Posts Tagged ‘car’
UTV Motion Pictures and director Ken Ghosh have come up with a unique idea to promote Chance pe Dance. The film’s lead actor, Shahid Kapoor, lives in the car through the major part of the film.
So the film’s marketing team decided to create a marketing strategy on similar lines.
Our source said, “Marketing the film is very important and everyone needs different ideas. It’s very difficult to convince Shahid to do something, but he approved of this idea. We will mostly be using an old Maruti 800, which Shahid has used in the film.
He will actually stay in the car and even have meetings inside the car. The event will take place in January, days before the film’s release.”
Chance pe Dance |
Shikha Kapur, VP-Marketing of UTV Motion Pictures said, “Shahid is shown living out of his car in Chance pe Dance, so the idea of having him actually live in his car for two days did come up.
However, this is just one of the many plans for promoting the film and nothing has been finalised at the moment.”
What do you say to your ex-flame when you bump into him? Nothing. You look through him, or at least that is the strategy Aishwarya Rai Bachchan is endorsing these days. This is what happened just a few days ago (On Monday to be precise) when Salman Khan and Aishwarya crossed each other’s paths.
The said incident took place at Mehboob Studios where Aishwarya is busy shooting for Sanjay Leela Bhansali’s Guzaarish and Salman Khan was shooting for a promo for his next release, Veer.
According to an onlooker, Salman emerged from his car and was talking on the phone with a smile on his face. Soon, his smile turned into a frown as at the same time, Aishwarya stepped out and was walking towards her van.
Both froze. Our source, who was present at the studio, insists that they did look into each other’s eyes for a moment and immediately looked the other way.
Aishwarya entered her van immediately, so our source couldn’t gauge her reaction. But the source did catch Salman’s discomfort.
The source insists that after the incident, Khan was not too keen on shooting but couldn’t bail out of the shoot.
“Though he walked in talking on the phone with a smile, after coming face-to-face with Aishwarya he didn’t utter a single word, except when he was facing the camera,” the source concludes.
Trust Salman Khan to do the unthinkable. While most actors would think twice before packing up an important shooting schedule to please a cluster of clamouring kids, Salman did not hesitate to do just that. On Tuesday, Salman Khan abandoned his patchwork shooting for his period film Veer at the Khans’s farmhouse in Panvel and rushed to Mumbai to entertain kids at a children’s event.
On Tuesday late evening, while in the middle of the shoot, Salman received a call. When he hung up, he called for his car and informed the crew that he had to leave immediately. Fearing a family crisis, unit members rushed to his side only to be told that he needed to drive back from Panvel to a gymkhana in Mumbai to entertain a large number of kids.
A charitable organisation had organised a children’s nite at the gymkhana. The kids had been constantly asking for an appearance by their favourite star, Salman Khan, but the organisers ignored their request. However, during the event, on Tuesday evening, the kids became adamant and refused to perform on stage until Salman uncle was called to dance with them. In desperation, one of the organisers somehow got hold of Salman’s number and called him up.
A close friend of Salman said, “Salman is always doing such things. He simply stopped shooting, got into the car and rushed from his farmhouse in Panvel to entertain about 400 kids who had gathered to sing and dance on stage.”
Although Salman has been associated with the organisation, which does events for kids, he doesn’t believe in shirking work. He had initially begged off coming to Mumbai, saying it would take him many hours to reach Khar even if he stopped the shooting immediately and left. He only relented when he heard that the kids had refused to perform without him.
The friend added, “When he heard how desperate the situation was and that the kids refused to go on stage without him, Salman immediately left Panvel, leaving director Anil Sharma and the rest of the crew open-mouthed in disbelief. Salman slept in the car until he reached the venue where the kids were waiting for him. He danced on stage for a good hour and then drove back to his shoot.”
No wonder this Khan continues to be a favourite among kids.
SUBHASH K JHA Times News Network (BOMBAY TIMES; December 7, 2009)
Indecent proposal for Govinda!
Posted November 27, 2009
on:A man insisted that Govinda should marry him. When Govinda refused, he started stripping, forcing the actor to run away from the spot
A few days ago, Govinda got quite a scare when man dressed up as a woman entered Jal Darshan building in Juhu, where Govinda resides, and demanded to meet the actor.
Although the building’s security guards did not allow the man inside the premises and tried to talk to him, he refused to relent. An eyewitness says, “The man said that he wanted to meet Govinda at any cost. He refused to budge.”
When all efforts made by the security guards failed, they were left with no choice but to inform the star about the visitor. On getting to know about the hullabaloo created by the man, the actor agreed to meet him thinking that he might be one of his ardent fans.
Govinda |
The actor was in for a shock when the man directly told him: “I am a man but I want to marry you. If need be, I am even ready to undergo a sex change operation, but please let’s start a life together.”
At first, Govinda was shocked by the revelation. Thereafter, he tried to explain to him that this was simply not possible. However, the man was in no mood to listen. When he realised that his sweet-talk was failing to do the needful, he started removing the padding he had worn, right in front of Govinda’s eyes, embarrassing him to no end.
That’s when the security guards took stock of the situation and had no choice but to manhandle the visitor. Meanwhile, Govinda, fearing that the man may get even more obscene, ran to his car and drove off.
Confirming the incident, Govinda says, “Haan, yeh sab hua tha. Woh aadmi mujhse shaadi karna chahta tha. He told me that his name was Sameera, but obviously, that was a false name. I told him yeh nahin ho sakta. Usne bahut masti aur battameezi ki. Ab sab kucch to main bayaan nahin kar sakta, na?”
Acid Factory-Fast and faster!
Posted October 9, 2009
on:SHARIN WADER BUTANI Times News Network (BOMBAY TIMES; October 8, 2009)
“All six actors — Irrfan Khan, Dia Mirza, Fardeen Khan, Aftab Shivdasani, Manoj Bajpayee, Dino Morea and Danny Denzongpa, have added a clear definition to their roles,” said Mumbai Mantra CEO Andrey Purushottam, adding, “Bollywood action has come of age and this film proves just that.”
The one person who had the time of his life working inside this “factory” was director Suparn Verma. “If the cast and crew, while shooting the scenes, thought that they could have probably died, then let me tell you… they could have! The scenes were dangerous,” said Suparn. There’s not a single place in Cape Town where they’ve not blown a car or had a helicopter chase. “By the time we had completed shooting, the place looked like a war zone,” laughed Suparn, giving all the credit to action director Tinu Verma.
Dia Mirza, who has surprised all with her daredevil acts, said, “I insisted on doing the stunts myself. I’ve proved that I can kick some butt too!” she said. Irrfan had other reasons for signing the film. He said, “I asked the director, ‘You think this will work, the critics will like the film?’ He said, ‘NO’. So I said, ‘Hell, man, let’s do it’.”
Fardeen is confident that the film will keep audiences at the edge of their seats. “The plot is such that you don’t know what the other person is going to do next,” said the actor.
Let’s talk about Sex baby!
Posted September 30, 2009
on:BOLD AND BEAUTIFUL: (From top) Stills from Luck By Chance, Kaminey, Love Aaj Kal
DEEPALI DHINGRA Times News Network (BOMBAY TIMES; September 29, 2009)
Did you cringe with discomfort when a seemingly innocent child woman Isha Sherwani seduced Farhan Akhtar into bed in Luck By Chance? Or, more recently, when a salwar kameez-clad Priyanka Chopra managed to convince a reluctant Shahid Kapoor to have sex with her in Kaminey, by telling him that she knows ‘homescience’ and that it’s ‘safe to do it’? More likely than not, you smiled at their boldness and prepared for more to come. Seduction was a game played by vamps in Bollywood in the 70s and 80s. Much later, lead actresses like Bipasha Basu and Priyanka Chopra were sexually charged in Jism and Aitraaz respectively. But even then, they were the ‘bad girls’. Well, times have changed — even the ‘good’ girls are taking a turn for the ‘bad’ and the audiences are lapping it up!
Watch newcomer Mahie Gill throwing herself in full abandon at Abhay Deol in a mustard field in Dev. D and you’ll know what we’re talking about. Trade analyst Komal Nahta says he isn’t surprised at this change. “Films, after all, are a reflection of today. Girls are proposing to guys, they are using seduction as a tool even in real life. The major composition of the audience comprises youth, so they have to show what the young generation identifies with,” he says. So Kareena Kapoor playfully hands Akshay Kumar her bra in Tashan and Konkona SenSharma suggests a quick bout of love-making to Rahul Bose in Dil Kabaddi before they turn in for the night and Deepika Padukone has no qualms with Saif Ali Khan kissing her full on the mouth in the car in Love Aaj Kal. Agrees Mahie, “Reel life follows real life. Women today are more vocal about their sexual desires than what they were about a decade back. The audience today wants to see characters they can identify with. That’s why the boldness depicted by the newer lot of actresses has been accepted.”
According to film director Onir, a growing section of audiences in urban centres are accepting this change. “Independent working women watch these films with their male friends and colleagues who treat them as equals and therefore, accept their portrayal on screen as well,” he says. Also, the younger generation of filmmakers who have grown up seeing women as friends and colleagues, are showing female characters as they are, says Onir.
deepali.dhingra@timesgroup.com