Posts Tagged ‘urvashi sharma’
Manisha Koirala |
Manisha Koirala, who has been missing in action for a while now, is back with a bang. She is set to play her first negative role as Jaya Bachchan’s shrewd daughter-in-law in Revathy Varma’s Aap Ke Liye Hum.
Confirming the news, director and co-producer, Revathy says that Manisha loved the role because of the challenge of playing somebody so negative. She adds, “It’s the role of Ranvir Shorey’s wife. This woman is so wicked that she doesn’t think twice about turning to her angelic mother-in-law and saying, ‘Why did you produce only one son and expect him to look after you? If you had a couple more we wouldn’t be burdened’. It’s the daughter-in-law who sends Jayaji to the old woman’s home. That beautiful angelic face saying such horrible ugly things to a frail, old woman would be the biggest challenge of Manisha’s career.”
The closest Manisha has come to playing a negative character was in Mani Ratnam’s Dil Se where she played a terrorist. The actress is expected to join the cast and crew when the shooting resumes in January.
Incidentally, this is the same role that Urvashi Sharma had earlier agreed to do, but backed out later because of non-payment of her remuneration.
Revathy laughs uncomfortably, “Well, yes. It’s the same role. But Manisha doing the role makes all the difference. And of course her remuneration too makes all the difference. Besides, Manisha loved the thought of sharing screen space with Jayaji. We start shooting right after Jayaji’s winter parliamentary session gets over.”
Director Revathy Sharma sacks her nearly bankrupt producers; to co-produce her directorial debut
Revathy Varma, whose first Hindi film Aap Ke Liye Hum starring Jaya Bachchan , Raveena Tandon, Madhavan, Ayesha Takiya and Ranvir Shorey has been grappling in troubled waters for almost a year now, is finally breathing a sigh of relief. Revathy has now decided to get the project going by producing the film herself. Revathy said, “It was my producers who were actually responsible for all the trouble. However, I didn’t realise this initially because there were other matters like getting dates from actors and my leg injury, which made matters worse. It took months of harassment, schedules going haywire, and yes, bounced cheques to realise what the real hindrance was.” “I was new to Mumbai and trusted my producers blindly. But soon it dawned upon me that they were with me only because I had people like Jayaji starring in my film,” she added. Ravathy first got an inkling of trouble when actress Urvashi Sharma’s cheque bounced. “Initially, I was upset with the girl for making a big issue because of the money. Later I got to know that Urvashi’s as well as many other people’s cheques had really bounced. I was horrified and embarrassed.” Telling us about what really made her sit up and take action, Revathy said, “They made actor Swapnil Ralkar part of my film. I did not mind as he fit the role. But later they brought in another newcomer.” However, Revathy learnt that money was exchanged between the producers and the newcomer. That’s when she finally decided to part ways with her producers. “Schedule after schedule was getting cancelled and my producers always had some or the other excuse to hide their inadequacy. But when Jayaji allotted dates in January and February 2010, I had to take quick action,” added Revathy. Revathy will now co-produce the film with a financer. A cautious Revathy said, “I checked his antecedents before partnering with him. Once bitten, twice shy. My financier will take care of the budget while I look into the creative aspects. I can finally make my film in peace.” |
AAKANKSHA NAVAL-SHETYE (BOMBAY TIMES; September 8, 2009)
Ashu Trikha believes in following his dreams, even if that means waiting for three years to realise them. Not the one to follow a beaten path, the director, who’s also directed Alag, is back with another hatke film, this time based on the crime scene in Central India. Titled Baabarr, the film marks the debut of newcomer Soham along with actress Urvashi Sharma and also stars stalwarts like Mithun Chakraborthy, Om Puri, Tinnu Anand and Sushant Singh. Here, the filmmaker talks about his crime caper.
Baabarr is based on real-life incidents. What made you choose such a hard-hitting subject?
• The entire fact that such incidents have happened and continue to happen even today, and that the characters depicted in the film really do exist, is a matter of great shame for any society. It was something that I felt about very strongly.
You tried to deal with the film in realistic manner…
• Yes, because the film required it. Baabarr is a stark film, not for the fainthearted. A lot of research has gone into it. And during that, we realised that to get the right feel, it was important to keep the backdrop as natural as possible. So whether it’s shooting on rough terrain or in real locations or with real country made revolvers, we have tried to present reality in the truest form.
• Every film is a risk. The only thing in our hands is to make a film sincerely and with all honesty.
• Yes. And I felt like I’m having the best of both the worlds. There was raw talent waiting to be honed and there was a sea of experience waiting to be tapped. Omji and Mithunda are some of the finest actors to date, while Soham has the spark and is spectacularly good as a debutante.
Do you think a film so real is commercially viable?
• Absolutely. The film is not a documentary. It has its light moments, there are songs and dances too, but none of them have been forcibly included. So, it’s very much a hard-core commercial film, but with it’s sensibilities rooted in realism.
What was the most challenging thing about shooting for the film?
• Shooting in the kind of conditions that we did was challenging. Because unlike shooting in a studio which is quite a controlled environment, shooting in rough terrain is physically very demanding.
What’s the message you want your audiences to take home after watching the film?
• I don’t want to preach anything through my film. I only want them to question where we are headed as a society.