Fenil and Bollywood

Posts Tagged ‘VEER

At a school function, Salman Khan had kids screaming for more while scandalised authorities were wishing they had ordered for ear plugs

By Subhash K Jha (MUMBAI MIRROR; January 05, 2010)


When actors are asked to grace an event, particularly a school function, you expect them to prove to be good role models for the kids, encouraging them to study hard and eat right. However, if the actor happens to be Salman Khan, you can expect the unthinkable.

Salman, who had been invited to  judge for an event at Jamnabai Narsee school, Juhu, shared some little known anecdotes about his own school days with the kids present, all between 11-19.

“Salman had said he would come on time (4pm) and stay the whole evening. The school authorities were expecting him to make a brief appearance, but he surprised everyone by taking time off to be there throughout,” says a source.

When called on stage to say a few words, his speech took everybody by surprise. “When Salman was asked to share memories of his school days, the audience braced themselves for a dose of nostalgia. However, he recalled how he would bunk classes constantly and was rusticated from four schools. He also confessed that he was the school bully – he even asked the resident bully of the school to raise his hand. One hand did go up.” By this time, the students were almost falling off their seats while the teachers didn’t know where to look.

It didn’t end there. When he was asked by the children to dance on stage with them, he quipped, “I don’t dance without being paid.” Even before the stunned kids and teachers could recover from that statement, he had already proceeded to dance to one of his own songs on stage.

Salman at the event


Meanwhile…

Salman’s love for kids is unbelievable. At the event, Salman went on stage twice and enjoyed himself with the kids. He danced with the kids and even promoted his forthcoming film Veer saying, ‘there is a veer in all of you’ which has got you to come on the stage and perform like this’. After the dance, he gave out music CDs of the film to the kids. While leaving the venue, some of the kids followed him. Unknowingly, his guard pushed one of them. Despite the crowd, Salman noticed this. When he realised that the kid was hurt, he lost his temper at his guard. He made his guard apologise to the kid. He also hugged the kid and gave him the music CD of Veer with his autograph on it. The child’s day was definitely made as he left with a big smile on his face and memories to last a lifetime.

–Kunal M Shah

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Badly Burnt In Year Gone By, Industry Looks To Strong Content

Bharati Dubey | TNN (THE TIMES OF INDIA; January 3, 2010)


Pursue excellence and success will pursue you,’’ was what Aamir Khan’s character philosophised in 3 Idiots. But when the lights dimmed and audiences sat down after the National Anthem, what greeted them on screens for most part of the year was average, even poor fare, making 2009 the annus horribilis of the first decade of the 21st century. More than 200 films, with Rs 1500 crore at stake, released last year but almost Rs 1000 crore sank in the sea of mediocrity without a bubble, the sharks-andsexy bikini Blue leading the pack.
Added to it was the multiplex strike which cost around Rs 350 crore, upset release dates forcing films to share Fridays and dent each others’ collections. A multiplex source said, “Cannibalisation caused by big films’ release dates clashing could have been avoided.’’


The year began with Chandni Chowk To China that lost 50% of its Rs 65-crore budget. And marketing blitzkreigs couldn’t save a Blue and Kambakkht Ishq and the audience clearly showed content was king with surprise hits like DevD, New York, WaKe Up Sid and Ajab Prem ki Gajab Kahani. DevD made Rs 6 crore, collected Rs 25 crore at the box office while its ancillary rights made another Rs 5 crore and there are still more satellite runs to be sold. Trade experts also put films like Love Aaj Kal, Ajab Prem ki Gajab Kahani, Wanted among the certified hits, followed by profitable films like Paa, All The Best, De Dana Dan and Raaz 2.


But Bollywood’s loss was Hollywood’s gain, with films like 2012 and Avatar (that collected a whopping Rs 50 crore so far) filling the void for good entertainment.


It was left to And Aamir Khan to play Santa Claus third year in a row, with 3 Idiots the biggest hit of the year. It grossed a phenomenal Rs 100 crore in India in the first four days, and Rs 175 crore worldwide till December 31, even denting into collections of Avatar. Trade analyst Amod Mehra said, “What Ghajini collected in a week, this film has done in three days.


Corporates didn’t really have a great year in 2009 and after the bloodbath in the first half of the year, most of them avoided buying films outright, with even 3 Idiots being released on commission.


Thus 2010 dawns to vastly altered realities — purse strings have tightened by cautious corporates; big banners are no guarantee for success and may dish out big turkeys instead; marketing and stars don’t sell, a good story does; and the days of astronomical fees are over.


“Audiences are very smart, the content ultimately will guide their choices and approval. Marketing and hype will only work if content supports that hype. We may not have a Blue this year but projects like Veer and Prince are costly and prima facie look difficult in terms of recoveries,’’ says a trade expert.


So when Akshay Kumar, blamed for soaring star prices, announced towards the end of 2009 that he would not charge any fee for Farah Khan’s Tees Maar Khaan, it was a lifeline for the industry that had almost gone into the ICU.


Says Amod Mehra, “It is not that people did not come to watch Akshay Kumar films in 2009, it is just that the budgets of the films were so high and his remuneration was almost 40% of those budgets, so recoveries were not possible despite a good opening. But now that the actors are looking at sharing profit with the producer after the cost of the film has been recovered like in the case of Aamir Khan’s 3 Idiots then it will be fair enough. Cutting down of star prices will definitely reduce the budget of films and they will become viable and that is definitely going to be the trend in 2010.”


The year thankfully doesnt have a Rs 100-crore Blue in its line-up. Last year most production houses scrapped films as star prices were not viable. In fact, it is learnt Saif Ali Khan is reworking the budget of his next film Agent Vinod starring Kareena and himself. In fact, 2010 is short on mega projects as budget constraints ensured very few got on the floors in 2009.


The first biggie of 2010 will be Veer,
followed by Rann, My Name is Khan, Action Replay, Kites and House Full in the first half of the year. The second half of the year would have Sanjay Leela Bhansali’s Guzarish and Patiala House.


The action in 2010 seems definitely more in mid-size and multiplex projects that would have strong and clutterbreaking content. “There are a lot of films this year that may not topline the Khans or Hrithik Roshan but still have a decent line-up of names and would be thematically different. Tight budgets and good content seem to be the mantra in the decision making corridors of Bollywood. Each company is carefully evaluating its options and are not getting carried away,’’ says Priti Shahni of Indian Films. Corporates, for instance, have decided to take films only on commission, and not buy them outright.


Shahid Kapoor’s Chance Pe Dance, Striker starring Rang De Basanti’s Siddharth, Aamir Khan Productions’ Peepli Live, Vishal Bharadwaj’s Ishqiya would release in the first half of 2010.


Generation-next too would be making its presence felt with Ranbir Kapoor in Anjana Anjani and Rajneeti, Imran Khan in I Hate Love Stories, Sonam Kapoor in Ayesha, and Deepika Padukone in House Full.


As the record breaking run of 3 Idiots that has spilled over to 2010 has shown, great content along with great pre-release buzz make the perfect mix.


2010: Coming Soon
RAJNEETI (Naseeruddin Shah, Nana Patekar, Ajay Devgn, Katrina Kaif and Ranbir Kapoor) BUDGET: 50 cr


DHOBI GHAT (Aamir Khan, Prateik Babbar) BUDGET: 15 cr


RAAVANA (Abhishek Bachchan, Aishwarya Rai Bachchan) BUDGET: 50 cr


TEEN PATTI (Amitabh Bachchan, Sir Ben Kingsley) BUDGET: 35 cr


VEER (Salman Khan, Zarine Khan) BUDGET: 50 cr


RANN (Amitabh Bachchan) BUDGET: 25 cr


ISHQIYA (Vidya Balan, Naseeruddin Shah, Arshad Warsi) BUDGET: 20 cr


MY NAME IS KHAN (Shah Rukh Khan, Kajol) BUDGET: 50 cr


KITES (Hrithik Roshan, Barbara Mori) BUDGET: 50 cr


ACTION REPLAY (Akshay Kumar, Aishwarya Rai) | BUDGET: 35 cr


GUZAARISH (Hrithik Roshan, Aishwarya Rai Bachchan) BUDGET: 50 cr


ANJAANA ANJAANI (Ranbir Kapoor, Priyanka Chopra) BUDGET: 40 cr


AGENT VINOD (Saif Ali Khan, Kareena Kapoor) BUDGET: 40 cr

Figures are an approximate estimation

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By Taran Adarsh, December 22, 2009 – 08:23 IST

A lot of release dates are likely to change. While the makers of RANN have decided to shift the release by one week [it was slated for release on January 22 along with VEER, but is now shifted to January 29], the makers of TEEN PATTI have also decided to shift the film from January to February. Starring Amitabh Bachchan and Sir Ben Kingsley, TEEN PATTI will hit the screens on February 26.

Interestingly, three more films are slated for release on February 26: KARTHIK CALLING KARTHIK [Farhan Akhtar, Deepika Padukone], ATITHI TUM KAB JAOGE? [Ajay Devgn, Konkona Sen Sharma] and SHAAPIT [Aditya Narayan]. Will these films stick to the already confirmed date or shift ahead, is to be seen.

BOLLYWOOD HUNGAMA.COM

What happens when Aishwarya Rai Bachchan and Salman Khan bump into each other?

By Mumbai Mirror Bureau (December 18, 2009)


What do you say to your ex-flame when you bump into him? Nothing. You look through him, or at least that is the strategy Aishwarya Rai Bachchan is endorsing these days. This is what happened just a few days ago (On Monday to be precise) when Salman Khan and Aishwarya crossed each other’s paths.

The said incident took place at Mehboob Studios where Aishwarya is busy shooting for Sanjay Leela Bhansali’s Guzaarish and Salman Khan was shooting for a promo for his next release, Veer.

According to an onlooker, Salman emerged from his car and was talking on the phone with a smile on his face. Soon, his smile turned into a frown as at the same time, Aishwarya stepped out and was walking towards her van.


Both froze. Our source, who was present at the studio, insists that they did look into each other’s eyes for a moment and immediately looked the other way.

Aishwarya entered her van immediately, so our source couldn’t gauge her reaction. But the source did catch Salman’s discomfort.

The source insists that after the incident, Khan was not too keen on shooting but couldn’t bail out of the shoot.

“Though he walked in talking on the phone with a smile, after coming face-to-face with Aishwarya he didn’t utter a single word, except when he was facing the camera,” the source concludes.

Hot actor distributes 600 ice-creams among crew

HARSHADA REGE Times News Network (BOMBAY TIMES; December 18, 2009)

Salman Khan’s large-hearted gestures aren’t new to Bollywood, and now even the firangs are getting a ‘taste’ of his spontaneous actions. Recently, Sallu decided to have some ice-cream after he finished shooting a song for Veer in London. Now, the actor not being the kind to enjoy an icecream on his own, decided to treat the cast and the crew too. There were no less than 600 members on the sets, which included junior artistes as well as some local college kids who had participated in the shoot. But the number wasn’t a worry for Salman.

Producer Vijay Galani says, “We had many ice-cream vendors as part of the set that we had put up on a college campus. Once the shooting was done Salman bought the ice-cream from these guys and distributed it around.” What followed, was a huge ice-cream party that lasted way after pack up. Says a unit member, “He distributed 145 to 150 ice-creams to the foreign junior artists and they were, obviously, super impressed with him.” Now that’s one ‘cool’ act, isn’t it?
Salman Khan halted the shooting of Veer in Panvel to rush to Mumbai to entertain kids

By Subhash K Jha (MUMBAI MIRROR; December 17, 2009)


Trust Salman Khan to do the unthinkable. While most actors would think twice before packing up an important shooting schedule to please a cluster of clamouring kids, Salman did not hesitate to do just that. On Tuesday, Salman Khan abandoned his patchwork shooting for his period film Veer at the Khans’s farmhouse in Panvel and rushed to Mumbai to entertain kids at a children’s event.

On Tuesday late evening, while in the middle of the shoot, Salman received a call. When he hung up, he called for his car and informed the crew that he had to leave immediately. Fearing a family crisis, unit members rushed to his side only to be told that he needed to drive back from Panvel to a gymkhana in Mumbai to entertain a large number of kids.

A charitable organisation had organised a children’s nite at the gymkhana. The kids had been constantly asking for an appearance by their favourite star, Salman Khan, but the organisers ignored their request. However, during the event, on Tuesday evening, the kids became adamant and refused to perform on stage until Salman uncle was called to dance with them. In desperation, one of the organisers somehow got hold of Salman’s number and called him up.

A close friend of Salman said, “Salman is always doing such things. He simply stopped shooting, got into the car and rushed from his farmhouse in Panvel to entertain about 400 kids who had gathered to sing and dance on stage.”

Although Salman has been associated with the organisation, which does events for kids, he doesn’t believe in shirking work. He had initially begged off coming to Mumbai, saying it would take him many hours to reach Khar even if he stopped the shooting immediately and left. He only relented when he heard that the kids had refused to perform without him.

The friend added, “When he heard how desperate the situation was and that the kids refused to go on stage without him, Salman immediately left Panvel, leaving director Anil Sharma and the rest of the crew open-mouthed in disbelief. Salman slept in the car until he reached the venue where the kids were waiting for him. He danced on stage for a good hour and then drove back to his shoot.”

No wonder this Khan continues to be a favourite among kids.

MUMBAI: If this were a Hindi film, one would say imtihaan ki ghadi aa gayi hai-testing times are here. After a tumultuous year at the box office, the health of the Hindi film industry will be tested from December 4 to February 12. About Rs 500 crore is at stake and many a big brand of the industry will try its luck at the box office.
While Aamir Khan’s 3 Idiots is arguably one of the biggest films of 2009, Shah Rukh’s My Name is Khan may give 2010 a headstart at the box office. Brand Bachchan isbanking on Paa and Ranbir Kapoor will try and consolidate his new found viability as a solo star with Rocket Singh. And after his success with Wanted, Salman Khan will hope to emerge victorious once again with Veer.

 

“The film industry tries to avoid releases in the first two weeks of January and also in March (exam season),” says an industry source. “The movie business really picks up during summer vacation time and the festive season. Big releases are reserved for Diwali, Eid or Christmas.”

Why this deviation from plan then? Trade analyst Amod Mehra blames it on the backlog. “The multiplex strike changed many a plan,” Mehra says. “Rann was meant to be a Diwali release but could not manage a clearance from the producers. Shah Rukh’s Dulha Mil Gaya was also marked for 2009 and My Name is Khan was rumoured to be a Christmas release. Veer is the only film that was planned for January 2010 and is on schedule,” he adds.

Producer Mukesh Bhatt has no reservations about time of release. “I released Raaz 2, The Mystery Continues in January and it was a hit. Kaho Naa Pyaar Hai, another January release, was a superhit.”

Film trade analyst Taran Adarsh explains that there has always been apprehension in the industry about releasing films in the first two months of the year. “They believe the audience doesn’t really want to start the new year watching films. Also, up north its too cold to get out and go to a cinema hall,” he says. Having said that, Adarsh thinks any month that provides the viewer with good content will be conducive for Bollywood. “Maybe early 2010 will break the jinx.”

About 25 films are releasing between December 4 and February 12. These which include many small-budget films such as the Vidya Balan, Arshad Warsi, Naseeruddin Shah-starrer Ishqiya, Chandan Arora’s Striker and MAMI-award winning Road to Sangam. Shah Rukh Khan and Amitabh Bachchan may clash at the BO with My Name Is Khan and Teen Patti likely to release on the same date. While some exhibitors feel that the release of big films are evenly placed, Mehra believes, “The audience will choose the film they want to watch. They cannot afford to make holes in their pockets and this will affect the fortune of some films.”

Of course, the fact that so many big names have releases within weeks of each other is another issue to contend with. Previously, producers have thrashed out their release dates in an informal manner to avoid overlap of big ticket films. But with the multiplex strike hitting the initial months of 2009 so hard, nobody is in the mood to wait anymore. Ranjan Singh, the marketing head of PVR Pictures is concerned that big releases may cannibalise smaller players. “But if this trend of back-to-back releases in a non-conventional period hits the high notes, all conventional jinxes will be broken and a new trend will be set.”


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