Fenil and Bollywood

Posts Tagged ‘Kabhi Alvida Naa Kehna

The sheer brilliance of Kaminey makes Karan Johar forget all the grouses he had against Vishal Bhardwaj since 2006
By Ashwini Deshmukh (MUMBAI MIRROR; August 18, 2009)

Vishal Bhardwaj

Karan Johar

It wasn’t a premier but the turnout was nothing short of a red carpet event. Sunday evening trial of Kaminey had the who’s who of Bollywood queuing up to watch the film that got stalled by swine flu. From the mainstream brigade led by Karan Johar, Rakyesh Mehra, Imtiaz Ali and Ashutosh Gowariker to the alternative set of Anurag Kashyap, John Matthew Mathan, Nagesh Kuknoor, Aziz Mirza, the auditorium at Yash Raj resembled a class of directors.

Also marking their presence were Hrithik Roshan in the scraggy beard he’s grown for Guzaarish, Gauri Khan, putting aside all rumours of a fallout between SRK and Vishal Bhardwaj, Manish Malhotra, Dino Morea, Yash Birla, and standing quietly in a corner, Pankaj Kapur.

But what became the talking point was Karan Johar whose film Kabhi Alvida Naa Kehna had earlier clashed with Omkara, leading to much rumour-mongering between the two camps, on Monday going all out to praise Kaminey. Karan who has publicly admitted his desire to move from bubblegum cinema to a more serious format, starting with My Name Is Khan, gushed on Facebook. “Kaminey… Edgy, intense, compelling, and a shot of great cinema in your face, take the ride alongwith bravura ensemble performances, Shahid, Priyanka and Amole Gupte, stand tall and firm in every inch of this brilliance. More power to you Vishal, and thank you for the inspiration.”

Likewise, Anurag Kashyap, for whom Vishal earlier scored the music for No Smoking, wrote, “Kaminey, badi hi kamini film hai.” Finally, Vishal’s grouse of being the perennial outsider in Bollywood  is laid to rest.

By Devansh Patel, July 17, 2009 – 11:07 IST

Is it possible to stir up passion after the flames of romantic love die down? How can one maintain a loving relationship that satisfies and stimulates year after year? Bollywood Hungama‘s London correspondent and UK’s Harrow Observer columnist offers one simple solution for stoking the fires of lifelong intimacy: awakening and uniting the Body, Mind, Heart, and Soul. These four freedoms-the essence of human nature-have the power to transform a love lost partnership into a divine union sparkling with limitless pleasure and unconditional love. We got hold of actress Adah Sharma to discuss just that because she too believes that sensuality and sexuality lies between the ears and not between the thighs. So in this third episode of ‘Intimacy’ we bring you the exclusive talks which lie in between the Debonair, Kamasutra, Porn films, Sex toys and much more. Time to explore the romantic and an erotic world with Adah Sharma.

First time heard about Sex:
When I was six years old and my mother was watching the Bold and the Beautiful, that’s when I first heard about the word ‘Sex’. I asked her what it was and the answer I got back was – When two individuals love each other it’s called Sex. When my mother explained me and my best friend about what the ‘periods’ were that’s when she actually discussed about ‘Sex’.

Mood for Romance:
I think when you’re even sitting with your mate on a park bench and getting intimate, it can be termed as romantic. For me getting intimate would be getting into the head of that person. For me, sensuality and sexuality lies between the ears and not between the thighs. I think a man who knows how to turn off the lights turns me on.

Seasonal Love:
Spring is an eternal season for me as far as romance is concerned. Having said that, seasons do not have any effect on the way I may feel for my boyfriend because my feelings are not seasonal.

Debonair – the Indian Playboy:
I don’t think I have to look at a magazine to get ideas for romance and sex. I’ve never in my life flipped through pages of Debonair. But the first time I saw nudity in a magazine was of model and actor Milind Soman where he was seen sitting in an athlete position. The nudity was very well shown and the picture did not look naked. It was a cover of a magazine. The second instance I can recall is of Milind again with his then girlfriend and model Madhu Sapre in a shoe advert where both posed nude with their private parts covered with a python around their bodies. It was very impressive and bold.

Being sexual and being erotic:
The most erotic thing for me would be to find out what a man thinks when he gets erotic. What goes in his mind at that time? Wish I had the sixth sense for it. As far as sexuality is concerned, if one is comfortable in their own skin, it’s like being sexual. But you can be sexual in many ways. By the vibes you’re setting out, the way you walk, the way you dance or even the way you drink a glass of water. That too can be sexual sometimes.

Bollywood romance:
I love the scene in Kabhi Alvida Na Kehna where Shah Rukh Khan and Rani Mukerjee are shown having a cup of coffee. There is some coffee seen on the side of Shah Rukh’s lips and when Rani goes to wipe off, that’s when the reality strikes and she realises that he still hasn’t had his first sip. I actually got goosebumps after seeing it because it’s all about reality and imagination of romance.

Hollywood romance:
Basic Instinct. I think it’s a mixture of romance, sensuality and being erotic. It’s by far a cult classic. I think Amitabh Bachchan or Hrithik Roshan are fit to act as Michael Douglas in the Hindi remake of Basic Instinct.

Porn Films:
I’ve never ever seen a porn film in my life but have seen some of ‘C’ grade Hindi films which can be termed as a part of porn. I cannot name any of those films.

Kamasutra:
I’ve read the entire Kamasutra and I own one copy of it. Kamasutra is a very technical book and you need a great degree of strength, fitness and flexibility to perform when you make love. Most people today are satisfied with only visual thinking that this is how they’ll have sex and think that they can do all the positions in the book. But trust me; you need to be really agile. My boyfriend and I have read the Kamasutra together.

Positions:
The guy standing on one hand and one leg making love is by far the most impressive sexual positions I’ve read in the Kamasutra. I don’t know that name of that particular position but I can only remember what it was all about.

Posing Nude:
I’ve always maintained that I like to leave a little bit to the imagination. If I don’t I’m giving the audience an easy way out. I like that degree of difficulty that one puts into them. I don’t think I’ll ever pose nude.

Sex toys:
I saw some bizarre sex toys while I and my friend were doing shopping in Colaba. Initially we didn’t know whether the schools compass box look-a-like was actually a sex toy. It was in a shape of a bus and a train. We came to know after we read ‘dildo’ written on it. That’s the first and the only time I saw and picked one in my hand.

BOLLYWOOD HUNGAMA.COM

By Subhash K. Jha, June 4, 2009 – 11:28 IST

John Abraham John reluctantly but firmly said no to Karan’s offer to play the male lead in the desi version of Chris Columbus’s Stepmom.

Karan had given John a big break in Kaal a few years ago. And nobody can deny the recent Dharma dhamaka Dostana was a turning-point for John’s career.

After Saif, then John was approached to play the lead opposite Kajol and Kareena Kapoor in the desi version of Stepmom.

John almost agreed then opted out. Reason? He didn’t see himself doing much in a film that already started two powerhouse actresses, both natural-born scene stealers.

Says a source, “Karan had almost convinced John to do the role. He even promised that the husband’s role in the Indian Stepmom would be far more substantial than what Ed Harris did in the original. But John is at a stage in his career where he wants to make all the right career moves. He feels, as an outsider in the industry, he has made a place that must be respected,” says a source close to John.

“John is finally learning to say no to projects even if they come from big banners and if he isn’t convinced that he’d get proper performing space. In Dostana, he went along with the salespitch that Abhishek was the ‘actor’ while John was the ‘body’. But in Dostana 2, John will make sure he will be the actor and the body. He’s working hard on it.”

The latest on Stepmom is that it’s yet to be acquired for remake by Dharma Productions. Says Karan Johar, “The modalities for that are still being worked out. Until the contract is signed I wouldn’t want to comment on it. Stepmom was released in the same year as my directorial debut Kuch Kuch Hota Hai and I loved it. I look forward to developing it if the modalities are worked out. You of course know Kajol and Kareena Kapoor are expected to play the two roles.”

In the meanwhile, the other Karan favourite Arjun Rampal who did a walk-on part in Kabhi Alvida Naa Kehna has agreed to step into Stepmom, if and when it gets made.

BOLLYWOOD HUNGAMA.COM

Phoonk2

Phoonk is not flawless, but still it deserves the highest praise. A film with no known star cast and made on a budget of just Rs. 3 crores manages to attract audiences and achieve the ‘Hit’ status-a very big achievement, considering the fact that nowadays even multi-starrers and films starring superstars fail miserably. I had missed this film in theatres. 2 months back, I won its VCD after I participated in an online survey! And now that I am free, I finally saw this film last week. As mentioned earlier, the film has some minuses but overall, it manages to entertain, thrill and scare a bit too!

The story of the movie: Rajiv (Sudeep) is a rich and successful construction engineer, living in a posh duplex house in Mumbai. He has a lovely wife Aarti (Amruta Khanvilkar), adorable children, Raksha (Ahsaas Channa) and Rohan (Shrey Bawa) and a god-fearing mother (Jyothi Subhash). Rajiv is an atheist and doesn’t believe even in the existence of God or evil forces. But one day, his daughter Raksha gets falls into the trap of demonic forces and this compels Rajiv to get out of his beliefs and take necessary action against it. But how would Rajiv do it? And who is behind these evil acts? Watch Phoonk to find out!

Many may not like Phoonk but one can’t deny the fact that the film engrosses the viewer right from the first scene and keeps everyone glued to the screen till the end. The film doesn’t send the chill down the spine but there are ample thrilling moments in the film which makes it interesting. The intro scenes, when the titles roll, set the mood. Rajiv’s outburst at the party and the villains making their evil plan were too good. But Raksha being possessed by evil powers takes the film to a high (especially the school scene-fantastic!).

What doesn’t work is that Phoonk doesn’t scare at all. The film was publicized as a total horror film and many expected it to be scarier than RGV’s Bhoot. And due to these high expectations, many were disappointed with the film. What also bewilders is that how come Rajiv became an atheist, when his mother was a staunch believer in God? No light was thrown on Rajiv’s past regarding this. And the climax could have been shot better.

Phoonk

The best performance in the film is undoubtedly given by Ahsaas Channa! The girl, who has always acted as boy before (‘she’ was seen as ‘he’ in Vaastu Shastra, Kabhi Alvida Naa Kehna etc!) does an extraordinary job. It was a very difficult task in her hands but she came out with flying colours. And it’s really shocking to see that her performance was never considered during awards. When preparing a list of best child artistes of 2008, everyone remembered only Aman Siddiqui (Bhoothnath), Purav Bhandare (Tahaan), Dwij Yadav (Heroes) and Manjit Singh (‘Oye Lucky! Lucky Oye!’). Not a single award even nominated her for any award. Very unfortunate!

Sudeep was rocking and a powerful performer. He’ll be seen next in RGV’s forthcoming Rann as Amitabh Bachchan’s son. Amruta Khanvilkar also delivers a fantastic performance. Lileete Dubey as Dr Seema was excellent and it was great to see her after a long time! Ashwini Kaleskar shines in her over-the-top performance! K K Raina looked every inch a doctor. Zakir Hussain and Jyothi Subhash surprise with their powerful performance. Ganesh Yadav lent able support. Others were good.

A ‘horror’ flick of Ram Gopal Verma is bound to have flawless cinematography and background score. Sure enough, background score (Amar Mohile) was perfect, providing the thrills at the precise scary moments. Savita Singh’s cinematography was raw and unusual and does total justice to the setting in the film. But she falters in the climax.

Milnd Gadagkar wrote the story and screenplay of the film which without a shred of doubt fantastic! Kudos to him for writing a plot based on superstition and tantra-mantra stuff (how many times has it been attempted before?)! Screenplay is top notch and the magical Ram Gopal Verma touches helps to make things better. They could have done a better job in the climax but nevertheless, a great effort by the entire team!

Some of the best scenes:
1.   The intro scene
2.   Madhu (Ashwini Kalsekar) at Rajiv’s house
3.   The party scene
4.   Raksha suddenly goes missing
5.   Bones and lemon found at Rajiv’s place!
6.   Raksha at the school (marvelous scene!)
7.   The docs treating Raksha at home
8.   Murtaza (Zakir Hussain) at Rajiv’s home

On the whole, Phoonk is a nice timepass entertainer. It is definitely not horrifying as it was promoted and has some flaws too. But still, it works and can easily be seen once on a lazy Sunday afternoon!

My rating-*** ½ out of 5!

This post first appeared on MouthShut.com:http://www.mouthshut.com/review/Phoonk-167504-1.html