Darsheel’s buck teeth treated after the success of Taare Zameen Par. “We had gone to a dentist when Darsheel was seven years old. Taare Zameen Par had not happened then. The doctor advised that the right time to get Darsheel treated was when he would turn twelve. So, we are getting him treated now,” said Mitesh.

Is it also because they want Darsheel to pursue a career in films and take up lead roles in the future? Mitesh said, “Whether to take up a career in films or not will entirely be Darsheel’s decision. As parents, we will continue to support him. Anyway, have you seen any hero with buck teeth? There is only one and that is Tinnu Anand. But he is not a hero.”

The Safarys are taking utmost care that Darsheel’s treatment does not hinder the continuity in his ads and films. “Darsheel’s braces are made of ceramic, which blends very well with his natural teeth colour. In fact, the braces cannot be seen at all in the camera. In our contract with Walt Disney we have specifically mentioned Darsheel’s teeth treatment so that no problems arise later,” added Mitesh.

Darsheel cannot eat anything hard while his treatment is on. “Darsheel cannot eat his favourite foods like pizza and paani puri but its only temporary. He will be able to enjoy all this once his treatment is complete,” said his father.