Posts Tagged ‘vishal-shekhar’
Producer Sajid Nadiadwala, director Siddharth Anand and music composers Vishal Shekhar asked Ranbir Kapoor to lend his voice for a song in Anjaana Anjaani. Not only did Ranbir sing, but he also finished recording it in 45 minutes.
The recording took place at Vishal Shekhar’s studio in Bandra at 1am on Wednesday. Ranbir was on his way home before 2am. “He shocked both, Vishal and Shekhar. His singing was so smooth and comfortable. This facet of Ranbir was completely unknown and untapped,” says an industry source.
The scene which required Ranbir to sing isn’t a random input. Ranbir breaks into the song with a band playing behind him. The song is shown for a little over one-and-half minute.
Ranbir’s leading lady, Priyanka Chopra, was also present in the studio at around 10pm. Priyanka will also sing a solo for the same film, if everything goes well.” She heard the tune last night and brainstormed with Siddharth and Vishal Shekhar about her comfort level with the pitch of the song. She is yet to muster up the courage to sing. As things stand today, she should be singing the song in the next couple of days,” added the source.
It was the director of the film who wanted Ranbir to sing that particular song. Siddharth said, “Ranbir improvised a lot and did a brilliant job. It was my idea to make him sing. He knew about it from the time he read the script. But the scene where he sings remains to be shot. It will be canned in the next schedule in the US.”
Vishal thinks that Ranbir’s voice was necessary for credibility. He said, “Though it’s a song, it’s also a scene. We had to get Ranbir to do it for authenticity and he totally rocked!”
|Shekhar and Vishal
(Pic: Raju Shinde)
|Ranbir Kapoor||Priyanka Chopra|
By Taran Adarsh, October 30, 2009 – 08:28 IST
Most stories sound interesting on paper or when narrated in 10/15 minutes flat. But when you watch the full-blown cinematic version, you realize why most Hindi films fall flat on their face.
Sujoy Ghosh’s ALADIN promises the moon, but what you get is a mere flicker. This fantasy had the trappings to transport you to fantasyland, but… Seriously, Sujoy could’ve run his imagination wild and come up with a film that would’ve made the child in you jump, scream and clap with glee. But 15/20 minutes into the film and you realize that ALADIN is merely a visual spectacle. A film that lacks soul!
|BY BOLLYWOOD HUNGAMA.COM
After having watched ALADIN, I too desire three wishes…
- Wish 1: Henceforth, actors shouldn’t ask for scripts before they sign on the dotted line;
- Wish 2: Producers should act more responsibly. They shouldn’t be mere moneybags, but have creative control too;
- Wish 3: Directors and writers should stop taking the intelligent viewer for granted.
Will a genie appear and fulfil my wishes? I doubt!
Aladin Chatterjee [Riteish Deshmukh] lives in the city of Khwaish, an orphan who has been bullied since childhood by Kasim [Sahil Khan] and his gang. But his life changes when Jasmine [Jacqueline Fernandez] gives him a magic lamp because it lets loose the genie Genius [Amitabh Bachchan].
Desperate to grant him three wishes and seek the end of his contract with the Magic Lamp, Genius makes Aladin’s life difficult until the real threat looms on the horizon: the ex-genie Ringmaster [Sanjay Dutt]. Why does Ringmaster want to kill Aladin? What is the dark secret about Aladin’s past that Genius is carrying?
Let’s give the credit where it’s due. ALADIN starts with a bang, with the initial portions holding a lot of promise. But no sooner does the genie appears, he breaks into a song and you realize that ALADIN is no different from those mundane films churned out week after week. Sadly, ALADIN only slides downwards after this point. Sure, there’re some interesting moments, but you can actually count those sequences.
The problem is not with the story, but the screenplay [also penned by Sujoy Ghosh]. It rests on absurdities. Okay, one expects absurdities in a fantasy, you can be pardoned for it, but at least they should have the power to keep you hooked. In this case, they don’t!
You can’t overlook two major flaws in the writing…
- One, Amitabh refrains from revealing the past to Riteish, till Sanjay Dutt arrives on the scene and spills the beans.
- Two, the flashback portion – which resulted in Riteish’s parents losing their lives – is haphazard. It’s not easy to comprehend.
Also, the entire track, when Amitabh loses his powers and becomes an ordinary mortal, looks gimmicky. At the same time, it looks weird when Amitabh fights an entire army of Sanju’s henchmen in the end. It gets very formulaic at this point. Not just that, even the climax is ridiculous.
Sujoy Ghosh’s screenplay is bad, to put it bluntly. Given the kind of stars and budget at his disposal, the director should’ve come up with a slick entertainer, but ALADIN comes across as a feeble clone of a poor Hollywood film. Like his last outing HOME DELIVERY, this one too is high on gloss, but low on content.
The visual effects are excellent at places, but tacky at times. Vishal-Shekhar’s music is strictly okay. However, too many songs in the initial reels act as roadblocks. The cinematography is top notch.
ALADIN belongs to Riteish, who’s easy on the eyes. The best part is, he looks the character and enacts it without going overboard. He’s at his natural best here. Surprisingly, Amitabh Bachchan is over the top this time, which puts you off after a point. Sanjay Dutt has two standard expressions from start to end. Jacqueline Fernandez gets no scope, but she looks gorgeous nonetheless.
Ratna Pathak Shah is wasted. Ditto for Victor Banerjee. And what is a wonderful actor like Mita Vashisht doing in this film? Saahil Khan and Arif Zakaria are okay.
On the whole, ALADIN is a terrible waste of a terrific opportunity. Hugely disappointing!
By Bollywood Hungama News Network, August 25, 2009 – 15:47 IST
After successfully directing three films namely Salaam Namaste, Ta Ra Rum Pum and Bachna Ae Haseeno for Yash Raj Films, director Siddharth Anand is all set to start his next venture this time for producer Sajid Nadiadwala’s banner Nadiadwala Grandson Entertainment Pvt. Ltd. The film is titled Anjaana Anjaani, and will star Ranbir Kapoor and Priyanka Chopra in lead roles.
Bollywood Hungama spoke to Siddharth to confirm the same. “Yes my next film is called Anjaana Anjaani. It’s a romantic comedy starring Ranbir Kapoor and Priyanka Chopra. We start shooting in October and the film would be shot in New York, San Francisco and Las Vegas.”
Music of the film has been composed by Vishal-Shekhar who have incidentally composed the music for all of Siddharth’s past three films.
Amitabh Bachchan will be seen dancing to a folk number in Sujoy Ghosh’s film Aladin. What’s interesting is that it is an old folk song recreated for the film and incidentally, it’s the same song that Sujoy Ghosh had heard Amitabh sing at a stage show two decades ago.
Our source said, “Bachchan came up with an impromptu two-liner song that he sung on stage for his fans some 20 years ago. Sujoy made note of the same and last year, while working on the music for Aladin, he requested music composers Vishal and Shekhar to incorporate those lines into a full song. The talented musical duo came up with a peppy number O Re Saawariya. When Bachchan heard the song, the legendary actor found the tune familiar but couldn’t recollect where he had heard those lines. He was pleasantly shocked when Sujoy told him that it was actually his (Bachchan’s) own song and reminded him about the concert that took place 20 years ago.”
O Re Saawariya is a fun number that reminds you of the foot-tapping tunes of the 1970s and 1980s. The song features Jacqueline, who is trying to woo Ritesh Deshmukh, while Amitabh Bachchan keeps popping into the scene at various points. The song is choreographed by Bosco Ceaser and Saroj Khan.
King Khan pays tribute to the King of Pop. Bollywood unites for a music video to pay their respects to the late Michael Jackson
Michael Jackson has influenced Bollywood for decades now. From his signature moves to his singing, he has inspired everyone from musicians to technicians. Now, Bollywood unites to pay a heartfelt tribute to the King of Pop in a video, which will be aired on Michael Jackson’s birthday on August 29. The initiative has been taken by Shah Rukh Khan himself.
Vishal Dadlani confirmed the story and said, “The song is titled, We lived in his world.”
Our source said, “Shah Rukh Khan is a huge fan of the late Michael Jackson and when the creative heads in Red Chilles pitched the idea, he loved it. He had cried when he learnt about MJ’s death. He was also supposed to attend one of the London concerts which never happened. So, the idea was finalised and they decided to make a music video as a tribute. The best talent for the song was Vishal of the Vishal-Shekhar duo. Vishal is a huge fan too and he was in shock for days when he learnt about MJ’s death.
He has written this passionate song and it has been composed by Vishal-Shekhar. They are also the performers in the video with singers Kay Kay, Shaan, Sunidhi Chauhan and Shreya Goshal, among others. The video will have heartfelt messages by top stars like SRK, Hrithik Roshan, Prabhu Deva, Shahid Kapoor, Harman Baweja, Yuvraj Singh, Katrina Kaif, Kangna Ranaut and Priyanka Chopra, among others. The video, currently being shot, is directed by Samar Khan.”
The source further said, “None of the people associated with the video has charged a penny and it’s their love for the legendary singer that has brought them together. It’s been shot in low lighting and has a unique mood. The video will be aired on all the leading channels on August 29, MJ’s birthday. The song has been choreographed by Remo.”
Samar Khan remained unavailable for comment.
Posted June 19, 2009on:
By Joginder Tuteja, June 19, 2009 – 12:29 IST
A couple of days back there was a strong buzz doing the rounds that Siddharth Anand has named his next film as Aaj Phir Jeene Ki Tamanna Hai. However, this is far from true as the man at the hot seat, Siddharth, has firmly denied that this to be the title of his Ranbir Kapoor and Priyanka Chopra starrer.
“This was never the name of the film. I have no clue from where has this rumour originated. In fact I am yet to lock the final title of the film”, says Siddharth who is amused with this piece of news floating around.
A Sajid Nadiadwala production, the film is also special for Siddharth since this is for the first time ever that he would be working with a production house outside Yash Raj Films. He has earlier made Salaam Namaste, Ta Ra Rum Pum and Bachna Ae Haseeno, all being successful in their own right, and has now graduated to making films for the outside banner.
As he begins working on first of these films, he finds himself without a title for this Sajid Nadiadwala production. The enterprising producer is showing trust in new directors, what with giving opportunities to Sajid Khan (Heyy Babyy, Housefull), Shirish Kunder (Jaan-E-Mann) and now Sabbir Khan (Kambakkht Ishq).
Coming back to Siddharth Anand, even though he has branched out of Yash Raj Films (at least for the time being), his stint with Vishal-Shekhar continues. After composing music for each of his three films earlier, the composer duo is working with him again on the Sajid Nadiadwala project.
Vishal Dadlani too was zapped when informed about the title of the film. “What rubbish, I have no clue what you are talking about”, he says in mock anger, “By no means is Aaj Phir Jeene Ki Tamanna Hai the title of the film. We would know if that was the case, right? In fact till yesterday we were having a discussion and desperately trying to lock a title. Some people’s imaginations really run hard and the film’s title to be finalised as Aaj Phir Jeene… is yet another such instance.”
Guess this song from Dev Anand-Waheeda Rehman starrer Guide will have to wait for a while before it finally sees a film based on this title!