Fenil and Bollywood

Posts Tagged ‘vinay pathak

By Taran Adarsh, January 1, 2010 – 12:32 IST

After almost five years, accomplished actor Saurabh Shukla returns to the director’s chair with RAAT GAYI, BAAT GAYI?, a film that’s making the right buzz. Making an adult comedy that talks of one night stand is tough. But giving the serious issue a humorous take is tougher.

RAAT GAYI, BAAT GAYI? is about relationships and also looks at the philanderers, who, despite being committed, don’t mind having a PYT in a closet, for no strings attached fun.

You may draw parallels with THE HANGOVER because the protagonist can’t recall anything that happened the previous night. But it must also be said that the film throws a few surprises, which makes it completely different from any film, past or present.

BY BOLLYWOOD HUNGAMA.COM

But there’s one factor that throws a spanner. There’s not much meat in the story. Also, it unravels at an excruciatingly slow pace. In fact, the wheels start moving only towards the penultimate 20 odd minutes, when the answers start coming.

In a nutshell, RAAT GAYI, BAAT GAYI? offers a few laughs, not laughter unlimited!

Rahul [Rajat Kapoor] wakes up with a bad hangover after a party the night before. There, he had met a sexy young woman Sophia [Neha Dhupia]. They got drunk and there were sparks flying. But Rahul doesn’t remember what happened after that. Did they go all the way?

His wife Mitali [Irawati Harshe Mayadev] is in a particularly bad mood and Rahul suspects that she might know about his little escapade last night. Rahul starts chasing his night, trying to retrieve it, trying to find out what really happened.

His friends Saxena [Dalip Tahil] and Amit [Vinay Pathak] are going through their own marital crisis of sorts. Driven to his wits end, he realizes that he must meet Sophia again to get the answers.

Almost three decades ago, Basu Chatterjee made an adult comedy called SHAUKEEN, which told the story of three men who eye a pretty girl, who’s completely oblivious of their intentions. In this film too, director Saurabh Shukla looks at three men with a roving eye.

Sadly, the screenplay [writers: Saurabh Shukla and Rajat Kapoor] falls woefully short in terms of generating interest. In fact, till three-fourths of the movie, there’s not much movement in the story, except for a few humour-laden sequences. It also moves lethargically and is unnecessarily slack.

Ankur Tewari’s music is strictly functional. Fuwad Khan’s cinematography captures the varied moods well.

The film scores in the performance department. Every member of the cast – Neha Dhupia, Rajat Kapoor, Vinay Pathak, Dalip Tahil, Irawati Harshe Mayadev, Anu Menon, Navniit Nisshan and Aamir Bashir – deliver fine performances. Especially Rajat and Vinay. Ranvir Shorey, Makrand Deshpande and Sudhir Mishra appear in cameos.

On the whole, RAAT GAYI, BAAT GAYI? doesn’t work.

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By Bollywood Hungama News Network, December 31, 2009 – 12:22 IST

Best Film
3 Idiots
Dev D
Kaminey
Love Aaj Kal
Paa

Best Director
Anurag Kashyap – Dev D
Imtiaz Ali – Love Aaj Kal
R Balki – Paa
Rajkumar Hirani – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Actor (Male)
Aamir Khan – 3 Idiots
Amitabh Bachchan – Paa
Ranbir Kapoor – Ajab Prem Ki Ghazab Kahani
Ranbir Kapoor – Rocket Singh – Salesman Of The Year
Saif Ali Khan – Love Aaj Kal
Shahid Kapoor – Kaminey

Best Actor (Female)
Deepika Padukone – Love Aaj Kal
Kareena Kapoor – 3 Idiots
Katrina Kaif – New York
Priyanka Chopra – Kaminey
Priyanka Chopra – What’s Your Raashee?
Vidya Balan – Paa

Best Actor in a Supporting Role (Male)
Abhimanyu Singh – Gulaal
R Madhavan – 3 Idiots
Rishi Kapoor – Love Aaj Kal
Rishi Kapoor – Luck By Chance
Sharman Joshi – 3 Idiots

Best Actor in a Supporting Role (Female)
Arundhati Naag – Paa
Divya Dutta – Delhi-6
Gauhar Khan – Rocket Singh – Salesman Of The Year
Neha Dhupia – Raat Gayi Baat Gayi
Shahana Goswami – Firaaq

Best Actor in a Negative Role
Amole Gupte – Kaminey
Boman Irani – 3 Idiots
Kay Kay Menon – Gulaal
Mahesh Manjrekar – Wanted
Manish Choudhary – Rocket Singh – Salesman Of The Year

Best Actor in a Comic Role
D Santosh – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots
Paresh Rawal – De Dana Dan
Sanjay Mishra – All The Best
Vinay Pathak – Raat Gayi Baat Gayi

Best Background Music
Amit Trivedi – Dev D
Ilaiyaraja – Paa
Salim-Sulaiman – Rocket Singh – Salesman Of The Year
Shantanu Moitra, Atul Raninga, Sanjay Wandrekar – 3 Idiots
Vishal Bhardwaj – Kaminey

Best Music
A R Rahman – Delhi-6
Pritam – Ajab Prem Ki Ghazab Kahani
Pritam – Love Aaj Kal
Pritam – Tum Mile
Vishal Bhardwaj – Kaminey

Best Playback Singer Female
Kavita Seth – Iktara – Wake Up Sid
Rekha Bhardwaj – Genda Phool – Delhi-6
Shreya Ghoshal – Zoobi Doobi – 3 Idiots
Shilpa Rao – Mudi Mudi – Paa
Sunidhi Chauhan – Mere Sang – New York

Best Lyrics
Amitabh Bhattacharya – Emosanal Attyachaar – Dev D
Irshad Kamil – Chor Bazari – Love Aaj Kal
Javed Akhtar – Sapnon Se Bhare Naina – Luck By Chance
Piyush Mishra – Ranaji – Gulaal
Prasoon Joshi – Man Ko Ati Bhavey – London Dreams

Best Story
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Anurag Kashyap, Aparna Malhotra, Raj Singh Chaudhary, Sanjay Maurya – Gulaal
Imtiaz Ali – Love Aaj Kal
Nandita Das, Shuchi Kothari – Firaaq
R Balki – Paa

Best Screenplay
Abhijat Joshi, Rajkumar Hirani, Vidhu Vinod Chopra – 3 Idiots
Anurag Kashyap, Vikramaditya Motwane – Dev D
Imtiaz Ali – Love Aaj Kal
Pankaj Advani – Sankat City
R Balki – Paa

Best Dialogue
Abhijat Joshi, Rajkumar Hirani – 3 Idiots
Imtiaz Ali – Love Aaj Kal
Anurag Kashyap, Vikramaditya Motwane – Dev D
R Balki – Paa
Vishal Bhardwaj – Kaminey

Best Editing
Aarti Bajaj – Dev D
Aarti Bajaj – Love Aaj Kal
Anil Naidu – Paa
Meghna Manchanda Sen, Sreekar Prasad – Kaminey
Rajkumar Hirani – 3 Idiots

Best Sound
Bishwadeep Chatterjee, Nihar Ranjan Samel – 3 Idiots
Dileep Subramaniam – Love Aaj Kal
Sanjay Maurya, Allwin Rego – Dev D
Shajith Koyeri, Subhash Sahu, P M Satheesh – Kaminey
Tapas Nayak – Paa

Best Special Effects
Charles Darby – Aladin
Prime Focus Ltd – Blue

Best Cinematography
C.K. Muraleedharan – 3 Idiots
P.C. Sreeram – Paa
Rajeev Ravi – Dev D
Shankar Raman – Frozen
Tassaduq Hussain – Kaminey

Best Art Directon
Acropolis, Rajnish Hedaa, Sumit, Snigdha Basu – 3 Idiots
Sabu Cyril – Aladin
Samir Chanda – Delhi-6
Samir Chanda – Kaminey
Sukanta Panigrahy, Helen Jones – Dev D

Best Choreography
Ahmed Khan – Prem Ki Naiiyya – Ajab Prem Ki Ghazab Kahani
Avit Dias – Aal Izz Well – 3 Idiots
Bosco- Caesar – Zoobi Doobi – 3 Idiots
Prasanna – Marjaani – Billu
Baawre – Vaibhavi Merchant – Luck By Chance

Best Action
James D Bomalick – Blue
Huan-Chiu Ku – Chandni Chowk To China
Shyam Kaushal – Kaminey
Tinu Verma – Acid Factory
Vijayan Master – Wanted

Most Promising Newcomer (Male)
Amole Gupte – Kaminey
Chandan Roy Sanyal – Kaminey
Navin Kaushik – Rocket Singh – Salesman Of The Year
Omi Vaidya – 3 Idiots

Most Promising Newcomer (Female)
Gauhar Khan – Rocket Singh – Salesman Of The Year
Giselle Monteiro – Love Aaj Kal
Jesse Randhawa – Gulaal
Kalki Koechlin – Dev D
Mahie Gill – Dev D

Most Promising Debut Director
Ayan Mukerji – Wake Up Sid
Nandita Das – Firaaq
Pankaj Advani – Sankat City
Shivajee Chandrabhushan – Frozen
Zoya Akhtar – Luck By Chance

Best Child Artiste
Jahan Bativala – Little Zizou
Iyanah Bativala – Little Zizou
Rahul Kumar – 3 Idiots
Parzan Dastur- Sikandar
Pratik Katare – Paa

Best Ensemble Cast
Delhi-6
Firaaq
Gulaal
Luck By Chance
Sankat City

BOLLYWOOD HUNGAMA.COM

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Source: IBOS

BY SUBHASH K JHA

Raat Gayi Baat Gayi
Starring Rajat Kapoor, Neha Dhupia,Irawati Harshe, Vinay Pathak,Anuradha Menon, Dalip Tahil ,Navneet Nishan, Aamir Bashir
Directed by Saurabh Shukla
Rating: ***

Somewhere on the second-half of this slightly seductive jigsaw about a one-night scam, filmmaker Sudhir Mishra shows up as Neha Dhupia’s father who drops in to have a chat with his sullen sultry daughter on the way to the airport. Little does the stoic Mishra know beti-babe has two men stashed away in a cupboard in the living room that looks consciously like a prop on a stage- set.

Quirky sex comedies are allowed their moments of eccentricity. Last time we saw a benevolent patriarch stop over in transit was Sanjay Dutt in Rohit Shetty’s comedy All The Best.

Maybe at this point Shukla deliberately wanted to introduce an element of staged comedy.After all, isn’t the world a stage? Shakespeare got there first. But hell. Saurabh Shukla is panting from behind to catch Sheakespeare’s comedy of ‘eros’ in a modern context.

Saurabh Shukla(who can be quite a funny-guy on demand) has made a quirky sometimes-crisp sometimes-placid look-see at marriage and infidelity. The seductively – paced work is set at a party hosted by a loud Punjabi clueless woman(played with much gusto by Navneet Nishan) whose amiable husband Dalip Tahil we soon come to know, is cheating on his plump wife with the svelte seductress on the block played by Neha Dhupia who seems to invite more male attention than is healthy for any girl with a respectable appetite. And we aren’t talking about her tummy.

Tahil isn’t alone. Vinay Pathak(playing the goofy slightly stupid and undiplomatic regular guy once again) is cheating on his wife Anuradha Menon(the hilarious Veejay Lola trying hard not to be funny,and succeeding) by checking out porn on the internet.

“At your age?” tut-tuts Tahil before himself being caught with his pants down. Though nothing much up at his age.

But our main potential philanderer is Rahul( Rajat Kapoor,as suave in his sleaziness as ever), married to the sullen Irawati Harshe who befriends the all-round resident siren(Dhupia) at a party , gets drunk and then forgets whether he actually did anything naughty or not. Hangover, anyone?

“I can do it even when I’m drunk, no problem there,” Rahul (Rajat Kapoor)says vainly to his porn-fed pal.One of the problems here is that everyone speaks in Hindi because…well, they’re part of a Hindi film when they’re characters who would be comfortable in English. Having said this and that, the characters seem to be effortlessly conscious of their authentic bearings. None of the performers strays from the not-so-straight and borrowed path of betrayal, deception and infidelity.

The Rahul-Mitali marriage has a twist in its tail at the end. It doesn’t shock you. It just makes you sigh. Saurabh Shukla’s direction embarks on a journey through one night of steamy sensations. The revelations are hardly shocking, just diverting.

Stylishly cut(Sankalp Meshram’s editing is amazing in its austerity) the material’s chic movement doesn’t quite justify the content. But the narrative has moments that spill out the acerbity underlining urban marriages which are at best functional and at their worst, lies told to keep up an appearance of domestic smoothness.

The film exudes the scent of intelligence and competence. The actors all know their jobs. Most of them have earlier been through this kind of sexual-moral dilemma in some form or the other. The cutting edge is missing . But the proceedings never get cumbersome.

By JOGINDER TUTEJA (GLAMSHAM.COM)

view RAAT GAYI BAAT GAYI movie stills
RAAT GAYI BAAT GAYI

RAAT GAYI BAAT GAYI releases on the last day of the year, 31st December. If this wasn’t surprising enough, the fact is that the date also falls on a Thursday. Wait, there is more. There are two more films slated for release on the same day – ACCIDENT ON HILL ROAD and BOLO RAAM, hence adding on to the crowd. Moreover, there is this entire 3 IDIOTS euphoria which is expected to spill over well into the second week. With so much happening around the release of this Neha Dhupia, Rajat Kapoor and Vinay Pathak starrer, was it a justified decision to arrive on this day?

“Yes, coming on 31st December is a very good decision”, says director Saurabh Shukla who has earlier made MUDDA – THE ISSUE and CHEHRA, “I will give you two reasons for that. First and foremost the film is actually about a party. Since it would be party mood for all on 31st Dec and 1st January, the story in the film fits in perfectly well with real life too.”

He goes on to explain the second reason. “Those who may not catch it on 31st December night would want to do so on the next day since it’s a holiday. And that’s because after 31st December hangover, there are only two ways to fight it. One is to drink again and another is to actually go for a movie. This is why our suggestion is ‘Why to drink again when you can have some good time in theaters while watching a movie?’

HOT! Neha Dhupia in a still from Raat Gayi Baat Gayi

One-night stands are harmless as long as you are not hurting anyone, says Neha Dhupia in a candid chat with BT

ROSHNI K OLIVERA Times News Network (BOMBAY TIMES; December 30, 2009)

Neha Dhupia made headlines with her line ‘In India only SRK and Sex sell’. Now the focus is on her again with Pritish Nandy Communications’ Raat Gayi Baat Gayi releasing tomorrow. The movie, produced by Rangita Pritish Nandy and directed by Saurabh Shukla, won the best film award at the HBO Asian International Film Festival in New York last month. Neha plays the mysterious gorgeous woman hunted down by Rajat Kapoor, Vinay Pathak and Dalip Tahil, after a night of lots of drinking, sex and zero memory! Ask her if it’s a bold role and she replies candidly, “If you are asking in terms of skin show, then no. But if being bold is a state of mind, then yes.” That’s Neha for you. Not one to mince words, the actress speaks to BT about relationships, sex and movies…

What’s your take on one-night stands?
The problem with one-night stands is that you end up hurting so many people. As long as you are not hurting any one, it’s fine.

In Raat Gayi Baat Gayi you have a onenight stand with a married man…
There are seven characters in the film! Why do you assume it’s my character who’s had the one-night stand? Are you assuming that because I am attractive… Not fair!

Do you think the Indian audience is opening up to sex in movies?
Dev D was a big hit. Indian audiences are open to fantastic scripts. Raat Gayi… is a funny kind of a thrilling experience that takes you through a drunken night. You don’t really know what happened last night. The film is packed with a lot of emotions and it is very relatable. You can relate to one or the other character.

You’ve done movies of various genres… what’s your favourite?
It’s very hard for me to say that. Right from my roles in Singh Is Kinng, De Dana Dan, Mithya, Ek Chaalis Ki Last Local to Raat Gayi Baat Gayi, everything is challenging and at the same time everything is easy. I don’t over-intellectualise the whole acting medium. I’m not working because I have to work. I’m working because I really enjoy doing so.

Are you happy with the way your career has shaped up so far?
I am. I had made a few mistakes, but I don’t regret anything. They have been learning experiences. I have come a long way, but I also have a long way to go…

WHEN FILMS DON’T GET A TIMELY RELEASE…

RAAT GAYI BAAT GAYI:

Last week’s discussion of The Hangover brings to my mind another topic of the upcoming film Raat Gayi Baat Gayi (RGBG) which is all set to release on December 31. Presented by Percept, produced by Pritish Nandy and Rajat Kapoor and directed by Saurabh Shukla, RGBG stars Vinay Pathak, Rajat Kapoor, Neha Dhupia Anu Menon, Navneet Nishan and Dalip Tahil. The film was announced 2 years back in 2007 and it’s ready since a long long time. But due to some reason, the film which could have released earlier this year is now finally releasing (and anyways, when Percept is involved, then that film is bound to get postponed!!).

On the other hand, The Hangover released this year and took the world by storm. Unfortunately, RGBG’s plot is very similar to that of The Hangover. While The Hangover was a story of four friends going to LA for a bachelor party only to wake up the next morning and not remembering a thing, RGBG involves three men who attend a party with their wives and where they come across a sexy lady. The men get drunk and when they wake up next day, they couldn’t remember what happened after meeting the lady. So the amnesic angle is common in both of the films but the situations are drastically different.

However, RGBG is not a copy of Hangover as the script of RGBG was written way back and the shooting was also completed last year, some 7-8 months before Hangover released. But the damage is done-a huge section of moviegoing audience has already thrashed RGBG as a ‘copy’. Teasers of RGBG are uploaded on YouTube with the title ‘Promo-Raat Gayi Baat Gayi (Hangover Remake)’. Madness!

Now it remains how RGBG is received by the audience and critics. The exciting news is that it won the Best Film Award at the HBO’s South Asian International Film Festival held in New York in Oct-Nov. This again is an indication of the originality of the script of the film! I hope the lesson is learnt-let’s not waste time in releasing our films.

KHALLBALLI:

Khallballi, on the other hand, seems like a copy of De Dana Dan (but it’s not)! This flick too is ready since a long time. Directed by Ajay Chandok (director of flops like Nehlle Pe Dehlla, Team-The Force etc), it stars Nikhil Dwivedi (who debuted in My Name Is Anthony Gonsalves), Southern siren Sada, Rajpal Yadav, Suresh Menon, Johny Lever, Zakir Hussain, Asrani, Vrajesh Hirjee, Tiku Talsania, Chunky Pandey and many others. The promos of the film began somewhere in September last year and the film was scheduled to release on Jan 9, 2009. But it was pushed forward and since then, there has been no news on the film.

The producer of the film, Azam Khan who had carved out a wise promotional strategy for Phoonk, had even thought of a similar idea for Khallballi. During Phoonk, anyone sitting throughout the film without getting scared was to be given 5 lakhs. For Khallballi, the produced challenged anyone to sit through the film with a straight face without any signs of laughter. And the reward here was double-Rs. 10 lakhs!

After the film got postponed indefinitely, the contest was thrown out of the window and Azam Khan is now busy with Phoonk-2! Even if Khallballi gets a release in near future, it’ll be dubbed as a ‘poor man’s De Dana Dan’ as the plot in both films are almost same-the lovers and other interesting characters inside a hotel leading to mistaken identities and helter-skelter in the end! Very unfortunate!

CHECK OUT KHALLBALLI’S PROMO BELOW!


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GET READY FOR AVATAR’S RELEASE


The biggest flick of all time, Avatar is hitting the screens tomorrow. Directed by James Cameron of Titanic fame, the film is expected to provide a fresh outstanding experience of cinema. The makers are recommending the viewers to watch it in 3D. But everywhere, the film is releasing in 3D in handful of theatres. Anyways, Avatar seems a must watch film and all those wanting to have some exciting experience should definitely watch it!

This post first appeared on MouthShut.com: http://www.mouthshut.com/diary/hbddsuolp/Fenils-Bollywood-Talk79

karan johar

BOLLYWOOD IS SO VULNERABLE!

A very ugly incident arose on Friday when Wake Up Sid (WUS) released across the country. The film, directed by debutant Ayan Mukerji and produced by Karan Johar, has several characters calling Mumbai by its old name, Bombay. Maharashtra Navnirman Sena, Raj Thackeray’s party, was furious with this and its members tried stopping the screening of WUS at two theatres in South Mumbai and at a couple of places in Pune. Johar, fearing that the matter may go out of hand, immediately went to Thackeray’s Shivaji Park residence and apologized to him. He assured that he had no intention of hurting anyone’s sentiments and that he would add a disclaimer in the film in 2 days.

The incident created a furore and Raj Thackeray’s rivals perceived it differently, of course, with vested interests and Johar was made a scapegoat by all of them.

I discussed this issue with more than 50 people (many of them Maharashtrians) and not a single person felt that there is any harm in calling Mumbai as Bombay. Go to South Mumbai and many residing there still refer to the city as Bombay. In fact, South Mumbai is often called SoBo (Bo is the short form of Bombay). Then there are so many organizations and companies whose name consist of ‘Bombay’. Bombay Stock Exchange, Bombay Blues (a famous chain of restaurants), Bombay Times, Bombay Parsi Punchayat, Bombay Catholic Sabha, Bombay Dyeing etc are the classic examples. The sunset point in Mahabaleshwar is called Bombay Point since decades. Jet Airways uses the code ‘BOM’ to refer to Mumbai. The funniest part of this whole incident-Raj Thackeray’s son Amit Thackeray studied in a reputed school called BOMBAY SCOTTISH! Ha ha ha!

It was equally shocking to know the quotes given by Raj Thackeray’s rivals. Maharashtra CM Ashok Chavan called the whole incident a publicity stunt. That is, all this drama was created so that WUS gets more audience. A stupid comment, in my opinion, as Johars has and will never resort to such tactics to market their films. Also, there was no need for Johar to do any kind of publicity stunt as WUS had already aroused lots of curiosity amongst youngsters. The film already witnessed massive advance bookings, even before the audiences learnt of this controversy. Shiv Sena spokesperson Sanjay Raut was of the view, “If he (Johar) really feels sorry about it, he should apologise to Maharashtra and the millions of Marathi manoos staying here”. Arre, who cares if Mumbai is called Bombay? People here are more interested in having a better infrastructure, traffic-free roads, organized transport system and sense of security. No one’s sentiments are going to hurt if anyone uses the word Bombay. BJP leader Kirti Somaiya claimed, “Nobody has the right to refer to it by the old name when it has already been renamed Mumbai”. Again, a senseless statement as there’s no law that makes calling a city by its old name illegal. One can fearlessly refer to Mumbai as Bombay, Kolkata as Calcutta, Bengalooru as Bangalore, Vadodra as Baroda, Thiruvananthapuram as Trivandrum, Chennai as Madras and also New York as New Amsterdam!

Raj Thackeray questions, “Why can’t people accept Mumbai if they can accept Chennai and Thiruvananthapuram?” But he should be told that people in these Southern cities don’t have to apologize to any tom, dick and harry if they use the old name of the city. And Thackeray has always been comparing with the Southern States. Last year he justified his signboard campaign (threatening shop owners to change their signboards into Marathi) by stating, “In Kerela and other South Indian states, all the signboards are written in their language, so why not the same in Maharashtra?” Maybe then Raj should make a comparison on all fronts. Kerela has high levels of literacy-why doesn’t he strive to attain the same in Maharashtra too? At least that’ll help the state. Changing the signboards to Marathi and revolting when someone uses the word Bombay is not going to help Mumbai progress even an inch.

Coming back to the film WUS, it depicts reality. Also, in one scene in the film, Konkona Sen Sharma says that she hails from CALCUTTA! No one in West Bengal protested. Also, there have been so many movies that have characters mouthing Bombay. In Dasvidaniya, when Svitlana Manoylo asks Vinay Pathak where he’s from, he replies that he’s from Bombay! This is just one example-one can find lots of such instances. And whose sentiments got hurt?

Karan Johar was also criticized. Many feel that he should have not apologized. But did he have any choice? If he had not done so, Thackeray and his men may had called for a ban for the film in Maharashtra and the state govt would have stood as helpless spectators. Crores were at stake and not to forget, Johar would have to answer his distributors. So I feel Johar’s actions were superfast and completely justified. 2 days back, director Ayan Mukerji, while interacting with movie buffs in the Bollywood Hungama Live Chat session rightly said, “He did what he felt he needed to do at that point to protect our film. It is not possible to understand from outside how much a film means to the people who have created it. It’s like having a baby or something-when someone threatens to hurt that baby, you put your personal pride and ego away to protect it. That’s all that Karan did”. Well said!

Finally, this incident proved that Bollywood is so vulnerable with no protection whatsoever, esp in such situations. A film passed by Censor Board can be released has to undergo politican’s clearance. Thackeray proved that he’s here just to be in the news and to please Maharashtrians with such tactics. His rivals made a fool of themselves with their comments. All this happening with an eye on the elections! God save BOMBAY!


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