Fenil and Bollywood

Posts Tagged ‘Taare Zameen Par

By Bollywood Hungama News Network, January 2, 2010 – 12:43 IST

Aamir Khan The very versatile Aamir Khan has done it again. After playing a 20 something lad in 3 Idiots, he will now play a painter in his 2010 release Dhobi Ghaat.

This is Aamir Khan’s wife, Kiran Rao’s, directorial venture and sure enough Aamir is extremely pumped up about the project. The film also stars Smita Patil’s son Prateik Babbar. The shoot of the film is complete and is now under post production.

In Taare Zameen Par, Aamir played an art teacher and a quite a convincing one at that. In Dhobi Ghaat though, he will be seen as a painter who lives in a small studio apartment in some congested area of Mumbai city.

Needless to say, it would be interesting to see Aamir in a very different role yet again.

BOLLYWOOD HUNGAMA.COM

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By Subhash K. Jha, December 29, 2009 – 12:57 IST

Anupam Kher He has the singular honour of directing the only documentary on the making of a yet to be released feature film. And now, after making Chale Chalo on the making of Lagaan, the reticent (not by choice) young director Satyajit Bhatkal is ready with Zokkomon, the first Indian feature film to be produced by Walt Disney Pictures.

Satyajit has been strictly forbidden from talking about Zokkomon. All he’ll say reluctantly is that it will be a film unlike any other. “The script was one of many that I wrote. To my luck, it was almost immediately approved by Disney. But before that I did a number of one-hour series entitled Bombay Lawyers for NDTV. These were based on my own experiences as a lawyer.”

Bhatkal was a practising lawyer before movie-making beckoned. “When I made Chale Chalo based on behind-the-scenes experiences of those involved with Lagaan, I made sure there wasn’t a single shot of Lagaan in my documentary.”

But that docu-film did not get Bhatkal the chance to direct a film for Disney.

“They liked the script, I think,” says the directly shyly. Zokkomon stars Anupam Kher and Darsheel Safary. This would be Darsheel’s first release since Taare Zameen Par.As for Anupam, Satyajit has become the actor’s life-long fan after he made his dream come true.

Recalls Satyajit, “When Anupam told me he was going to Israel this month and might meet Topol, I requested him to get me Topol’s autograph since I’m a life-long fan. To my surprise Anupam called me from Israel, handed the phone to Topol, and made him speak to me. It was a gesture not many would make.”

BOLLYWOOD HUNGAMA.COM

WHO AM I? Shah Rukh Khan as Rizwan Khan


Shah Rukh Khan speaks exclusively to BT about his role in the biggest film of his career

MARK MANUEL Times News Network (BOMBAY TIMES; December 29, 2009)

Shah Rukh Khan, the pains and failures of 2009 behind him if not entirely forgotten, is looking forward to the New Year because it brings with it the imminent release and promise of the biggest film of his career (his words, not mine) – Karan Johar’s My Name Is Khan. He’s had a bad year starting with the shoulder injury and surgery, then the uninspiring box-office returns for Billu – his only release in 2009, and finally the humiliating decimation of his IPL team in South Africa. But, as the poet T. S. Eliot famously wrote, “For last year’s words belong to last year’s language and next year’s words await another voice”… and SRK, suspect, is secretly hoping that the next voice cinema audiences will listen to is going to be his in 2010. Or rather Rizwan Khan’s, the autistic character he plays in My Name Is Khan, which is slated for a grand bi-lingual worldwide release in February. Actually, the character in this ambitious film suffers from asperger’s syndrome, an autistic disorder whose main symptom is a difficulty in social interaction. It is a role that Shah Rukh, who is notoriously among Bollywood’s least social people, must have slipped into with consummate ease. Over a glass of tea in his vanity van one night late at Mehboob Studios, I asked him whether audiences were ready for another challenged hero after Bachchan with progeria in Paa and, before that, Aamir with dyslexia in Taare Zameen Par. Shah Rukh replied, “Audiences understand what you tell them. People like a good story. And this is a joyous film with a new romantic thought, the journey of an ordinary man. It is a love story with an epic feel. All love stories have obstacles, but the obstacle in My Name Is Khan is real, it happens in everyday life. For me, the film was an opportunity to play a challenged character… bahut maaza aaya!” What he was saying was contrary to public belief that the film is based on terrorism. Shah Rukh scowled. “I don’t know where you got that idea,” he said in exasperation, “yes, it is set in the aftermath of 9/11, and it is heroic without the fighting and screaming, but My Name Is Khan is a heartening and even funny film… even though we didn’t try to make a funny film! I am excited about it as I am about all my films. But this one I’m very proud of. Mainly because I’ve co-produced it with Karan. Also because Kajol and I are acting together after eight years.” He’s not seen a trial of the film as yet to voice an opinion on how well it will do at the box-office. That Shah Rukh never does. Not for his own films nor anybody else’s. In fact, he said he’s hardly seen any of his films completely. “Trials mean analysis,” he explained, “but trial reactions are different from theatre reactions. I don’t make a film for myself, I make it for the story. Besides, I’m shy of myself on screen, I’m not vain, it’s just that I’m not fond of my face or physique. Maybe that’s why I’m an actor – so that I can play someone else.”
Perhaps, he was still in character for the film. Or, maybe, interacting with people is as much a problem for Shah Rukh Khan in real life as it is for Rizwan Khan in reel. “I’m not antisocial,” he protested, “I’m a quiet person, strangely reclusive, I’m not as confident as you think I am. I have issues. I’m thankful to Allah… to be not so gifted and have all this. It may sound pompous, but I’m great enough to be humble, I’m very happy when people say ‘SRK’s the best’… there is a sense of achievement, I’m happy by what I’ve done, but humble enough to know it’s not because of me. Yet put me on stage, say, at Salt Lake Stadium before a million people and I will comfortably entertain you for an hour. As long as I’m an entertainer, I have no problems. It’s when I’m Shah Rukh Khan that the problems arise. I’m a fun guy… yet my kids enjoy their mother’s company more.”

Although 51 weeks had passed in 2009, it still seemed incomplete. There was not a single Hindi flick this year which could be happily showered with never-ending appreciation and 5/5 ratings. Thankfully, 3 Idiots has arrived in the final week and given us the much needed ‘film of the year’! To tell you the truth, I am finding it difficult to express my satisfaction and happiness in words. Rajkumar Hirani has come up with an extremely superior product. And like his previous Munnabhai flicks, 3 Idiots also entertains and at the same time enriches! And the enlightment is such that will remain with you for a long time and would not vanish away after coming out of theatre! Needless to say, it’s a must watch!!

The story of the movie: Farhan (R Madhavan) and Raju (Sharman Joshi) are in search for their college friend, Ranchoddas aka Rancho (Aamir Khan) who has vanished after the convocation. They missed him terribly as he was a special friend. He was different from others. He reaffirmed the simple ideas of life which were left behind by everyone for ‘textbook knowledge’ which results in profitable future. He propagated his ideas in a humanistic manner without fear and thus, challenged even the head of college, Viru Sahastrabuddhe (Boman Irani). He inspired Farhan and Raju to think out of the box and to not end up mugging knowledge. Watch the film to find out where Rancho had disappeared and why.

3 Idiots is a winner from the first scene! The essence of the film could be explained even in serious manner but then that would have been too boring. Rajkumar Hirani smartly uses his smart technique of making us laugh (like hell) throughout the film but at the same time, giving us some important lessons of life. Also, what is immensely likeable about Hirani’s style is the protagonist’s character sketch. In all the 3 films, the lead actor is a source of positivity, giving important teachings in a sweet manner and spreading smiles everywhere. Rancho is also Munna Bhai and vice versa!


The film is wonderfully structured and perfectly comes back and forth (the flashback portion is running parallel in the film). The first scene, where Madhavan exits from the plane which has already taken off sets the mood. Then the ragging session where Rancho enters the film and teaches a nice lesson to the seniors was simply outstanding scene! Undoubtedly, the funniest scene in the film was where Chatur aka Silencer (Omi) gives the speech on Teacher’s Day. Believe me, it would bring the house down for sure! After a loooong time, I was laughing uncontrollably for 5 minutes continuously! This reminds me-the humour in the film is not slapstick or crass-it’s novel and something that would surely tickle your funny bone!

The intermission point was bewildering but the mystery unravels beautifully in the 2nd half. The best thing about 2nd half is you can never guess what will happen next. When a conflict arises, it is solved well in time and when you feel the film is ready for the climax, another conflict surrounds the main characters. However, one doesn’t get bored and doesn’t get impatient for the film to get over. Everyone will enjoy and get engrossed to whatever is dished out by Hirani.

The delivery sequence (involving Mona Singh) was just fabulous. It shows that quick and out of the box thinking can save the day when all our knowledge fails. Just brilliant! As for the climax, it was totally justified. The film touches various topics concerning student life (including student suicide) and depicts and debates in a just manner.

Each character had a purpose in the story and not a single one was unnecessarily added. Aamir Khan, without a shred of doubt, was the most important character of the film and needless to say, he was amazing! The best part is the way he slipped easily into the character of a student and came out with flying colours. Notice the manner in which he scratches his head and ears, the way he walks, his mannerism and body language-all matched with that of a restless and mischievous student. Also, seeing Aamir as Rancho, you’ll forget all his past performances. You’ll forget that he is the same Aamir who played the ferocious amnesic in Ghajini or the lovely teacher in Taare Zameen Par. Like all his recent films, 3 Idiots will also be remembered for a long long time to come!

R Madhavan and Sharman Joshi also maintained a strong position throughout the film. Madhavan is the narrator and does a great job in it. Also rocking was his beautiful performance in the airplane scene and his confrontation with his father. Sharman, on the other hand, did full justice to his character which was no easy task.

Boman Irani rocks! I had mentioned earlier too that it’s extraordinary that this actor plays a different kind of character in all his films and each performance stands out from the other. Here, he was great as strict disciplinarian and watch out for his dialogue delivery! Kareena Kapoor (as Pia), too, has an important role and looked lovely in the bespectacled look. Nice to see that after delivering 3 flops in this year, she finally came up with a winner! Omi was exemplary! Everyone will surely love his chamatkaar speech! What an actor he is! Mona Singh has amazing screen presence. Although her role here was miniscule, she would hopefully receive more offers after this film. Jaaved Jaaferi and Parikshit Sahni were alright in their small roles. Others were good.

Shantanu Moitra’s music was melodious and ‘ear-catching’ (can I use this phrase?!). Best song was of course Aal Izz Well. Zoobi Doobi’s picturisation was amazing. Jaane Nahin Denge Tujhe was quite touching.

Sanjay Wandrekar, Atul Raninga and Shantanu Moitra’s background score was perfect. C K Muraleedharan’s cinematography was flawless and he’s one of the contenders for Best Cinematography for sure. Watch out for the lensman’s amazing aerial shots in the song Behti Hawa Sa!

The film is loosely inspired from Chetan Bhagat’s first novel Five Point Someone. Hirani has smartly adapted only some portions of the book and interpreting and modifying it to suit the story. Hirani along with Vidhu Vinod Chopra and Abhijat Joshi wrote the screenplay which was brilliant to say the least!

Finally, Hirani came up with the story and directed the film too. Like his previous flicks, here too, he raised questions but didn’t turn the situation overdramatic or serious. He kept it light by adding jokes and funny situations and at the same time giving us an important lesson-do what you feel like in life. Even ‘Rock On!!’ had touched this topic but 3 Idiots will have a wider reach. Also note the outstanding way in which he handled Sharman’s suicide sequence beautifully! Hats off to these geniuses! Keep delivering such meaningful flicks!

Some of the best scenes of the film:

1.       The first scene
2.       All songs
3.       The ragging session
4.       Rancho in the first lecture
5.       Viru Sahastrabuddhe aka Virus tells Rancho to teach in the class (amazing!)
6.       Rancho and Farhan at Raju’s place
7.       Rancho meets Pia in the wedding
8.       Rancho and Pia bring Raju’s dad to hospital
9.       The intermission point
10.     Farhan and Raju with Jaaved Jaaferi (hilarious!)
11.      The chamatkaar speech!
12.     Drunk Rancho enters Pia’s room
13.     Rancho and gang trying their best to make Raju normal
14.     The last 25 minutes

On the whole, 3 Idiots is undoubtedly the best film of 2009! Whether you are a student or parent or professor, this one’s a must for all! Needless to say, missing it can be a big crime! Commercially, the film should be the 2nd film after Ghajini to cross 100 crore collections in domestic market! All Izz well indeed!

My rating-***** out of 5!

This review first appeared on MouthShut.com: http://www.mouthshut.com/review/3_Idiots-182740-1.html

By Joginder Tuteja, December 21, 2009 – 12:52 IST

Rajkumar Hirani Get set for an epic take in the offing. This year’s most anticipated release, 3 Idiots, has a running length of close to 3 hours. Taking audiences through different locations in the country and across time zones, this Rajkumar Hirani film is in fact his longest ever when compared to his earlier two efforts – Munnabhai MBBS and Lage Raho Munnabhai.

“That’s true,” confirms Hirani. “Both the films in the Munnabhai series were under 2.5 hours. However, 3 Idiots required a longer duration. I am not worried about the length factor though.”

Well, even for audiences it should be pretty much the case of ‘ all izzz well‘. Longer stories, if told well, have traditionally worked quite well at the box office. Some of the biggest classics in the history of Indian cinema like Lagaan, Sholay and Mughal E Azam have all crossed the 3 hour mark. Yes, those were the times when only single screens ruled and hence the revenue earned through a larger number of shows wasn’t a criteria for a film’s length. However, the fact remains that the biggest ever grosser in the history of Indian cinema, Ghajini, lasted for a couple of minutes over 3 hours.

Says a trade follower, “I am aware of people’s expectations where they want to see more of an actor or a director, if their body of work over the years has been impressive enough. Remember those Amitabh Bachchan films in the 80’s? Or the ones directed by Subhash Ghai? Each of them was mandated to be magnum opus and it was an unwritten rule that their films have a running length of at least 3 hours. Similar are the expectations from an Aamir Khan film today.”

His comments do see good validation if one looks at every film that Aamir has done in the current decade. The running length of Dil Chahta Hai (180 mins), Lagaan (225 mins), Mangal Pandey (165 mins), Rang De Basanti (150 mins), Fanaa (170 mins), Taare Zameen Par (165 mins) and Ghajini (180 mins) has been close to 3 hours or even more.

“At the end of the day, it’s the story and the story telling that does the trick, not the film’s length. Yes, we have seen audiences rejecting What’s Your Raashee? due to its length of close to 3.5 hours but also because the film dragged at places. Seeing Hirani’s work over the years, the length is a non-issue and one truly believes and hopes that the screenplay holds audience’s attention. 3 Idiots is carrying great vibes, the holiday season is on and the festivities would be in progress well into the New Year. I don’t see any reason why anyone would even think about the length factor,” concludes the trade expert.

BOLLYWOOD HUNGAMA.COM

Twelve-year-old Darsheel Safary takes a break from acting to enjoy a normal school life and a girlfriend. But, he complains, his cheeks are still being pulled by everyone

By Subhash K Jha (MUMBAI MIRROR; December 22, 2009)


Darsheel Safary, who shot to fame playing the dyslexic child in Taare Zameen Par (2007), is taking a break from acting.

According to his father Mitesh Safary, Darsheel who is now 12, has been kept away from the trappings of stardom so that he can concentrate on his studies. Mitesh says, “We wanted him to remain grounded after all the attention he received after Taare…. Now after doing two films, Bum Bum Bhole and Zokkomon, we want him to concentrate on school, studies and other normal activities. We don’t want him to be running from one studio to another.”

The youngest actor to win a Filmfare nomination for best actor says, “I hope people like me in Bum Bum Bhole and Zokkomon. I am not scared of my performance being compared with what I did in Taare …, because I am not the same any more. I would like to think I have grown as an actor. I am not signing anything more, unless it’s something really exciting, till my final exams. I want to do well in my studies. I have my whole life ahead of me to indulge in my main hobby, acting.”

Darsheel, who sounds far more relaxed now than he did during Taare… says he has changed since the film. He adds, “I got my teeth fixed. And I think it makes me look better. Everyone keeps saying I looked better with my teeth protruding, but I don’t agree with that.”

Darsheel’s girlfriend likes him with his new teeth. “Yes, I have a girlfriend, but I can’t disclose her name. It’s too personal and she won’t like it,” says the young star.

Recollecting the euphoria post-Taare…, Darsheel admits with a giggle that he had a tough time handling all the media and fan attention. He says, “I was either being asked questions I didn’t understand or my cheeks were being pulled. My cheeks still get pulled by everyone as soon as I step out. So I try to stay at home as much as possible. Other than that, my life is quite normal. I have some friends in school. They come home sometimes or I go to their home.”

Aamir Khan, who at 44 plays a 22-year-old collegian, says in his mind he is stuck at 18!

MARK MANUEL Times News Network (BOMBAY TIMES; December 22, 2009)

Aamir Khan, as you know, has gone into hiding to promote his new film that releases this Friday. In disguise, to people’s surprise, he has popped up in different parts of the country over the past week: at Varanasi, as a Banarasi babu; outside Sourav Ganguly’s house in Kolkata as a cricket fan; in an Ahmedabad school, defying Narendra Modi’s fatwa; at the Chanderi village in Madhya Pradesh; then a Punjabi wedding in Faridkot; and, yesterday in Chennai. How this is helping the film, I don’t know; but I’m sure Aamir does, and I wouldn’t be surprised if he returns to Mumbai as Santa Claus on Christmas Day. He is hoping the festival will prove as successful for him as it did last year when he released Ghajini, and in 2007 — for Taare Zameen Par. Just before he went underground, Aamir told me over a quiet cup of tea at his Pali Hill home: “Christmas is a coincidence, but I’m hoping it will be third time lucky. I also believe for a film made well, any time is a good time to release it, otherwise no matter how you plan it…”
He has no doubts that this film has been made well. It’s been produced by Vidhu Vinod Chopra and directed by Raju Hirani. And, acting opposite him for the first time in his 20-year-career is Kareena Kapoor. Of his gorgeous co-star, Aamir said enthusiastically, “She’s outstanding, a great and
instinctive actress, extremely committed, a team player, we get along well, and she’s good looking… what more to ask for?” I agreed. The vibe between the two actors is exciting, and they look good together, the age difference between them notwithstanding. In the film, he plays a 22-year-old collegian. “That,” he told me, “was the biggest challenge for me as an actor at 44. I’m asked often if I feel my age. No, I really don’t. All of us are stuck in our heads at a particular age. And that age depends on your personality. I’m stuck at 18. And, I’ll be 18 till I die!”
He got into this film straight from Ghajini. Which meant, he had to shed that eight-pack streetfighter’s body painstakingly built up over 13 months for one raw scene of action. “It was heartbreaking,” Aamir revealed. “I didn’t want to lose it. But I had to look boyish. I had to stop training, get onto a careful and strict diet, and I began playing badminton… for three-four hours. Catch a 44-year-old doing that!” But he did it, because this is the same Aamir Khan who has always used his body as a tool in his films. “The way I look is important,” he admitted, “but for any character, it begins with how you feel in your head. What makes the character tick? You get into the mind of the character. From that flows how the body will look. My character in the new film is a free-spirited kind of guy, unusual in his thinking, and with a childlike curiosity about life and things around him.” He really didn’t want to play this role. “Get someone who’s 22,” Aamir advised Raju Hirani and Vidhu Vinod Chopra when they approached him. They told Aamir, “In real life, you are the character of this film, you don’t follow the path, you’re non-conformist, you do what your heart tells you. As for looking young – if you could build yourself up to look huge in Ghajini, now work on becoming small. Go for it.” And Aamir did. He said of Raju, “His big strength is that his films are not only entertaining, but also enriching. Like Munnabhai! You go home taking something valuable from the film.” And as for Vinod, who is rumoured in Bollywood to be arrogant and bold, Aamir said, “He is how he is, but he understands his director and creative team and supports them, and he has a passion for cinema. Being a director himself, Vinod is creative and he gives his films a great release. I look for that quality in a producer… whether he is able to give the film a good platform after I’ve worked so hard on it.” That Aamir Khan always does, whether he’s making the film for himself or some other producer. And he enjoys making one film at a time, which he will release on Christmas Day! “I could do more, in my lifetime I could do 500 films, but when I’m doing a film all my energies are into it. At that point, I don’t enjoy taking on anything else. I enjoy the space I am in. I’m not a factory or a huge production system. I’m… kya bolta hai… a handloom product. A one-machine-one person-one shirt kind of actor. I’m not a largescale outfit producing a million shirts. Numbers don’t excite me and are not my strength. I enjoy marketing a film. But towards the audience. My connect is with the audience. I enjoy dealing with the audience, not with exhibitors, distributors.” And that is what he is probably doing somewhere in the country right now, maybe in disguise! (Contributed by Meena Iyer, Aakansha Naval Shete)


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