Posts Tagged ‘studio’
Producer Sajid Nadiadwala, director Siddharth Anand and music composers Vishal Shekhar asked Ranbir Kapoor to lend his voice for a song in Anjaana Anjaani. Not only did Ranbir sing, but he also finished recording it in 45 minutes.
The recording took place at Vishal Shekhar’s studio in Bandra at 1am on Wednesday. Ranbir was on his way home before 2am. “He shocked both, Vishal and Shekhar. His singing was so smooth and comfortable. This facet of Ranbir was completely unknown and untapped,” says an industry source.
The scene which required Ranbir to sing isn’t a random input. Ranbir breaks into the song with a band playing behind him. The song is shown for a little over one-and-half minute.
Ranbir’s leading lady, Priyanka Chopra, was also present in the studio at around 10pm. Priyanka will also sing a solo for the same film, if everything goes well.” She heard the tune last night and brainstormed with Siddharth and Vishal Shekhar about her comfort level with the pitch of the song. She is yet to muster up the courage to sing. As things stand today, she should be singing the song in the next couple of days,” added the source.
It was the director of the film who wanted Ranbir to sing that particular song. Siddharth said, “Ranbir improvised a lot and did a brilliant job. It was my idea to make him sing. He knew about it from the time he read the script. But the scene where he sings remains to be shot. It will be canned in the next schedule in the US.”
Vishal thinks that Ranbir’s voice was necessary for credibility. He said, “Though it’s a song, it’s also a scene. We had to get Ranbir to do it for authenticity and he totally rocked!”
|Shekhar and Vishal
(Pic: Raju Shinde)
|Ranbir Kapoor||Priyanka Chopra|
Posted December 19, 2009on:
Ever since Shah Rukh Khan purchased the costliest and biggest vanity van which has all the modern amenities, his favourite filmmaker Yash Chopra has been very keen to see it. Tickled by curiosity, he had expressed his wish to Shah Rukh. After all, it’s a swanky, fully loaded van fit for a superstar.
|Shah Rukh Khan||Yash Chopra|
For quite some time, Yash Chopra has wanted to see Shah Rukh’s fancy van. Yesterday, Shah Rukh was scheduled to shoot for YRF’s TV show (hosted by Karan Johar) at their Andheri studio. Shah Rukh seized this opportunity to show it to Yash Chopra and travelled to the shoot in his vanity van.
Normally, no actor is allowed to take his vanity van inside, but yesterday Shah Rukh was given a special concession.
As soon as Shah Rukh drove in at 4.30pm, Yash Chopra came out. Shah Rukh emerged from the van, held Yash Chopra’s hand and took him inside. “Yash considers Shah Rukh as his son. Shah Rukh also has very high regard for Yash Chopra,” said our source.
Yash Raj’s head honcho spent a full 30 minutes inside the van where Shah Rukh showed him all the amenities very respectfully. “He loved the van. It’s like a one-bedroom house,” our source added.
|Shah Rukh Khan’s vanity van (Pic: Satish Malavade)|
By Subhash K. Jha, December 17, 2009 – 12:26 IST
What would’ve been a routine birthday bash for Sameera Reddy on Sunday night turned out to be a very special occasion when Priyadarshan, who has just given the actress her first hit since Race in De Dana Dan, turned around and said, “You’re in my next film.”
Sameera who has become very close to Priyan and his wife Lizzie and in fact spends all her free time during her frequent visits to Chennai in their house is still reeling in pleasure. “I couldn’t have got a better birthday gift. Firstly it turned out to be Priyan and Lizzie’s marriage anniversary. So we had my birthday and their anniversary party at Shristi Behl’s residence. All three of us Lizzie, Priyan and I cut a cake.”
The icing on the cake was Priyan’s impulsive offer. “I don’t need to ask him what it is or in which film. I trust him completely. He gave me a role in De Dana Dan that did justice to my presence. This, at a time when I was desperately trying to shed my sexy image.”
Not many people know this but Sameera has a secret special appearance in the Bihar based film that Priyan is shooting with Ajay Devgn, Akshaye Khanna and Bipasha Basu.
“How do you know about this?” Sameera demands to know. “So that makes it three films with Priyan. I’m really lucky to have Priyan and his wife as friends. Now when I go to Chennai is like a second home to me thanks to the work that I do. In fact my latest Tamil hit was mixed in Priyan’s studio in Chennai, so the bond thickens.”
Her prestigious film Nagesh Kukunoor’s Yeh Husla remains stuck.
Says Sameera softly, “That’s because the producers Percept have bungled. They’re in a real financial mess. They owe almost everyone associated with them quite a lot of money.”
Sameera herself remains solitary in Mumbai. “My sister Meghna is now married to a Greek and settled on the most exotic Greek island. My brother-in-law spoils me silly. They both love me because I convinced our conservative dad about the unlikely marital alliance.”
Especially after her sister’s marriage Sameera really misses a man in her life. “It gets really lonely. And I know I’m looking my best these days. Thanks to yoga, I’ve lost oodles of flesh. But what’s the point of looking good when you’ve no one to admire you?”
Age may be just a number. But in Bollywood, Sameera knows her time is numbered. “At the party at Shristi Behl’s, I just kept staring at Twinkle Khanna. She was glowing. She just keeps getting better with the years. I hope I look as radiant when I reach that age.”
All is not well on the sets of Dance Premier League (DPL). The show’s celebrity judge, Rani Mukerji is so flustered with the format of the show that she stormed out of the sets on Tuesday, November 17. The incident happened at a studio in Chembur.
Furthermore, Rani has curtly asked the show’s producers, Cineyug not to make her resume her position as the judge until her demands are met.
Commenting on why Rani is so upset, a source said, “Rani doesn’t want the DPL participants to be eliminated starting this level (Level 5). She is of the opinion that the DPL winner must be chosen from the existing participants.”
Consequently, the channel and the DPL producers Cineyug are in a fix. They are in no position to abide by her diktat as the show has already completed more than 60 per cent of its running time. Also, the format of the show cannot be changed overnight as it will involve a lot of planning.
The vice-president of the channel, Danish Khan, said, “We are only interested in the final product. Cineyug, who make this show for us, will be the right people to talk to you about this.”
Mohammed Morani of Cineyug confirmed the story and said, “I was out of town when Rani walked out of the show. I don’t know why Rani doesn’t want eliminations to happen at this level. We have reached Level 5 in the show and need to carry out the eliminations to make the contest interesting. We are trying to explain this to her.”
After her controversial nude sequence in Shekhar Kapur’s Bandit Queen, Seema Biswas will once again go topless in Amjad Khan’s film, Tomorrow, which is based on people from the underworld. Seema Biswas has shot for a vital sequence in which her entire body from the back has been shown explicitly.
Amjad Khan, director of the film, said, “Yes, this scene was a high-charged emotional scene where the cops are following a character called Kaalia played by Raj Arjun.
He hides behind Seema and when the cops reach them, they think that Seema is making love with someone else. They get embarrassed and leave because of which Kaalia gets saved.”
Commenting on Seema’s opinion on the scene, Amjad Khan said, “The script demanded this scene. Although Seemaji was not ready initially, she did realise the importance of the sequence eventually.
We managed to convince her and she had the confidence that the scene will be shot aesthetically. We shot it in a studio in Mumbai and no one was allowed on the sets. We could not show the frontal nudity as we did not want to run in to trouble with the censors. So we clearly showed her entire back.”
AR Rahman stops accepting Indian assignments; is trying to do the right things demanded by public appearances in the West
|So full are Rahman’s hands with current assignments in the West that he has decided not to accept any new films. “At the moment, I’m racing against time to complete the Indian projects I’ve on hand and that includes Mani Ratnam’s Raavana, Rajnikanth’s animation film Sultan and Tony D’Souza’s Blue. The last new assignment I accepted was Abbas Tyrewala’s 1:800-LOVE. I’ve stopped taking on anymore for now.”
Rahman is going through a schizophrenic phase. He says, “In the studio, my outer self has to be completely switched off. But when I’m at international public events, I’ve to be all there, shaking hands, making friendly talk. I’ve to ensure that I am saying the right things. I’ve to prepare myself physically, look into the mirror and make sure my hair and tie are in place.”
Rahman doesn’t mind letting his ‘outer self’ look dapper. But people around him don’t seem that comfortable with his upgraded look. Chuckles Rahman, “My south Indian friends say, ‘Oh look at him… he’s changed!’ And that makes me uncomfortable. I realise I have to go out there with a certain amount of dignity and even style. I know I’m representing my country and everyone is watching.”
It’s not easy being India’s brand ambassador in the West. And Rahman, shy and reclusive at the best of times, finds it tough to assume his new gregarious, well-groomed persona with international brands vying to dress him up from head to toe.
“It’s all new to me. I’ve just begun to get a hang of it. But I’m not uncomfortable,” he says. At the moment, Rahman is fighting off the temptation of taking on too many international assignments. He explains, “I take on what is physically possible. Money is not the main criteria. If I did anything for money, everything will fall flat. I want to do only those assignments to which I can give my fullest.”
However Rahman admits money is important. He says, “Money is not my dream. But it fulfils my dreams. The way I travel and accompanying expenses are costly. It is, for me, my family and my children’s future.”
With success, come the riders. He says, “My wife dreamt that one day I’d win an Oscar which I did. But after that I’ve been constantly traveling. The kids are growing up now and one of us has to look after them. I’m spending as much time with them as I can. Or trying to make them part of what I do so they can be with me.”
At the moment, Rahman has only one ambition. “I want to be happy.”